If you were a boy named Henri Matisse who lived in a dreary town in northern France, what would your life be like? Would it be full of color and art? Full of lines and dancing figures?Find out in this beautiful, unusual picture book about one of the world's most famous and influential artists by acclaimed author and Newbery Medal-winning Patricia MacLachlan and innovative illustrator Hadley Hooper.A Neal Porter Book

    . . for a small mouse. A new invention—the mechanical mousetrap—has caused all the mice but one to flee to America, the land of the free. But with cats guarding the steamships, trans-Atlantic crossings are no longer safe. In the bleakest of places . . . the one remaining mouse has a brilliant idea. He must learn to fly!Debut illustrator Torben Kuhlmann’s inventive tale and stunning illustrations will capture the imagination of readers—young and old—with the death-defying feats of this courageous young mouse

    cummings. Here E.E.'s life is presented in a way that will make children curious about him and will lead them to play with words and ask plenty of questions as well. Lively and informative, the book also presents some of Cummings's most wonderful poems, integrating them seamlessly into the story to give the reader the music of his voice and a spirited, sensitive introduction to his poetry.In keeping with the epigraph of the book -- "It takes courage to grow up and become who you really are," Matthew Burgess's narrative emphasizes the bravery it takes to follow one's own vision and the encouragement E.E. received to do just that.Matthew Burgess teaches creative writing and composition at Brooklyn College. He is also a writer-in-residence with Teachers & Writers Collaborative, leading poetry workshops in early elementary classrooms since 2001. He was awarded a MacArthur Scholarship while working on his MFA, and he received a grant from The Fund for Poetry. Matthew's poems and essays have appeared in various journals, and his debut collection, Slippers for Elsewhere, was published by UpSet Press. His doctoral dissertation explores childhood spaces in twentieth century autobiography, and he completed his PhD at the CUNY Graduate Center in June 2014.Kris Di Giacomo is an American who has lived in France since childhood. She has illustrated over twenty-five books for French publishers, which have been translated into many languages. This is her sixth book to be published by Enchanted Lion Books. The others are My Dad Is Big And Strong, But . . . , Brief Thief, Me First!, The Day I Lost My Superpowers, and

    So the shortest day came, and the year died . . . As the sun set on the shortest day of the year, early people would gather to prepare for the long night ahead. They built fires and lit candles. They played music, bringing their own light to the darkness, while wondering if the sun would ever rise again. Written for a theatrical production that has become a ritual in itself, Susan Cooper's poem "The Shortest Day" captures the magic behind the returning of the light, the yearning for traditions that connect us with generations that have gone before—and the hope for peace that we carry into the future. Richly illustrated by Carson Ellis with a universality that spans the centuries, this beautiful book evokes the joy and community found in the ongoing mystery of life when we celebrate light, thankfulness, and festivity at a time of rebirth. Welcome Yule!

    Cactuses can be quite prickly sometimes you know . . . and so can Felipe. But he'll be darned if this one pointy issue will hold him back, so one day Felipe sets off on his own to find a friend and just maybe, that long awaited hug.In her debut picture book, Simona Ciraola creates an endearing tale of friendship, beautifully illustrated with buoyant wit and the perfect story to share.

    Unable to sleep, a young boy climbs into his father's arms. Feeling the warmth and closeness of his father, he begins to ask questions about the birds, the foxes, and whether his mom will ever wake up. They go outside under the starry sky. Loss and love are as present as the white spruces, while the father's clear answers and assurances calm his worried son. Here we feel the cycles of life and life's continuity, even in the face of absence and loss, so strongly and clearly that we know at the end that everything will, somehow, be all right.Born in 1953, Stein Erik Lunde has written sixteen books, mostly for children and young adults. His books have been published in many countries. This is his first book to be published in the United States. He also writes lyrics and has translated Bob Dylan into Norwegian. In 2009 My Father's Arms Are A Boat was awarded the Norwegian Ministry's Culture Prize for the Best Book for Children and Youth. The book was also nominated for the 2011 German Children's Literature Award.Born in 1972, Øyvind Torseter is an artist and one of Norway's most acclaimed illustrators. He employs both traditional and digital picture techniques. Torseter has received numerous prizes for many of his books. In 2011 he received the Norwegian Book Art Prize. For 2012 he has been nominated for the ALMA Award and the Hans Christian Andersen Award.

    The thing is a large, freakish creature but no-one else really notices it--it's simply not a part of their familiar day-to-day reality. So the kid takes it upon himself to try to find where the lost thing belongs...The Lost Thing is a gently humorous story that will be read and enjoyed by a wide range of ages. While the narrative is full of typical thoughts of an observant and caring young person, the illustrations provide a surreal and thought-provoking backdrop for this 'lost dog story' with a definite twist. The Lost Thing is the first book that Shaun Tan both wrote and illustrated.

    . .Follow this tale of a narrator and his friendship with a horse, by the late poet Ed Galing and illustrated by Erin Stead.

    Her spare yet intricate illustrations truly appear to take flight before our eyes, and her wordless narrative nearly roars with sound as the conductor prompts the leaves to rustle, then whirl, then swirl to unexpected life with each turn of the page. It is a celebration of creativity, imagination, storytelling, and the renewing power of nature that will entrance readers of every age.

    She is unashamedly, irrefutably, irrepressibly wild. That is, until she is snared by some very strange animals that look oddly like her, but they don't talk right, eat right, or play correctly. She's puzzled by their behavior and their insistence on living in these strange concrete structures: there's no green here, no animals, no trees, no rivers. Now she lives in the comfort of civilization. But will civilization get comfortable with her?In her debut picture book, Hughes brings an uncanny humor to her painterly illustrations. Her work is awash with color, atmosphere, and a stunning visual splendor that will enchant children while indulging their wilder tendencies. Wild is a twenty-first-century answer to Maurice Sendak's children's classic—it has the same inventiveness, groundbreaking art, and unmissable quirkiness.Emily Hughes is a talented young illustrator. Her book Nana Shaped Like a Banana won second prize in the 2012 Macmillan Children's Book Awards.

    Seuss, an American artist delighted a generation of children and their parents with hilarious, topsy-turvy illustrations and slightly subversive tales told in rhyme. This was illustrator/author Peter Newell.Originally published in 1910, The Slant Book remains as profoundly enjoyable and incredibly popular as ever. The humorous text and funny illustrations are also slanted to create an adventurous tale. This classic work will delight readers of all ages as they follow a go-cart, a newsboy and a careening baby carriage down a hill.Peter Newell (1862-1924) began his career as an artist drawing portraits, using crayons as his medium. In his fantastic humor, many believe, is the first appearance of the gentle humor of the absurd which The New Yorker has subsequently developed to such a high level.

    At her home in Vietnam, a girl rescues ants from the sugar water set out to trap them. Later, when the girl’s family flees war-torn Vietnam, ants lead them through the moonlit jungle to the boat that will take them to safety. Before boarding, the girl folds a paper boat from a bun wrapper and drops it into the water, and the ants climb on. Their perilous journey, besieged by punishing weather, predatory birds, and dehydration, before reaching a new beginning, mirrors the family’s own. Impressionistic collages and a moving, Own Voices narrative make this a one-of-a-kind tale of courage, resilience, and hope.

    When Siobhan was just three years old, her mother died, leaving Siobhan and her father alone in their house in Dublin. They never talk about her, and now, at ten years old, Siobhan no longer remembers her mother's face. One day, Siobhan meets a mysterious woman in the park who tells her that to remember her mother, she just needs to look in a mirror. As Siobhan grows older, she sees more and more of her mother's face in her own reflection. With time, she and her father and her own daughter are able to remember Siobhan's mother with joy and laughter instead of tears.

    . .A much-loved baby grows into a young woman: brave, adventurous, and lucky. Exploring, traveling, bathed in sunshine, surrounded by the wonders of the world. What every new parent or parent-to-be dreams of for her child, what every girl dreams of for herself.Let me go places that we've never been, trust and delight in her youth.Nationally bestselling author Neil Gaiman wrote Blueberry Girl for a friend who was about to become the mother of a little girl. Here, he and beloved illustrator Charles Vess turn this deeply personal wish for a new daughter into a book that celebrates the glory of growing up: a perfect gift for girls embarking on all the journeys of life, for their parents, and for everyone who loves them.Give her all these and a little bit more, gifts for a blueberry girl.

    Through annotated illustrations, journals, maps, and dreamscapes, Peter Sí­s shows what life was like for a child who loved to draw, proudly wore the red scarf of a Young Pioneer, stood guard at the giant statue of Stalin, and believed whatever he was told to believe. But adolescence brought questions. Cracks began to appear in the Iron Curtain, and news from the West slowly filtered into the country. Sí­s learned about beat poetry, rock 'n' roll, blue jeans, and Coca-Cola. He let his hair grow long, secretly read banned books, and joined a rock band. Then came the Prague Spring of 1968, and for a teenager who wanted to see the world and meet the Beatles, this was a magical time. It was short-lived, however, brought to a sudden and brutal end by the Soviet-led invasion. But this brief flowering had provided a glimpse of new possibilities—creativity could be discouraged but not easily killed. By joining memory and history, Sí­s takes us on his extraordinary journey: from infant with paintbrush in hand to young man borne aloft by the wings of his art.