Americans are hitting the highways in droves; the radio crackles with warnings of traffic jams and crashed cars. Steve Hogan and his wife, Nancy, have a long drive ahead—from New York City to Maine, where their children are in camp. But Steve wants a drink before they go, and on the road he wants another. Soon, exploding with suppressed fury, he is heading into that dark place in himself he calls “the tunnel.” When Steve stops for yet another drink, Nancy has had enough. She leaves the car. On a bender now, Steve makes a friend: Sid Halligan, an escapee from Sing Sing. Steve tells Sid all about Nancy. Most men are scared, Steve thinks, but not Sid. The next day, Steve wakes up on the side of the road. His car has a flat, his money is gone, and there’s one more thing still left for him to learn about Nancy, Sid Halligan, and himself.

    The one book Black Lizard never published, it's the dream-like tale of a man after a jailbreak, who meets up with the woman of his dreams... and his nightmares. Phenomenal work of the period, ranking with the best efforts of Thompson, Woolrich, Goodis et al.

    Working door-to-door one day, trying to eke money out of folk with even less of it than he has, Dolly crosses paths with a beautiful young woman named Mona Farrell. Mona's being forced by her aunt to do things she doesn't like, with men she doesn't know -- she wants out, any way she can get it. And to a man who wants nothing of what he has, Mona sure looks like something he actually does. Soon Dolly and Mona find themselves involved in a scheme of robbery, murder and mayhem that makes Dolly's blood run cold. As Dolly's plans begin to unravel, his mind soon follows. In A Hell of a Woman, Jim Thompson offers another arresting portrait of a deviant mind, in an ambitious crime novel that ranks among his best work.

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    First published in 1935, this novel reaffirmed James M. Cain as a virtuoso of the roman noir.

    They promised to stay true to one another and swore that nothing would break their bond. But people and circumstances change. Ugo and Manu have been drawn into the criminal underworld of Europe's toughest, most violent and vibrant city. When Manu is murdered and Ugo returns from abroad to avenge his friend's death, only to be killed himself, it is left to the third in this trio, Detective Fabio Montale, to ensure justice is done. Despite warnings from both his colleagues in law enforcement and his acquaintances in the underworld, Montale cannot forget the promise he once made Manu and Ugo. He's going to find their killer even if it means going too far.In Izzo's novels, Marseilles is explosive, tragic, breathtakingly beautiful and deadly. Asked to explain the astounding success of his now legendary Marseilles triology, Izzo credits his beloved native city: "Essentially, I think I have been rewarded for having depicted the real beauty of Marseilles, its gusto, its passion for life, and the ability of its inhabitants to drink life down to the last drop." Fabio Montale is the perfect protagonist in this city of melancholy beauty. A disenchanted cop with an inimitable talent for living who turns his back on a police force marred by corruption and racism and, in the name of friendship, takes the fight against the mafia into his own hands.

    from the French "D'entre les Morts" by Geoffrey Sainsbury. First published as "The Living and the Dead" in Great Britain in 1956.

    But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.

    He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later?Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse, she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.

    "Red Harvest" is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.The Op was in Personville, derogatory nickname aside, as the result of a letter to the Continental Detective Agency in San Francisco from Donald Willsson, publisher of the local paper, asking for an agent to visit. No other information. As soon as the OP arrives, the body count begins. It starts with his client!

    Three appalling crimes leave all of Paris aghast: the Marquise de Langruen is hacked to death, the Princess Sonia is robbed, and Lord Beltham is found dead, stuffed into a trunk. Inspector Juve knows that all the clues point to one suspect: the master of disguise, Fantômas. Juve cleverly pursues him in speeding trains, down dark alleys, through glittering Parisian salons, obsessed with bringing the demon mastermind to justice. As thrilling to read now as it was when first published in 1915, Fantômas is not a puzzle but an intoxicant” (The Village Voice).

    At first merely curious to reconstruct the career of the notorious Dimitrios, whose body has been identified in an Istanbul morgue, Latimer soon finds himself caught up in a shadowy web of assassination, espionage, drugs, and treachery that spans the Balkans. The classic story of an ordinary man seemingly out of his depth, A Coffin for Dimitrios remains Eric Ambler's most widely acclaimed novel.

    When her locked door is finally broken down by her father and a servant, they find the woman on the floor, badly hurt and bleeding. No one else is in the room. There is no other exit except through a barred window. How did the attacker escape?First published in 1907, this intriguing and baffling tale is a classic of early 20th-century detective fiction. At the heart of the novel is a perplexing mystery: How could a crime take place in a locked room which shows no sign of being entered? Nearly a century after its initial publication, Leroux's landmark tale of foul play, deception, and unbridled ambition remains a blueprint for the detective novel genre. Written by the immortal author of The Phantom of the Opera, this atmospheric thriller is still a favorite of whodunit fans everywhere."The finest locked room tale ever written." — John Dickson Carr, author of The Hollow Man.

    The thriller that introduces Parker. “A brilliant invention”. Played by Lee Marvin in the John Boorman movie. “The funnies call it the syndicate. The goons and hustlers call it the Outfit. You call it the Organization. But I don’t care if you call yourselves the Red Cross, you owe me forty-five thousand dollars and you’ll pay me back whether you like it or not.”This novel was originally titled The Hunter, later retitled Point Blank because of the movie, later retitled Payback because of the other movie.

    And as if this didn’t present enough problems for the Ystad police Inspector Kurt Wallander, the dying woman’s last word is foreign, leaving the police the one tangible clue they have–and in the process, the match that could inflame Sweden’s already smoldering anti-immigrant sentiments. Unlike the situation with his ex-wife, his estranged daughter, or the beautiful but married young prosecuter who has piqued his interest, in this case, Wallander finds a problem he can handle. He quickly becomes obsessed with solving the crime before the already tense situation explodes, but soon comes to realize that it will require all his reserves of energy and dedication to solve.--back cover