Beneath the so normal surface run sinister undercurrents of rivalry and jealousy. Then comes tragedy. An accident? Or is it murder? Respectable, law-abiding Miss Pym discovers some vital evidence - but should she reveal it?

    He is hardly surprised and not in the least daunted. "The previous English pontiff was Hadrian the Fourth," he declares. "The present English pontiff is Hadrian the Seventh. It pleases Us; and so, by Our own impulse, We command."Hadrian is conceived in the image of his creator, Fr. Rolfe, whose aristocratic pretensions (he called himself Baron Corvo), religious obsession, and anarchic and self-aggrandizing sensibility have made him known as one of the great English eccentrics. Fr. Rolfe endured a lifetime of indignities and disappointments. However, in the hilarious and touching pages of this, his finest novel, he triumphs.

    Straightforward and simple. Everyone in their places, getting along, going along...Until everything goes wrong.When it does, Gillian, Stuart and Oliver decide that it's time to talk it all over. Because although they'd all agree that the orderliness of their lives has suddenly mutated into chaos - the alarming fluctuations of love being the chief culprit - that's about all they'd agree on ("One bit of information and people are immediately off into their theories," says Stuart, a bit pedantically). And each of them is determined to be heard.What we hear are three wonderfully realized voices telling three wildly different versions of one story - presenting the protean facts of disintegrating and escalating affections, laying blame, taking blame, talking about themselves, about each other, across each other, behind each other's backs, all in an attempt to get at the endlessly elusive truth. And what they reveal is the sometimes hilarious, sometimes heartrending process of selective memory that deeply colors the (more or less) fine art of eyewitnessing.Once again, the brilliant author of "Flaubert's Parrot", "Staring at the Sun" and "A History of the World in 10-and-1/2 Chapters" gives us a dazzling work of imagination: witty, wry, playful and, in the end, honed to a razor-sharp emotional edge.

    Robin Hood is the best-loved outlaw of all time.In this edition, Henry Gilbert tells of the adventures of the Merry Men of Sherwood Forest - Robin himself, Little John, Friar Tuck, Will Scarlet, and Alan-a-Dale, as well as Maid Marian, good King Richard, and Robin's deadly enemies Guy of Gisborne and the evil Sheriff of Nottingham.

    Here, many famous names are mentioned and there is obviously a grave risk that families and friends are going to take offence... Uncle Oswald discovers the electrifying properties of the Sudanese Blister Beetle and the gorgeous Yasmin Howcomely, a girl absolutely soaked in sex, and sets about seducing all the great men of the time for his own wicked, irreverent reasons.

    Feared but not loved, Manderson has no one to mourn him when the gardener at his British country estate finds him facedown in the dirt, a bullet buried in his brain. There are bruises on his wrist and blood on his clothes, but no clue that will lead the police to the murderer. It will take an amateur to—inadvertently—show them the way. Cheerful, charming, and always eager for a mystery, portrait artist and gentleman sleuth Philip Trent leaps into the Manderson affair with all the passion of the autodidact. Simply by reading the newspapers, he discovers overlooked details of the crime. Not all of his reasoning is sound, and his romantic interests are suspect, to say the least, but Trent’s dedication to the art of detection soon uncovers what no one expected him to find: the truth. Delightfully irreverent yet ingeniously plotted, Trent’s Last Case is widely regarded as a masterwork of the mystery genre.

    Through the years, though never meeting and separated both geographically and culturally, they share a winsome, sentimental friendship based on their common love for books. Their relationship, captured so acutely in these letters, is one that will grab your heart and not let go.

    Hartley's finest novel, encounters a world of unimagined luxury. But when his friend's beautiful older sister enlists him as the unwitting messenger in her illicit love affair, the aftershocks will be felt for years. The inspiration for the brilliant Joseph Losey/Harold Pinter film starring Julie Christie and Alan Bates, The Go-Between is a masterpiece—a richly layered, spellbinding story about past and present, naiveté and knowledge, and the mysteries of the human heart. This volume includes, for the first time ever in North America, Hartley's own introduction to the novel.

    1973: industrial strikes, bad pop music, corrosive class warfare, adolescent angst, IRA bombings. Four friends: a class clown who stoops very low for a laugh; a confused artist enthralled by guitar rock; an earnest radical with socialist leanings; and a quiet dreamer obsessed with poetry, God, and the prettiest girl in school. As the world appears to self-destruct around them, they hold together to navigate the choppy waters of a decidedly ambiguous decade.

    John Galsworthy, a Nobel Prize-winning author, chronicles the ebbing social power of the commercial upper-middle-class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s.

    M. Forster. The title comes from a line in Alexander Pope's An Essay on Criticism: "For fools rush in where angels fear to tread".In 1991 it was made into a film by Charles Sturridge, starring Rupert Graves, Giovanni Guidelli, Helen Mirren, Helena Bonham Carter, and Judy Davis.[1] A ten-part radio adaptation of the novel was broadcast on BBC Radio 4.[2] An opera based on the novel by Mark Weiser was premiered at the Peabody Institute of Music in 1999, and received its professional premiere at Opera San Jose in 2015

    This volume introduces Thrush Green, the neighboring village to Fairacre: its blackthorn bushes, thatch-roofed cottages, enchanting landscape, and jumble sales. Readers will delight in a new cast of characters and also welcome familiar faces as they become immersed in the village's turn of events on one pivotal day -- May Day. Before the day is over, life and love and perhaps eternity will touch the immemorial peace of the village.

    But darkness brings death and Hercule Poirot has to untangle family strife, love and suspicious visitors tangle in order to clarify the murderer and prevent disaster.

    But they are young. All life still lies ahead. Vesey heads off hopefully to pursue a career as an actor. Harriet marries and has a child, becoming a settled member of suburban society. And then Vesey returns, the worse for wear, and with him the love whose memory they have both sentimentally cherished, and even after so much has happened it cannot be denied. But things are not at all as they used to be. Love, it seems, is hardly designed to survive life.      One of the finest twentieth-century English novelists, Elizabeth Taylor, like her contemporaries Graham Greene, Richard Yates, and Michelangelo Antonioni, was a connoisseur of the modern world’s forsaken zones. Her characters are real, people caught out by their own desires and decisions, and they demand our attention. The be-stilled suburban backwaters she sets out to explore shimmer in her books with the punishing clarity of a desert mirage.

    Evicted from their resplendent home in the fashionable part of York after her parents’ deaths, Kitty must fight the legacy of bankruptcy and homelessness to secure a home for her and her siblings. Through sheer willpower and determination she grabs opportunities with both hands from working on a clothes and rag stall in the market to creating a teashop for the wealthy. Her road to happiness is fraught with obstacles of hardship and despair, but she refuses to let her dream of a better life for her family die. She soon learns that love and loyalty brings its own reward.