Weeks later she arrives on her cousin's doorstep in Berkeley, CA, dazed by first love found then lost, and pregnant. This was not the plan. But amid the uncertainty of new motherhood and her American identity, Soli learns that when you have just one precious possession, you guard it with your life. For Soli, motherhood becomes her dwelling and the boy at her breast her hearth. Kavya Reddy has always followed her heart, much to her parents' chagrin. A mostly contented chef at a UC Berkeley sorority house, the unexpected desire to have a child descends like a cyclone in Kavya's mid-thirties. When she can't get pregnant, this desire will test her marriage, it will test her sanity, and it will set Kavya and her husband, Rishi, on a collision course with Soli, when she is detained and her infant son comes under Kavya's care. As Kavya learns to be a mother - the singing, story-telling, inventor-of-the-universe kind of mother she fantasized about being - she builds her love on a fault line, her heart wrapped around someone else's child. Lucky Boy is an emotional journey that will leave you certain of the redemptive beauty of this world. There are no bad guys in this story, no obvious hero. From rural Oaxaca to Berkeley's Gourmet Ghetto to the dreamscapes of Silicon valley, author Shanthi Sekaran has taken real life and applied it to fiction; the results are moving and revelatory.

    She hosts Lost City Radio, the most popular program in their nameless South American country, gripped in the aftermath of war. Every week, the Indians in the mountains and the poor from the barrios listen as she reads the names of those who have gone missing, those whom the furiously expanding city has swallowed. Loved ones are reunited and the lost are found. Each week, she returns to the airwaves while hiding her own personal loss: her husband disappeared at the end of the war. But the life she has become accustomed to is forever changed when a young boy arrives from the jungle and provides a clue to the fate of her long-missing husband. Stunning, timely, and absolutely mesmerizing, Lost City Radio probes the deepest questions of war and its meaning: from its devastating impact on a society transformed by violence to the emotional scarring each participant, observer, and survivor carries for years after. This tender debut marks Alarc�n's emergence as a major new voice in American fiction.

    Rebellious and adrift in late 1980s Wisconsin, he is resentful of his Indian roots and has no clue what he wants from his future—other than to escape his family’s life of endless moving and financial woes. But after a drunken weekend turns disastrous, Vikram’s outraged parents decide to pack up the family and return to India—permanently.So begins a profound journey of self-discovery as Vikram, struggling with loneliness, culture shock, and the chaos of daily Indian life, finds his creativity awakened by a new romance and an old camera. His artistic gifts bring him closer to a place and family he barely knew. But a devastating family crisis challenges Vikram’s sense of his destiny, hurtling him toward a crossroads where he must make the fateful choice between India, the land of his soul, and America, the land of his heart.

    Skanda is tasked with fulfilling Toby's final wish and returning his ashes to his birthplace. It is a journey that takes him from Manhattan to Delhi, and deep into the story of his family: in particular, to a night three decades earlier, when an act of shocking violence forced his parents' fragile marriage apart. Set at flashpoints in 1975, 1984, 1992 and the present day, The Way Things Were shows how our most deeply personal stories are shaped by ancient history and volatile politics; how the life of a country and the life of an individual are irrevocably entwined. Spanning three generations, it is at once intimate and panoramic, with a thrilling ambition that places it alongside such masterpieces as A Suitable Boy and A Fine Balance.

    Yasodhara tells the story of her own Sinhala family, rich in love, with everything they could ask for. As a child in idyllic Colombo, Yasodhara's and her siblings' lives are shaped by social hierarchies, their parents' ambitions, teenage love and, subtly, the differences between the Tamil and Sinhala people—but this peace is shattered by the tragedies of war. Yasodhara's family escapes to Los Angeles. But Yasodhara's life has already become intertwined with a young Tamil girl's… Saraswathie is living in the active war zone of Sri Lanka, and hopes to become a teacher. But her dreams for the future are abruptly stamped out when she is arrested by a group of Sinhala soldiers and pulled into the very heart of the conflict that she has tried so hard to avoid – a conflict that, eventually, will connect her and Yasodhara in unexpected ways. In the tradition of Michael Ondatjee's Anil's Ghost and Arundhati Roy's The God of Small Things, Island of a Thousand Mirrors is an emotionally resonant saga of cultural heritage, heartbreaking conflict and deep family bonds. Narrated in two unforgettably authentic voices and spanning the entirety of the decades-long civil war, it offers an unparalleled portrait of a beautiful land during its most difficult moment by a spellbinding new literary talent who promises tremendous things to come.

    Against the unsettling backdrop of Mau Mau violence, Vic and his sister Deepa, the grandchildren of an Indian railroad worker, search for their place in a world sharply divided between Kenyans and the British. We follow Vic from a changing Africa in the fifties, to the hope of the sixties, and through the corruption and fear of the seventies and eighties. Hauntingly told in the voice of the now exiled Vic, The In-Between World of Vikram Lall is an acute and bittersweet novel of identity and family, of lost love and abiding friendship, and of the insidious legacy of the British Empire.--back cover

    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.

    Yui struggles to continue on, alone with her pain. Then, one day she hears about a man who has an old disused telephone booth in his garden. There, those who have lost loved ones find the strength to speak to them and begin to come to terms with their grief. As news of the phone booth spreads, people travel to it from miles around. Soon Yui makes her own pilgrimage to the phone booth, too. But once there she cannot bring herself to speak into the receiver. Instead she finds Takeshi, a bereaved husband whose own daughter has stopped talking in the wake of her mother’s death. Simultaneously heartbreaking and heartwarming, The Phone Booth at the Edge of the World is the signpost pointing to the healing that can come after.

    Longing for passion and independence, Olivia is drawn into the spell of the Nawab, a minor Indian prince deeply involved in gang raids and criminal plots. She is intrigued by the Nawab's charm and aggressive courtship, and soon begins to spend most of her days in his company. But then she becomes pregnant, and unsure of the child's paternity, she is faced with a wrenching dilemma. Her reaction to the crisis humiliates her husband and outrages the British community, breeding a scandal that lives in collective memory long after her death.

    Written when the author was seventeen, it brilliantly describes the hopes and passions that capture young minds and hearts. A moving tale of love and friendship, it has endured as Bond’s most beloved novel.

    Lucy has set her career aside in order to devote her life to the children, to their finely tuned routine, and to the house itself, which comforts her like an old, sly friend. But then a man calls one afternoon with a shattering message: his wife has been having an affair with Lucy's husband, Jake. The revelation marks a turning point: Lucy and Jake decide to stay together, but make a special arrangement designed to even the score and save their marriage--she will hurt him three times.As the couple submit to a delicate game of crime and punishment, Lucy herself begins to change, surrendering to a transformation of both mind and body from which there is no return.Told in dazzling, musical prose, The Harpy is a dark, staggering fairy tale, at once mythical and otherworldly and fiercely contemporary. It is a novel of love, marriage and its failures, of power, control and revenge, of metamorphosis and renewal.

    In “Requiem”, a woman goes to Alaska to try and make sense of her aunt’s disappearance. An eleventh century poet wakes to find he is as an artificially intelligent companion on a starship. A woman of no account has the ability to look into the past.Singh's work dives into the vast strangeness of the universe without and within, and she unblinkingly explores the ways we move through space and time: together, yet always apart.Contents:- With Fate Conspire (2013)- A Handful of Rice (2012)- Peripeteia (2013)- Lifepod (2007)- Oblivion: A Journey (2008)- Somadeva: A Sky River Sutra (2010)- Are You Sannata3159? (2010)- Indra's Web (2011)- Ruminations in an Alien Tongue (2012)- Sailing the Antarsa (2013)- Cry of the Kharchal (2013)- Wake-Rider (2014)- Ambiguity Machines: An Examination (2015)- Requiem (2018)

    Shantaram is narrated by Lin, an escaped convict with a false passport who flees maximum security prison in Australia for the teeming streets of a city where he can disappear.Accompanied by his guide and faithful friend, Prabaker, the two enter Bombay's hidden society of beggars and gangsters, prostitutes and holy men, soldiers and actors, and Indians and exiles from other countries, who seek in this remarkable place what they cannot find elsewhere.As a hunted man without a home, family, or identity, Lin searches for love and meaning while running a clinic in one of the city's poorest slums, and serving his apprenticeship in the dark arts of the Bombay mafia. The search leads him to war, prison torture, murder, and a series of enigmatic and bloody betrayals. The keys to unlock the mysteries and intrigues that bind Lin are held by two people. The first is Khader Khan: mafia godfather, criminal-philosopher-saint, and mentor to Lin in the underworld of the Golden City. The second is Karla: elusive, dangerous, and beautiful, whose passions are driven by secrets that torment her and yet give her a terrible power.Burning slums and five-star hotels, romantic love and prison agonies, criminal wars and Bollywood films, spiritual gurus and mujaheddin guerrillas—this huge novel has the world of human experience in its reach, and a passionate love for India at its heart. Based on the life of the author, it is by any measure the debut of an extraordinary voice in literature.

    In FUNNY BOY we follow the life of the family through Arjie's eyes, as he comes to terms both with his own homosexuality and with the racism of the society in which he lives. In the north of Sri Lanka there is a war going on between the army and the Tamil Tigers, and gradually it begins to encroach on the family's comfortable life. Sporadic acts of violence flare into full scale riots and lead, ultimately, to tragedy. Written in clear, simple prose, Syam Selvadurai's first novel is masterly in its mingling of the personal and political.

    We piece her together, much as we do with others in our lives, in incomplete but illuminating slivers. Set in familiar and nameless cities, moving between east and west, The Nine-Chambered Heart is a compendium of shifting perspectives that follows one woman's life, making her dazzlingly real in one moment, and obscuring her in the very next. Janice Pariat's exquisitely written new novel is about the fragile, fragmented nature of identity - how others see us only in bits and pieces, and how sometimes we tend to become what others perceive us to be