Forced to become a “Sparrow”—a spy trained in the art of seduction to elicit information from unsuspecting marks—she’s been assigned to Nathaniel Nash, a CIA officer who handles the organization’s most sensitive Russian intelligence. The action in The Red Sparrow Trilogy careens between Russia, France, Hong Kong, Turkey, Greece, Italy, and the United States as these two young intelligence officers, trained in their respective spy schools, collide in a charged atmosphere of deception and a forbidden spiral of carnal attraction that threatens both their careers and consumes intelligence agencies from Moscow to the highest offices in the US government. In each book they confront not only the shadows and intrigues of the Russian and American intelligence networks but highly trained, cold-blooded killers assigned to destroy them. With a plot ripped from tomorrow’s headlines, and written with sophisticated brio, The Red Sparrow Trilogy has been hailed as a monumental accomplishment “as suspenseful and cinematic as the best spy movies” (The Philadelphia Inquirer); “fans of the genre’s masters including John le Carré and Ian Fleming will happily embrace Matthews’s central spy” (USA TODAY). Collected together, the three novels form a stunning masterwork of suspense, intrigue, sex, and violence.