Ramanujan (who died in 1993) has rendered two services: he has introduced Indian and Western readers to an unfamiliar and fascinating literary tradition, and he has provided access to some examples of a mature classical poetry. In them, as the translator notes, passion is balanced by courtesy, transparency by ironies and nuances of design, impersonality by vivid detail, spareness by richness of implication. The poems come from one of the earliest surviving texts of Tamil poetry, the Kuruntokai, an anthology of love lyrics probably recorded during the first three centuries A.D. Seventy-six of these classical poems have here been given a modern language and form. In an effort at fidelity to the effect of the images and their placement in the original, Ramanujan has given a visual shape to the poems by typographic devices. This classic anthology of translations has long been out of print. It should interest all those who read poetry, as well as those who value Ramanujan's gift as a translator.

    For the first 92 years, the 135-year-old party was headed by a Nehru-Gandhi family member for only 11 years, even though Nehru and Indira were collectively the PM of India for 28 years. Then things changed. Indira was the party president for seven consecutive years, and succeeded by her son Rajiv Gandhi for six years. After Rajiv’s assassination in 1991, PV Narasimha Rao was party president for five years. Sitaram Kesri was the next Congress president for 18 months. Enter Sonia Gandhi. Barring a 20-month period when her son Rahul held the post, she has been Congress president for 23 years. During her ‘reign’, the party has seen an average 31.6% decline in vote share and a 50.2% reduction in seats in the Lok Sabha. Due to her not allowing a proper election for the post of party president — as was the norm for the first 92 years — the Congress is collapsing. Ever since the Modi-led NDA routed the party in 2014, several Congressmen have been complaining about “lack of effective leadership.” Narendra Modi. Whether you admire him or belittle him, adore him or chastise him, praise him or ridicule him, love him or hate him, no Indian can pretend to ignore the man. Since September 2013, he has been the biggest newsmaker in India . On 15th August 2020, Modi became the longest-serving non-Congress PM of India. The first three chapters of this easy-to-read book are about Congress party’s corruption. The next three analyse the 2019 elections in great detail. Then, there is a chapter about the Left Front and one on the Congress’ performance in each state since Sonia became the chief. The next eight chapters are about Modi, his successes, his failures, and the work he has done in 80 months. The longest chapter, divided into 14 sections, details the successes and failures of India’s 14 prime ministers. “Is Congress Becoming Anti-India” and “Congress-Mukt Bharat” are the final two chapters. The Appendix lays out ‘Agenda 2024’ for India.

    Covering almost seventy years of conflict, it chronicles the events leading up to Partition, reflects on the consequent strife, and provides a fresh, discursive perspective on the figures who have shaped the story of this land—from Lord Louis Mountbatten and Muhammad Ali Jinnah to Atal Bihari Vajpayee and Manmohan Singh.Covering historical, diplomatic and military perspectives, Where Borders Bleed is intrepid, engaging with a range of contentious issues that have shaped Indo-Pak relations—water sharing, Kashmir and Article 370. Equally, it is speculative. It asks: would terror have affected the world the way it has, if ‘PakIndia’ had been a benign single entity? What if India and Pakistan were to reunite, much like East and West Germany? As the now-largest nation in the world, would the mammoth PakIndia radically change the globe’s geo-political framework?These questions—combined with the author’s own diplomatic access to rare archival material and key leaders across borders—make this a one-of-a-kind book on the story of India and Pakistan.

    It is, to begin with, a book which gives prominence to poems rather than to the poets who wrote them. It is truly international, bringing together poems not just from these islands but from many parts of the English-speaking world. It is the first book to identify a strain in the poetry of the last half-century which is characteristic of the 'strange times' we live in - an age when, as the editors note, scientific discovery itself has encouraged us to 'make free with the boundaries of realism'. It values imagination, surprise, vivid expression, the outlandish and the playful above ideology and sententiousness. It is, in short, living proof that poetry in the English language continues to thrive and to matter.

    (Yuba City Poems).Groups of interlinked poems divided into six sections are peopled by many of the same characters and explore varying themes. Here, Divakaruni is particularly interested in how different art forms can influence and inspire each other. One section, entitled Indian Miniatures, is based on and named after a series of paintings by Francesco Clemente. Another, called Moving Pictures, is based on Indian films, including Mira Nair's "Salaam Bombay" and Satyajit Ray's "Ghare Baire." Photographs by Raghubir Singh inspired the section entitled Rajasthani. The trials and tribulations of growing up and immigration are also considered here and, as with all of Divakaruni's writing, these poems deal with the experience of women and their struggle to find identities for themselves.This collection is touched with the same magic and universal appeal that excited readers of "Arranged Marriage." In "Leaving Yuba City," Chitra Banerjee Divakaruni proves once again her remarkable literary talents.

    This is where I come from. Everyone I love still lives there." Widely known for her performance poetry, author Brenna Twohy offers an intimate portrait of loss, abuse, and the messy ways that we heal. Often funny and always honest, Zig-Zag Girl is about grief, strength, and the magic of holding on.

     Rumi’s popularity has gone beyond national and ethnic borders. He is considered to be one of the greatest classical poets, by the speakers of Persian language in Iran, Afghanistan and Tajikistan. His poetry is still read worldwide today and has been translated into a wide variety of languages including Turkish, Persian, Russian, Asian, English and Spanish languages. Likely due to the pure universal natural themes in his poetry, Rumi’s works are simplistic and beautiful at the same time. A collection of 101 quotes of wisdom from Rumi on life, love and happiness. "Anyone who genuinely and consistently with both hands looks for something, will find it. " "Now is the time to unite the soul and the world. Now is the time to see the sunlight dancing as one with the shadows." "Gamble everything for love, if you’re a true human being. If not, leave this gathering." “Let the lover be disgraceful, crazy, absentminded. Someone sober will worry about things going badly. Let the lover be.” "Why should I be unhappy? Every parcel of my being is in full bloom." ............... Download this book now to experience essential wisdom from the timeless Rumi.

    His Tales and Legends from India, Angry River, Strange Men, Strange Places, The Blue Umbrella, A Long Walk for Bina and Hanuman to the Rescue are also available in Rupa paperback. The Ruskin Bond's Children's Omnibus has been a firm favourite with young readers for several years. Ghost Stories from the Raj, The Rupa Book of Great Animal Stories, The Rupa Book of True Tales of Mystery and Adventure, The Rupa Book of Himalayan Tales and The Rupa Book of Great Suspense Stories are some of his recent books for Rupa.

    Tap Out, Edgar Kunz’s debut collection, reckons with his working‑poor heritage. Within are poignant, troubling portraits of blue‑collar lives, mental health in contemporary America, and what is conveyed and passed on through touch and words―violent, or simply absent.   Yet Kunz’s verses are unsentimental, visceral, sprawling between oxys and Bitcoin, crossing the country restlessly. They grapple with the shame and guilt of choosing to leave the culture Kunz was born and raised in, the identity crises caused by class mobility. They pull the reader close, alternating fierce whispers and proud shouts about what working hands are capable of and the different ways a mind and body can leave a life they can no longer endure. This hungry new voice asks: after you make the choice to leave, what is left behind, what can you make of it, and at what cost?

    40 Haiku in English inspired by the practice of Zen Buddhism and Zazen (seated meditation) in particular.I hope you enjoy!

    Debt-ridden and marked by the mafia, this is the only way he can secure his family's future and atone for all the rotten choices he has made in his life. This extraordinary situation comes by way of his grandfather Fali's last Will that states Rustom shall inherit the family fortune if he kills himself in a public place with the former's eponymous gun.Before he has a chance to shoot himself his best friend Mani convinces him to meet an unlikely saviour in the Himalayan town of Almora - a drugged-out godman belting out strange visions through cryptic stories of love, power and loyalty. Will the last storyteller give Rustom a reason to live, or will his tales push Rustom further into an abyss of unimaginable loss?By turns, dark and humorous, quirky and dead serious, Rustom and the Last Storyteller of Almora is a scintillating debut about a man ready to embrace death to redeem his life.

    Reflecting both private devotional love and the attempt to attain union with God and become absorbed into the Divine, many poems in this edition are imbued with the symbols and metaphors that develop many of the central ideas of Sufism: the Lover, the Beloved, the Wine, and the Tavern; while others are more personal and echo the poet's battle to leave earthly love behind.These translations capture the passion of the original poetry and are accompanied by an introduction on Sufism and the common themes apparent in the works. This edition also includes suggested further reading.

    S. Eliot Prize'Rich in form and reverent references, Us transports the reader from the hills of Pakistan to the schoolgrounds of Stratford-upon-Avon, from George Herbert to The Lion, the Witch and the Wardrobe.' (Maria Crawford, Financial Times, BOOKS OF THE YEAR)'Highlights of the year include the Heaney-esque lyricism of British-Indian poet Zaffar Kunial's accomplished debut Us.' (Tristram Fane Saunders, Daily Telegraph, Books of the Year)'Zaffar Kunial possesses that rare quality of negative capability which Keats first identified in Shakespeare (a guiding spirit in this, Kunial’s first collection); the poems hold us among mysteries and doubts, without pronouncing or attempting to resolve. Their beauty lies in their indecisiveness – their quiet refusal to settle matters or hold to a single view.' (Rebecca Watts, Times Literary Supplement)'His first full book, which has come together slowly, patiently, over several years... He can do clear-eyed and tender inside a single poem, without any hint of glibness. Fun fact: he used to earn his living writing verse for Hallmark cards.'(The 20 best poetry books of 2018, The Spinoff, New Zealand)'Everyone in this book is honoured as complicated and contrary, while the writing of them is always subtle and deep, generous and empathetic.' (Tim Dee, Caught by the River)'Zaffar Kunial has been called “a guide for modern times”. His first collection Us travels from Pakistan to Stratford-upon-Avon to Orkney, as he explores his own cultural heritage through language. Kunial is interested in how two disparate elements can come together to create something new. He is more formal than many modern poets; he takes tradition seriously. His writing is subtle, thoughtful and precise, his view of the world utterly individual.' (FOLD magazine)'Zaffar Kunial is a poet whose work thrills me, who makes you return to the origins of things, places, language and people again and again. He's a poet who takes traditions seriously but makes of them something entirely new - a must.' (Jackie Kay)'Us by Zaffar Kunial abounds with poems which are witty, playful and heart-breaking by turns. Drawn to the place where things don't quite meet, which he describes as "a kind of abysmal underneathness/or usness/under the heights of language", his is a wondrous poetic of loopholes, portals and translations, and of the magic in-between.' (Sinead Morrissey, Chair of the T. S. Eliot Prize judges)'There's something about the precise, thoughtful, unhurried way in which he interrogates language that marks him out as a unique talent. A real find.' (Roger Cox, Scotsman)

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    It tells the story of how Orbis Rex, Young Matt and his Circle of Friends, Queen Dido and the blind Dom'nic did battle with 'a wet and withered bat' from Wuhan.