He would be the final victim of John Wayne Gacy's horrifying compulsion. Then, ten days after the boy's disappearance. Detectives, finding a human bone in the crawl space of Gacy's house, dug into the lime-covered ground. With mounting horror, they pulled bone after bone from Gacy's suburban home until finally they had gathered the remains of twenty-eight more youths who had fallen prey to the killer clown. 16 Pages of Shocking Photos! "An unnerving true story of murder, terror and justice." –The Dallas Morning News

    He's the one-time pelt smuggler, professional hockey goalie (possibly the worst in the sport's history), pen salesman, Zamboni driver, gravedigger, church painter, roulette addict, building superintendent, whiskey drinker, and native of Transylvania who's decided that the best thing to do with his time is to rob as many banks as possible.His rival: Lajos Varjú, the Inspector Clouseau of the Iron Curtain, whose knowledge of police work comes from Hungarian-dubbed episodes of Columbo. His deputy is nicknamed "Mound of Asshead" because of his propensity for crashing police cars. His forensics expert, known as "Dance Instructor" for his lucrative side career teaching ballet, wears a top hat and tails on the job.Welcome to Julian Rubinstein's uproariously funny and unforgettable account of crime in the heart of the new Europe. With a supporting cast that includes car wash owners, exotic dancers, drunk army generals, cocaine-snorting Hungarian rappers, the Johnnie Cochran of Budapest, and a hockey team that seems to spend as much time breaking the law as it does practicing, Ballad of the Whiskey Robber gives us the most charming outlaw-hero since the Sundance Kid—and the Sundance Kid didn't play hockey.As the Eastern bloc slips off its communist skin and replaces it with leopard-skin hot pants, Ballad of the Whiskey Robber is here to screw in the pink lightbulbs. Part Unbearable Lightness of Being, part Pink Panther, and part Slap Shot, Julian Rubinstein's tale is a spectacular literary debut—and a story so outrageous that it could only be true.

    Until it was destroyed from within by drugs, greed, and the decline of its traditional crime Family values. And by guys like Sal Polisi. He was born in Brooklyn—the same place that spawned Murder, Inc., Al Capone, and John Gotti, the future Mob godfather who became his friend. Polisi was raised on a family legacy that led him into the life he loved as a member of the Colombos, one of the New York Mob’s feared Five Families, and came of age when the Mafia was at the height of its vast wealth and power. Known by his Mob name, Sally Ubatz (“Crazy Sally”), he ran an illegal after-hours gambling den, The Sinatra Club, that was a magic kingdom of crime and a hangout for up-and-coming mobsters like Gotti and the three wiseguys immortalized in Martin Scorsese’s GoodFellas—Henry Hill, Jimmy Burke, and Tommy DeSimone. For Polisi, the nonstop thrills of glory days spent robbing banks, hijacking trucks, pulling daring heists—and getting away with it all, thanks to cops and public servants corrupted by Mob money—were fleeting. When he was busted for drug trafficking, and already sickened by the bloodbath that engulfed the Mob as it teetered toward extinction, he flipped and became one of a breed he had loathed all his life—a rat. In this riveting, pulse-pounding, and, at times, darkly hilarious first-person chronicle of his brazen crimes, wild sexual escapades, and personal tragedies, Polisi tells his story of life inside the New York Mob in a voice straight from the streets. With shocking candor, he draws on a hard-won knowledge of Mob history to paint a neverbefore- seen picture of the inner workings of the Mob and the larger-than-life characters who populated a once extensive and secret underworld that, thanks to guys like him, no longer exists. *** I was always a street guy. I was into robbing and stealing and gambling and loan sharking. I wasn’t involved in the bigmoney sit-downs, the labor racketeering and construction company shakedowns, the Garment District and garbage and cement company kickbacks. . . . For guys like me and Fox, my blood brother and crime partner, the thing we loved about being in that life was the action, the excitement. . . .We were in it for the money, sure. But it was the danger, the thrills that made the life of crime something special. A guy like John Gotti was different. He was far more ambitious than me and Fox. He wasn’t just in it for the rush and the riches. He wanted the power and the glory. John Gotti’s tragedy, if you can call it that, was that he was born too late for the old-school gangster crown that he craved. He began his rise as the Mob was beginning to crumble; by the time he got to the top, the bottom had dropped out. From the beginning, John was charismatic and smart. He just wasn’t cut out to be godfather. Once he became boss, he drove the bus right off the bridge. Or maybe it was the bus that drove him. Either way, I watched him go. Here’s how it all happened.

    Then, in the space of a night, everything that was normal about her life changed. Her police officer father, John, was driving to his midnight shift when someone pulled up alongside and leveled a shotgun at his window. The blasts that followed tore through his face and left him clinging to life. Overnight, the Busbys went from being the "family next door" to one under twenty-four-hour armed guard, with police escorts to and from school and no contact with friends. Worse, the shooter was still on the loose, and it seemed only a matter of time before he'd come after John-or someone else in the family-again. With their lives unraveling around them and few choices remaining for a future that could ever be secure, the Busby family left everything and everyone they had ever known...and simply disappeared.As told by both father and daughter, this is a harrowing, at times heartbreaking, account of a shooting and its aftermath-even as it shows a young girl trying to make sense of the unthinkable and the triumph of a family's bravery in the face of crisis.

    For thirteen months the town of Point Pleasant is gripped by a real-life nightmare that culminates in a tragedy that makes headlines around the world. Strange occurrences and sightings, including a bizarre winged apparition that becomes known as the Mothman, trouble this ordinary American community. Mysterious lights are seen moving across the sky. Domestic animals are found slaughtered and mutilated. And journalist John Keel, arriving to investigate the freakish events, soon finds himself an integral part of an eerie and unfathomable mystery...

    Sensing a break in the case that has paralyzed the city of Boston, the police track down a black man, Roy Smith, who cleaned the victim's house that day and left a receipt with his name on the kitchen counter. Smith is hastily convicted of the Belmont murder, but the terror of the Strangler continues.On the day of the murder, Albert DeSalvo—the man who would eventually confess in lurid detail to the Strangler's crimes—is also in Belmont, working as a carpenter at the Jungers' home. In this spare, powerful narrative, Sebastian Junger chronicles three lives that collide—and ultimately are destroyed—in the vortex of one of the first and most controversial serial murder cases in America.

    Within two years he's a multimillionaire. The press calls him "King of the Bootleggers," writing breathless stories about the Gatsby-esque events he and his glamorous second wife, Imogene, host at their Cincinnati mansion, with party favors ranging from diamond jewelry for the men to brand new Pontiacs for the women. By the summer of 1921, Remus owns 35 percent of all the liquor in the United States.Pioneering prosecutor Mabel Walker Willebrandt is determined to bring him down. Willebrandt's bosses at the U.S. Attorney's office hired her right out of law school, assuming she'd pose no real threat to the cozy relationship they maintain with Remus. Eager to prove them wrong, she dispatches her best investigator, Franklin Dodge, to look into his empire. It's a decision with deadly consequences: With Remus behind bars, Dodge and Imogene begin an affair and plot to ruin him, sparking a bitter feud that soon reaches the highest levels of government--and that can only end in murder.

    And the stars of yesteryear? They weren’t always the saints that we make them out to be. BuzzFeed’s Anne Helen Petersen, author of Too Fat, Too Slutty, Too Loud, is here to set the record straight. Pulling little-known gems from the archives of film history, Petersen reveals eyebrow-raising information, including:*The smear campaign against the original It Girl, Clara Bow, started by her best friend *The heartbreaking story of Montgomery Clift’s rapid rise to fame, the car accident that destroyed his face, and the “long suicide” that followed *Fatty Arbuckle’s descent from Hollywood royalty, fueled by allegations of a boozy orgy turned violent assault *Why Mae West was arrested and jailed for “indecency charges” *And much more Part biography, part cultural history, these stories cover the stuff that films are made of: love, sex, drugs, illegitimate children, illicit affairs, and botched cover-ups. But it’s not all just tawdry gossip in the pages of this book. The stories are all contextualized within the boundaries of film, cultural, political, and gender history, making for a read that will inform as it entertains. Based on Petersen’s beloved column on the Hairpin, but featuring 100% new content, Scandals of Classic Hollywood is sensationalism made smart.

    P. Morgan and a friend of Ernest Hemingway. Living in Paris in the twenties and directing the Black Sun Press, which published James Joyce among others, Crosby was at the center of the wild life of the lost generation. Drugs, drink, sex, gambling, the deliberate derangement of the senses in the pursuit of transcendent revelation: these were Crosby's pastimes until 1929, when he shot his girlfriend, the recent bride of another man, and then himself.Black Sun is novelist and master biographer Geoffrey Wolff's subtle and striking picture of a man who killed himself to make his life a work of art.

    Resolved to fix up the place, Sorel began pulling up the linoleum on his kitchen floor, tearing away layer after layer until he discovered a hidden treasure: issues of the New York Daily News and Daily Mirror from 1936, each ablaze with a scandalous child custody trial taking place in Hollywood and starring the actress Mary Astor. Sorel forgot about his kitchen and lost himself in the story that had pushed Hitler and Franco off the front pages.At the time of the trial, Mary Astor was still only a supporting player in movies, but enough of a star to make headlines when it came out that George S. Kaufman, then the most successful playwright on Broadway and a married man to boot, had been her lover. The scandal revolved around Mary’s diary, which her ex-husband, Dr. Franklyn Thorpe, had found when they were still together. Its incriminating contents had forced Mary to give up custody of their daughter in order to obtain a divorce. By 1936 she had decided to challenge the arrangement, even though Thorpe planned to use the diary to prove she was an unfit mother. Mary, he claimed, had not only kept a tally of all her extramarital affairs but graded them—and he’d already alerted the press. Enraptured by this sensational case and the actress at the heart of it, Sorel began a life-long obsession that now reaches its apex.Featuring over sixty original illustrations, Mary Astor's Purple Diary narrates and illustrates the travails of the Oscar-winning actress alongside Sorel’s own personal story of discovering an unlikely muse. Throughout, we get his wry take on all the juicy details of this particular slice of Hollywood Babylon, including Mary's life as a child star—her career in silent films began at age fourteen—presided over by her tyrannical father, Otto, who "managed" her full-time and treated his daughter like an ATM machine. Sorel also animates her teenage love affair with probably the biggest star of the silent era, the much older John Barrymore, who seduced her on the set of a movie and convinced her parents to allow her to be alone with him for private "acting lessons."Sorel imbues Mary Astor's life with the kind of wit and eye for character that his art is famous for, but here he also emerges as a writer, creating a compassionate character study of Astor, a woman who ultimately achieved a life of independence after spending so much of it bullied by others.Featuring ribald and rapturous art throughout, Mary Astor's Purple Diary is a passion project that becomes the masterpiece of one of America’s greatest illustrators.

    While opinions of the infamous mob leader varied from group to group, Capone was at one point seen by many as a lovable outlaw and modern Robin Hood. How could this man who ran the most vicious criminal organization in the country become so beloved by the general public? Was it the rags to riches tale of an immigrant that rose from the bottom to make it to the big time that transfixed the nation? Or is it something else entirely? Let us discover just what is it about the life of Al Capone that seems to spark both disgust and admiration in those that hear it.

    Months later, another wealthy widow and her prominent son and daughter-in-law were found savagely slain in Winston-Salem, North Carolina. Mystified police first suspected a professional in the bizarre gangland-style killings that shattered the quiet tranquility of two well-to-do southern communities. But soon a suspicion grew that turned their focus to family. The Sharps. The Newsoms. The Lynches. The only link between the three families was a beautiful and aristocratic young mother named Susie Sharp Newsom Lynch. Could this former child "princess" and fraternity sweetheart have committed such barbarous crimes? And what about her gun-loving first cousin and lover, Fritz Klenner, son of a nationally renowned doctor?

    The author describes her connection to the Mafia, which began during her childhood in Rochester, New York, and the years of abuse and fear before she was able to escape from the darkness.

    A young preacher from the Pennsylvania hills comes to New York City and influences troubled teenagers with his inspirational message.

    Each chapter provides a biography of one killer, describing the formative experiences that turned them into monsters, their hidden lives and gruesome crimes. It explains how each was caught, including descriptions of psychological profiles and crime investigation procedures, and their ultimate fate. Timelines and victim panels detail their atrocities and horrific death tolls. Dramatic black and white photography shows each killer at their sinister worst.