Recommended for readers 18+. It is based in the college stage of life.***Savannah meets a guy that shows her that the world as she knows it, isn't the world she knew at all. Stephen introduces her to a world of sorcery and magic. Savannah is a Witch. A vengeful sorcerer takes Savannah's roommate as leverage, in an attempt to stop Savannah from accepting the power that is rightfully hers. If she accepts her magic, her roommate dies. Will she choose to become a light witch? If she doesn't, she will go back to living a completely normal mortal life and in the process save her roommate. But could she live a normal life after tasting a bit of magic? Savannah has to find a way to accept her magic and save her roommate. With a witches kiss, is she killing her friend? The Martin Family's sorcery line dates back to the Salem Witch Trials. Savannah is thrown into the world of magic, bringing danger laced in persecution that has lasted decades. This just so happens to be wrapped in a nice man candy package. Can Savannah find a way to accept her power and save her roommate, accepting her magic in the final hour? Savannah can't deny her fate. She will become a witch, bound by the craft.

    Soon after this, Dodie's brother Seth goes missing: the only trace of him is through postcards signed 'Yours in the Lord' addresses from the Soul Life Centre, New York state.When Stella hangs herself, Dodie must leave her baby Jake at home and cross the Atlantic to bring Seth beck from the mysterious Soul Life Centre. But when she arrives, Seth is always one day away from seeing her. She becomes drawn - not always willingly - into the Brothers and Sisters' communal living, meditation, fasting and chanting. Until baby Jake unexpectedly arrives at Soul Life and events take a shocking turn for Dodie.In a parallel narrative, Stella's sister Melanie tells the story of their teenage years in the 1970s and their shared affair with Bogart, a messianic hippy with shrewd ambition. These two compelling stories collide in a series of shocking revelations and an exhilarating conclusion. Heartfelt and frightening, Chosen is Lesley Glaister at the top of her game.

    When a decent, regular guy does his thieving neighbor a favor by driving him out to a long-neglected farm to steal an old panel truck, the two accidentally spark the ire of the hidden, quasi-occult residents of the place who prove eager to inflict Old Testament vengeance on just about every male within reach.  It's Me Too gone feral in a story of moral anxiety, misguided romance, and the age-old wages of sin.

    Josh, like many kids on the threshold of adulthood, eagerly dashes to the other side of the world unaware that his hunger for adventure is, on many levels, emotional escape in disguise. The mental illness that preys on his family and a childhood plagued by night terrors are stowaways that follow him to Norway alongside the promises of ‘free love’ and a year-long exploration of exotic landscapes. Norway proves to be a land of extremes: too much light, too much darkness, and perhaps even too much beauty — the kind that stabs laser-sharp into the soul. It’s a beauty that either kills you or teaches you how to survive by not looking away. Where the Light Enters is a subtle and graceful study of what it takes to stare terrifying truth in the eye and hold that gaze long enough to recognize a path to sanity, and love — even for those who have made you believe that neither is possible.” - Robynn Colwell, winner of Ireland’s 2013 Anam Cara Short Fiction Competition.

    The Outernationale locates us "just off the grid," in an emotional and spiritual frontier, where reverie, outrage, history, and vision merge. Thinking and feeling become one in the urgent music of Gizzi's poems. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom. This is both a poetry of conscience and the embodiment of a genuinely poetic consciousness. Objects, images, and their histories are caught here in their half-life, their profoundly human after-life. Gizzi has written a brilliant follow-up to Some Values of Landscape and Weather, a book hailed by Robert Creeley as "a breakthrough book in every way: for reader, for writer, and for the art."

    It purposely makes the two biggest developments in end-user music in the last 30 years irrelevant. Zaireeka is not mobile. It is not personal. It is not solitary, cannot be easily controlled, and can't easily be consumed in small doses. So another way to think of Zaireeka is as a one-off piece of technology that comes in a highly inconvenient dead-end format, which is a rather extraordinary kind of thing for a rock band to make. The Flaming Lips' 1997 album Zaireeka is one of the most peculiar albums ever recorded, consisting of four CDs meant to be played simultaneously on four CD players. Approaching this powerful and complex art-rock masterpiece from multiple angles, Mark Richardson's prismatic study of Zaireeka mirrors the structure the work itself. Thoughts on communal listening and the "death of the album" are interspersed with the story of the Zaireeka's creation (with assistance from Wayne Coyne) and an in-depth analysis of the music, leading to a complete picture of a record that proved to be a watershed for both the band and adventurous music fans alike.

    Fluent in numbers, logic, and business jargon yet often baffled by human connection, the young financial wizard soon creates a computer program named Kapitoil that predicts oil futures and reaps record profits for his company.At first an introspective loner adrift in New York’s social scenes, he anchors himself to his legendary boss Derek Schrub and Rebecca, a sensitive, disillusioned colleague who may understand him better than he does himself. Her influence, and his father’s disapproval of Karim’s Americanization, cause him to question the moral implications of Kapitoil, moving him toward a decision that will determine his future, his firm’s, and to whom—and where—his loyalties lie.

     Sun-drenched, touching and inspirational, this is your ultimate summer read for 2018, perfect for fans of Rosanna Ley and Victoria Hislop. Gina's life is good. She loves her adopted home in Italy, and she is passionate about her work as a photographer. She's all wrapped up in her latest artistic project, shots of the young men who arrive in Italy as refugees, destitute and vulnerable. One day Sasha, a lonely British teenager at summer school, crosses Gina's path. Sasha's innocent romance creates complications neither of them could have imagined, leading Gina to wonder, can she come to terms with her past? This summer, get lost in the streets, sights and sounds of Rome under the blazing Italian sun.

    The isolation is all but unbearable until a mysterious tenant moves into the house at the bottom of the hill. James Dunford has come from America but he won’t say why. He spends his days fixing up the old cottage and walking the beach with a stray dog that showed up on his doorstep.As the weeks pass, Tara tries to get to know James, but he resists her at every turn. And it's not until a local villager recognizes him from the news that she realizes his visit might be about more than just a vacation. On the night of a big storm, Tara finally confronts James about why he is there. But how can she expect him to be honest when she, too, is hiding her own dark secret?Set against the backdrop of the Hunger Strikes in Northern Ireland, Sunsets Never Wait is a story about love, loss, and the risks of hanging on to the past. No matter how much the world has let you down, there’s always a possibility for second chances.

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    

    Carlson uncannily captures the complexity of his characters' inner lives.

    I love how thick this writing is, sublimely claustrophobic yet expansive, like a child's nightmare of scale."—Dodie Bellamy"Autodidact and knight-errant, Ward often betrays the procedural forms he tries to impose on his labyrinthine ruminations in order to remain faithfully engaged to the traditional task of the post-Romantic poet, an 'ecstatic commingling' of okay-you know and 'starry anaphor.'"—Tyrone Williams"I should write a real blurb with real blurb-like things in it, but TCOIW, a kind of lullaby arranging the psychic terrain of my future prosodically, is saving my stupid ass."—Anselm Berrigan

    It's the only current, comprehensive guide to working with cabochons--a flat piece of rock or mineral--and it covers all the basics, along with a range of new creative techniques and hot trends. Find out which tools and materials to use, which beads work best, and how to wrap them round the stones. Craft turned, pointed, twisted, brick stitch, ruffled, or scalloped edges, or add decorative fringe. For something dramatic, combine more than one cabochon in a single piece. Or, instead of natural stone, use dichroic glass or other found objects. Make a glittering brooch, funky bracelets, a wearable art necklace, and other showstoppers.

    Pub Date: March. 2012 Publisher: Macmillan IELTS Introduction Teacher's Book provides a comprehensive Teacher's guide to the IELTS Introduction Student's Book. meets the needs of STUDENTS Training towards The IELTS band 3-4. KEY FEATURES - Complete answer Key and tapescripts - Suggestions on how to use the material in class - Sample answers for writing tasks - Photocopiable class and study tasks - Advice on coping with the exam