Now guitarists can have all three volumes of this classic guitar method in one convenient book! Created by popular demand, this new edition of the method used as the basic text for the renowned Berklee College of Music guitar program is a complete compilation of the original Volumes 1, 2, and 3. Innovative solos, duets and exercises progressively teach melody, harmony and rhythm. Perfect for the serious guitar student and instructor alike.

    For a while she was the nation's most famous drug addict. This is her story of recovery from the despair of addiction, told with total emotional honesty and courage.

    Another book from another musician. Let's guess: He rose from the depths of hell with his talent and went big time. He changed the face of music and made millions. Yeah, a few drug addiction, arrest, and STD stories are sporadically sprinkled throughout for excitement and authenticity, but at the end of it all, he finished his ride a musical legend. He finally gave up dressing room groupies and nose candy; he currently resides with his wife and the children that aren't illegitimate in Calabasas, CA.[Insert snoring] Who the hell can really relate to that besides other prestigious, millionaire musicians?My name is J-Zone. If you actually know who the hell I am, either you listen to way too much rap music, you're a Tim Dog fan, or you stood outside my distributor's warehouse the day my CDs and records were destroyed. I was on the hip-hop come-up, then I came down - hard. Splat. Some critical success, incessant praise from pop stars and hip-hop legends alike, and then...abysmal commercial failure. I did tours on Greyhound buses filled with wide-bodied, Jheri curled women and knife-wielding gang members. I witnessed my life-long passion for music dissolve in 12 hours and my final album sell a whopping 47 copies in its first month for sale. I left my little-known spot in a small, niche quadrant of the hip-hop world and joined my fellow overqualified stiffs with useless college degrees in the world of dead end jobs. For some sick reason, I find all of the above hilarious and have made an omelette out of any egg that wound up on my face.I pin my cross-hairs on everyday bullsh*t just as accurately as I do the dysfunctional ways of the music biz. I ask the public at large questions like "Are men the new women?" and "Is going out on Friday night worth it when you're a socially homeless man in a deceptively segregated New York City?" Chapters dedicated to cassette tapes, defunct record stores, the SP-1200 sampling drum machine, hip-hop recording studios of the 1990s, and overlooked rap artists like The Afros, Mob Style, and No Face all point to my fascination with the obscure. The annoyances of a cell phone-driven society, dating in America, and Facebook are also explored. A collection of memoirs and think pieces written by a curmudgeonly commercial failure who is somehow laughing hysterically at both himself and the stupidity of the world large probably won't become a New York Times best-seller, either. Be honest though, you need something to place drinks on when you have company; at worst, my book is a perfect cocktail coaster.

    His work and ideas - about silence, indeterminacy, nonintention, art's role in bringing the everyday object to our attention, the singularity of performance - have had influence not only in the world of music but also in dance, painting, printmaking, video art, and poetry. As an exponent of Zen Buddhism since the early fifties, he has had an important role in introducing Zen spirituality to the American artworld and general culture. Among his friends and collaborators have been longtime associate Merce Cunningham, Jasper Johns, Robert Rauschenberg, Marcel Duchamp, Morton Feldman, Pierre Boulez, and Karlheinz Stockhausen. Those who have acknowledged his influence in their work range from minimalist composer Philip Glass to rock musicians David Byrne and Brian Eno. The Roaring Silence is the first full-length biography of John Cage. Written with Cage's full cooperation, it documents his life in unrivaled detail, interweaving a close account of the evolution of his work with an exploration of his aesthetic and philosophical ideas. David Revill never assumes specialist knowledge on the part of the reader, but sets Cage's work in the context of his personal development and contemporary culture. He draws on numerous interviews with Cage and his associates. Paying due attention to Cage's inventions, such as the prepared piano, and his pioneering use of indeterminate notation and chance operations in composition (utilizing the I Ching), Revill also illuminates Cage the performer, printmaker, watercolorist, expert amateur mycologist, game show celebrity, and political anarchist, and discusses his pronouncements on social and environmental issues. The biography includes comprehensive chronologies of his musical and visual works. Arnold Schoenberg once called Cage, his former student, "not a composer but an inventor - of genius." David Revill shows how this multifacete

    It was such a radical idea that almost no one thought it would actually succeed, much less become a force in the worlds of music, television, film, fashion, sports, and even politics. But it did work. MTV became more than anyone had ever imagined.I Want My MTV tells the story of the first decade of MTV, the golden era when MTV's programming was all videos, all the time, and kids watched religiously to see their favorite bands, learn about new music, and have something to talk about at parties. From its start in 1981 with a small cache of videos by mostly unknown British new wave acts to the launch of the reality-television craze with The Real World in 1992, MTV grew into a tastemaker, a career maker, and a mammoth business. Featuring interviews with nearly four hundred artists, directors, VJs, and television and music executives, I Want My MTV is a testament to the channel that changed popular culture forever.

    Except for this month's Patti Smith: Dream of Life, which isn't so much a glossy centerpiece as it is an addictive pictorial of the godmother of punk's life as a poet, activist, mother, style icon, and all-around kick-ass front woman." ~Elle "With the Rizzoli imprint, we have come to expect certain things: perfect printing, the highest quality papers, flawless binding, superior layouts and type. This historic book is no different." ~SoHo Journal

    Described by the Washington Post as “what every hip-hop head wishes they had as a child,” this imaginative work started as a series of printable rap-related coloring and activity images. The 48-page, fully interactive book of coloring pages, unbelievably clever activities, and smart plays on rap culture brings these stars and their music right into your living room.<!--?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /-->Featured rappers include: Bun B Queen Latifah Drake Talib Kweli Ice-T Common Wiz Khalifa Ludacris LL COOL J Big Boi Childish Gambino Questlove B.o.B Mac Miller And many, many more! Praise for Bun B's Rap Coloring and Activity Book: “A star-studded cast of some of the biggest names in rap, all in one book.”  —Fast Company’s Co.Create blog “It’s 48 pages long, and that’s the exact same number of pages the Bible has, and that’s not an accident. That’s a little thing called God’s will.” —Vice.com “The book is funny, smart, and as kid-tested, mother-approved as some of these guys get.” —Vulture.com “Hilarious…razor sharp.” —XXL “If you've spent any kind of time on the Internet, chances are something Shea Serrano has written, drawn, or created has made you smile . . . The book’s a load of fun, and is sure to please rap nerds and crayon-wielding tykes alike.” —Village Voice   “There’s art, humor and education, fun for young and old.” —Paste magazine   “This is one of the few Tumblr-to-book projects that doesn’t make me want to punch my computer in disgust. If the phrase ‘see if you can build a Budden’ doesn’t make you chuckle, then you should stay away from hip-hop or jokes.” —Christopher R. Weingarten, SPIN   “Bun B’s Rap Coloring and Activity Book is gangsta!” —Mass Appeal.com   "48 pages of MC worship mixed with a generous measure of the kind of casual dissing of its star players that hip-hop excels at.” —Esquire   “When I’m listening to Drake, I sometimes feel blue. Now, thanks to Bun B’s Rap Coloring and Activity Book, I can make Drake blue, too. And for that, I am eternally grateful.” —Ryan Dombal, Pitchfork.com   “The hip-hop coloring book is the single most important thing to happen to color since Cam’s pink Range Rover. Everyone should want a Serrano in their baño.” —Nate Erickson, GQ   “Like the old saying goes, the crayon is mightier than the sword. Bun B and Shea have assembled a perfect collection of today’s brightest hip hop stars for fans of all ages to create, color and remix. The Rap Coloring and Activity Book is like your own personal mixtape that you can hang on your fridge and impress everyone with.” —Mike Ayers, Rolling Stone “Fans can now color inside the lines of hip-hop greats.” —LA Times’ Jacket Copy blog “It’s gotta be a first—for rap and for coloring.” —Houston Chronicle   “For rap aficionados young and old.” —GQ.com “You may want to buy two copies—one to color, and one to keep fresh and new.” —Buzzfeed “The perfect coloring book for any hip-hop nerd.” —Complex magazine “If you have not already purchased a copy, put down this magazine immediately and go buy Bun B’s Rap Coloring and Activity Book.” —Kindling Quarterly “A playful celebration of rap

    When "Don't Dream It's Over" and "Something So Strong" exploded in the US charts, worldwide success looked inevitable. Critics compared them musically to the Beatles and fans adored them for their warmth and humour on stage. Four brilliant albums later, their roller-coaster ride of achievements and disappointments came to an end on the steps of the Sydney Opera House, in front of one of the largest audiences in Australian history. The dream was over, the band broken up, their enormous promise only partly fulfilled. In this definitive account, New Zealand journalist Chris Bourke has written the true story of Crowded House. With unparalleled access to all band members, their families, friends, musical collaborators, managers, and record company personanel, he has captured their essence. It is a unique tale of musical chemistry, family bonds and the personal costs of pursuing an artistic vision. From the manic energy of the recording studio to the machinations of the record industry, this riveting account is a book for every Crowded House fan.

    He has a public meltdown while chaperoning Oasis at an awards ceremony; he’s lost joy in his bathroom full of rock’n’roll memorabilia; and his young son is in trouble at school for emulating rock star behaviour.Reluctantly Michael consults Mrs Henckel, a no-nonsense therapist with zero experience of pop culture. As Michael addresses his feelings about the past, in particular his failed teenage band, Mental Elf, he’s forced to confront the question: is it finally time to grow up and forget rock’n’roll?Michael Odell is a former contributing editor to Q magazine and has written about music for NME, the Guardian, the Independent and Spin, among others. Currently he does interviews and writes on family matters for The Times. He lives in Bristol."Please don't put your life in the hands of a rock 'n' roll band, who'll throw it all away." So advised Noel Gallagher in 1995 and Michael Odell ignored him anyway.One of Britain's most fearless rock interrogators, Odell turns his merciless searchlight on himself in this wry, compelling odyssey into the heart of his own - and rock n roll's - madness. Larks with the legends are all here (Bowie, McCartney, Mick `n' Keef ... Michael Buble) but it's his inner life which illuminates, his psyche traumatically crumbling as he confronts his chaotic past. Hilarious, tragic and timely, this is high farce in high (and low) places, uncovering why rock's lost highway is littered with the bodies of the righteous dreamers. Could it be because "the music people are all mad?" (Clue: yes.)' -- Sylvia Patterson, author of I'm Not with the Band `Hilarious and disarmingly honest; a journey into the neurosis of rock fame, but through doors you don't expect.' -- Rachel Joyce, author of The Unlikely Pilgrimage of Harold Fry `Rock Bottom is one of the best music books ever written, because Michael Odell knows music isn't about the musicians - it's about what it does to the listener, even if what it does ends up being wholly disastrous. It's sad, funny, fascinating and wise. And everyone who ever claimed a record changed their life should read it, and then think again.' -- Michael Hann, former Guardian music editor

    He examines the myths and misconceptions that have grown up around progressive rock and paints a vivid, colourful picture of the Seventies based on hundreds of hours of his own interviews with musicians, music business insiders, journalists and DJs, and from the personal testimonies of those who were fans of the music in that extraordinary decade.

    While a student at the School of Visual Arts, Chris Stein photographed the downtown New York scene of the early ’70s, where he met Deborah Harry and cofounded Blondie. Their blend of punk, dance, and hip-hop spawned a totally new sound, and Stein’s photographs helped establish Harry as an international fashion and music icon. In photos and stories direct from Stein, brilliant writer of hits like "Rapture" and "Heart of Glass," this book provides a fascinating snapshot of the period before and during Blondie’s huge rise, by someone who was part of and who helped to shape the early punk music scene—at CBGB, Andy Warhol’s Factory, and early Bowery. Stars such as David Bowie, the Ramones, Joan Jett, and Iggy Pop were part of Stein’s world, as were fascinating downtown characters like Jean-Michel Basquiat, Richard Hell, Stephen Sprouse, Anya Phillips, Divine, and many others. As captured by one of its greatest artists and instigators, and designed by Shepard Fairey, this book is a must-have celebration of the new-wave and punk scene, whose influence on music and fashion is just as relevant today as it was four decades ago.

    Now, ten years after the original film’s release, the full story of this seemingly cursed production can finally be told...  In The Crow’s last days of filming, its star Brandon Lee (son of Bruce Lee) was killed in a strange on-set accident, while filming his character’s death scene. Bridget Baiss describes the chain of events which led from O’Barr’s creation of the graphic novel, up to this fateful day, and beyond, to the film’s final, triumphant release. The definitive account of The Crow’s production and the phenomenon it became, packed with scores of interviews with the film’s cast and crew.

    A pioneering noise musician and countercultural maven, from the late 1970s to the present Rice has worked in an array of capacities, playing the roles of: musician, performer, artist, photographer, essayist, interviewer, editor, occult researcher, filmmaker, actor, orator, deejay, gallery curator and tiki bar designer, among others. First coming to prominence as an avant-garde audio experimentalist (recording under the moniker NON), Rice was a seminal founder of the first wave of industrial music in the late 1970s. In the 1980s, through collaborations with Re/Search Publications, Rice further established his position in underground with recountings of his uproarious pranks and the promotion of "incredibly strange" cult films and "industrial" culture. Rice's influence on subculture was further exerted through his vanguard exhibition of found photographs and readymade thrift store art, as well as his adamant endorsements of outsider music, tiki culture and bygone pop culture in general. Rice is also notorious for his public associations with nefarious figures both infamous and obscure, including friendships and ideological collusions with the likes of cult leader Charles Manson and Church Of Satan founder Anton LaVey, among others. His work continues to profoundly affect the countercultural underground at large, inspiring and enraging in equal measure. STANDING IN TWO CIRCLES contains: Essays 1986-2007 / Lyrics 1988-2007 / Art & Photography (38 plates) STANDING IN TWO CIRCLES also includes an extensive biography of Boyd Rice from the 1970s to the present, by the book's editor, Brian M Clark.

    Even as everything else about the world of music changes, the piano lesson retains its appeal. Drawing on her own lifelong experience as a student and teacher, Tunstall writes about the mysteries and delights of piano teaching and learning. What is it that happens in a piano lesson to make it such a durable ritual? In a world where music is heard more often on the telephone and in the elevator than in the concert hall, why does the piano lesson still have meaning in the lives of children? What does it matter whether one more child learns to play Bach's Minuet in G? "Note by Note" is in part a memoir in which Tunstall recalls her own childhood piano teachers and their influence. As she observes, the piano lesson is unlike the experience of being coached on an athletic team or taught in a classroom, in that it is a one-on-one, personal communication. Physically proximate, mutually concentrating on the transfer of a skill that is often arduous, complicated and frustrating, teacher and student occasionally experience breakthroughs-moments of joy when the student has learned something, mastered a musical passage or expressed a feeling through music. The relationship is not only one-way: teaching the piano is a lifelong endeavor of particular intensity and power.Anyone who has ever studied the piano-or wanted to-will cherish this gem of a book.

    So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet’s rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.