And like ink in water, that idea spread until it reached every corner of her being. This is the true story of Lacy’s journey into the self-destructive world of multiple eating disorders. It starts with a young and positive Lacy, trying to grapple with our culture’s body-image obsession and stay true to her riot grrrl roots. And while she initially succeeds in overcoming a nagging rumination about her body, a break up with a recovering addict starts her on a collision course with anorexia, health food obsession, and compulsive exercise addiction. At the request of her last real friend, she starts going to a twelve-step Overeaters Anonymous course, only to find that it conflicts with her punk feminist ideology.Blending bold humor, a healthy dose of self-deprecation, vulnerability, literary storytelling, and dynamic and provocative artwork by illustrator Jim Kettner, Ink in Water is an unflinching, brutally honest look into the author’s mind: how she learned to take control of her damaging thoughts, redirect her perfectionism from self-destructive behaviors into writing and art, and how she committed herself to a life of health, strength, and nourishment.

    Wake up, grab the ice skates, and head to the rink while the world was still dark.Weekends were spent in glitter and tights at competitions. Perform. Smile. And do it again.She was good. She won. And she hated it.For ten years, figure skating was Tillie Walden's life. She woke before dawn for morning lessons, went straight to group practice after school, and spent weekends competing at ice rinks across the state. It was a central piece of her identity, her safe haven from the stress of school, bullies, and family. But over time, as she switched schools, got into art, and fell in love with her first girlfriend, she began to question how the close-minded world of figure skating fit in with the rest of her life, and whether all the work was worth it given the reality: that she, and her friends on the figure skating team, were nowhere close to Olympic hopefuls. It all led to one question: What was the point? The more Tillie thought about it, the more Tillie realized she'd outgrown her passion--and she finally needed to find her own voice.

    This brilliant radio personality now bursts onto the page as an illustrated character in vivid comics drawn by acclaimed artist Josh Neufeld. The cartoon of Brooke conducts the reader through two millennia of history-from the newspapers in Caesar's Rome to the penny press of the American Revolution and the manipulations of contemporary journalism. Gladstone's manifesto debunks the notion that "The Media" is an external force, outside of our control, since we've begun directly constructing, filtering, and responding to what we watch and read. With fascinating digressions, sobering anecdotes, and brave analytical wit, The Influencing Machine equips us to be smart, savvy, informed consumers and shapers of the media. It shows that we have met the media and it is us. So now what?

    Growing up in a big, poor, Mormon family—surrounded by comic-books, eight siblings, bathtubs full of dirty dishes—Noah’s childhood exerts a powerful force on his present day relationship. Drawn in his inimitable style, written with wry wit and humor, One Dirty Tree is another reason why Noah Van Sciver is one of the best cartoonists of his generation.Noah Van Sciver first came to national attention with his critically acclaimed comic book series Blammo, which has earned him three Ignatz award nominations. His work has appeared in Mad magazine, Best American Comics 2011, and The Stranger, as well as countless graphic anthologies. Van Sciver is the author of four graphic novels: The Hypo: The Melancholic Young Lincoln, Youth Is Wasted, Saint Cole, and Fante Bukowski: Struggling Writer. Van Sciver currently resides in Columbus, OH.

    As the drivers slowly open up about their personal lives, de Jongh does too—even when it means challenging her own ideas and prejudices. Through these vulnerable—and often humorous—moments, de Jongh finds common ground with the people driving her. Taxi is an ode to taxi drivers everywhere.

    More than a successful book, A People’s History triggered a revolution in the way history is told, displacing the official versions with their emphasis on great men in high places to chronicle events as they were lived, from the bottom up.Now Howard Zinn, historian Paul Buhle, and cartoonist Mike Konopacki have collaborated to retell, in vibrant comics form, a most immediate and relevant chapter of A People’s History: the centuries-long story of America’s actions in the world. Narrated by Zinn, this version opens with the events of 9/11 and then jumps back to explore the cycles of U.S. expansionism from Wounded Knee to Iraq, stopping along the way at World War I, Central America, Vietnam, and the Iranian revolution. The book also follows the story of Zinn, the son of poor Jewish immigrants, from his childhood in the Brooklyn slums to his role as one of America’s leading historians.Shifting from world-shattering events to one family’s small revolutions, A People’s History of American Empire presents the classic ground-level history of America in a dazzling new form.

    While she is closing up a bar late at night, she is also an adolescent at a rave in the mountains, an adult grappling with her grandfather's fading memory or at one of her first waitressing jobs. Stein is a master storyteller, an urban explorer, and a loyal guide through dark days and simple, blissful encounters. Stein's curiosity about and generosity toward the world around her come through powerfully: each colorful story flows with vivid watercolors and delicate ink lines. Here, an autobiography is built through memories and moments tied together by loose lines, evoking a beautiful dreamlike yet endlessly relatable glimpse into the world of a thirty-something woman carving out a life for herself, one step at a time.Known for her acclaimed Eye of the Majestic Creature series, collected here are Stein's serialized Vice.com comics which have become a staple for the site, showcasing her storytelling abilities with a freer style. With an introduction and new material, Present will be a deluxe die-cut hardcover that is a meditation on memory. Stein asks us to take a moment to be here now, while acknowledging the other places and people we always carry with us.

    He is an ordinary teenager, in love with a girl named B�nigne, but Deogratias is a Hutu and B�nigne is a Tutsi who dies in the genocide, and Deogratias himself plays a part in her death. As the story circles around but never depicts the terror and brutality of an entire country descending into violence, we watch Deogratias in his pursuit of B�nigne, and we see his grief and descent into madness following her death, as he comes to believe he is a dog.Told with great artistry and intelligence, this book offers a window into a dark chapter of recent human history and exposes the West's role in the tragedy. Stassen's interweaving of the aftermath of the genocide and the events leading up to it heightens the impact of the horror, giving powerful expression to the unspeakable, indescribable experience of ordinary Hutus caught up in the violence. Difficult, beautiful, honest, and heartbreaking, this is a major work by a masterful artist.

    Topics covered include Bi-polar disorder, self harming, suicide, depression and theauthor also shows how for some famous people mental disorders were part of what may have made them great. Frank, hard hitting and moving.

    (His very first—rejected—comics story dealt with the subject, as does his most recent work, the two-volume Putain de Guerre.) But It Was the War of the Trenches is Tardi’s defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s A Farewell to Arms.Tardi is not interested in the national politics, the strategies, or the battles. Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust, with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism. And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future 20th century conflicts, all of which seem to spring from this global burst of insanity.Trenches features some of Tardi’s most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous use of Craftint tones, trenches is somehow simultaneously atypical and a perfect encapsulation of Tardi’s mature style. It is the indisputable centerpiece of Tardi’s oeuvre.It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.

    In this graphic memoir, Fitzgerald paints a lively childhood full of sleepovers, amateur fortune-telling and watching scary movies. Yet, Fitzgerald suspects that she is unlike her friends. She intimately takes us from her first kiss to a life sworn off romance.Long Red Hair alluringly delves into the mystique of sorcery and sisterhood.

    Using the fictional story of a couple named Kazik and Cessia who lose a daughter at the Auschwitz-Birkenau Concentration camp and barely survive themselves, Pascal Croci depicts the horror and brutality of the Holocaust in grim, searing, black-and-white illustrations.