First published in 1940, it focuses on the lynching of three innocent men and the tragedy that ensues when law and order are abandoned. The result is an emotionally powerful, vivid, and unforgettable re-creation of the Western novel, which Clark transmuted into a universal story about good and evil, individual and community, justice and human nature. As Wallace Stegner writes, [Clark's] theme was civilization, and he recorded, indelibly, its first steps in a new country.

    During the twilight of a Sunday afternoon in March, New York book editor Phillip Carver receives an urgent phone call from each of his older, unmarried sisters. They plead with Phillip to help avert their widower father's impending remarriage to a younger woman. Hesitant to get embroiled in a family drama, he reluctantly agrees to go back south, only to discover the true motivation behind his sisters' concern. While there, Phillip is forced to confront his domineering siblings, a controlling patriarch, and flood of memories from his troubled past. Peter Taylor is one of the masters of Southern literature, whose work stands in the company of Eudora Welty, James Agee, and Walker Percy. In A Summons to Memphis, he has composed a richly evocative story of revenge, resolution, and redemption and given us a classic work of American literature.

    At the centre of the novel are three women, each with a secret to hide: Constance MacKenzie, the original desperate housewife; her daughter Allison, whose dreams are stifled by small-town small-mindedness; and Selena Cross, her gypsy-eyed friend from the wrong side of the tracks.