And I'll belong to Charlie... The three of us, we'll have a wonderful time.Alvin Darby is a 29 year old insurance clerk, with a comfortable apartment, a beautiful wife and enough money in the bank not to have to worry. So why does he wake up in the middle of the night tortured by the image of a woman with platinum blonde hair? And why is he suddenly convinced that his wife is having an affair?Consumed by jealousy and determined to track down the woman with the platinum blonde hair, Alvin leaves his comfortable life to walk the streets of Skid Row intent on murder. Caught up in an underworld of drugs and crime, Alvin is soon out of his depth, and back with his old girlfriend Geraldine, whose seductive silver yellow hair and orange lips seem to hold the key to unlock the dark and terrible sin of his past.Long unavailable, Of Tender Sin is a brilliant tale of paranoia and jealousy, femmes fatales and dark secrets. With its seering portrayal of the mean streets of Philadelphia and its underworld of drugs and crime, Of Tender Sin is as hard-hitting today as it was when it was first published in 1952.Introduction by Adrian Wootton.Goodis captures the bleak desperation of the urban jungle like no other writer before or since. - NeonA lethally potent cocktail of surreal description, brilliant language, cracker barrel philosophy and gripping obsession. - Adrian WoottonNo-one does existential loners better - The Herald

    "Red Harvest" is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.The Op was in Personville, derogatory nickname aside, as the result of a letter to the Continental Detective Agency in San Francisco from Donald Willsson, publisher of the local paper, asking for an agent to visit. No other information. As soon as the OP arrives, the body count begins. It starts with his client!

    Living in Nevada, bothered by nobody, he runs a little gas station, gets in a lot of fishing, and might even be falling for a local girl. Then, out of the blue, his past comes back to haunt him. Blackmailed into doing just one more job, he's forced to revisit the life he fled—in particular, the seductive Mumsie McGonigle. It's not long before Bailey realizes that a trap has been set for him. The novel, scripted by the author, went on in the hands of Jacques Tourneur to become the cinema's most celebrated work of "film noir," starring Robert Mitchum, Kirk Douglas, and Jane Greer.The Film Ink series presents the novels that inspired the work of some of the most celebrated directors of our time. While each novel is first and foremost a classic in its own right, these books offer the dedicated cinephile a richer understanding of the most illustrious films of American and European cinema.

    Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him.And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

    He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character.Yet, hidden behind three gaudy clown paintings in Roy's pallid hotel room, sits fifty-two thousand dollars--the money Roy makes from his short cons, his "grifting." For years, Roy has effortlessly maintained control over his house-of-cards life--until the simplest con goes wrong, and he finds himself critically injured and at the mercy of the most dangerous woman he ever met: his own mother.THE GRIFTERS, one of the best novels ever written about the art of the con, is an ingeniously crafted story of deception and betrayal that was the basis for Stephen Frears' and Martin Scorsese's 1990 critically-acclaimed film of the same name.

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    First published in 1935, this novel reaffirmed James M. Cain as a virtuoso of the roman noir.

    The one book Black Lizard never published, it's the dream-like tale of a man after a jailbreak, who meets up with the woman of his dreams... and his nightmares. Phenomenal work of the period, ranking with the best efforts of Thompson, Woolrich, Goodis et al.

    He is looking for someone, his boss, 'Sen' - a crooked, 'weasel-faced' Senator, who has set up the murder of his wealthy wife and made it look like a bungled robbery. Sailor is the only person who can finger Sen for the crime, and he intends to make the senator pay a hefty sum for his silence. In a hypnotic style that is pure, unsentimental noir, Hughes builds tension relentlessly and the fates of Sailor and Sen are played out against the increasing fervour of the town's festivities.

    She was never successful in this, but her Chandler-influenced novel No Good From a Corpse was so impressive in its hard-boiled dialogue that Howard Hawks insisted its author, unseen, be brought in to work on the screenplay adaption of The Big Sleep (together with a fella by the name of Faulkner.) Though Hawks was stunned to discover that Leigh was a woman, she got the job, and worked on what was probably the best film adaptation of a Chandler novel. No Good From a Corpse offers hard-boiled private eye Ed Clive, who gets involved with a dead girl, and suspects every one of her boyfriends--an ex-husband, a playboy, a blackmailer and a brute. There's a woman suspect as well, and a long chase through Sunset Strip.

    From the Academy Award-Nominated Screenwriter of BREAKFAST AT TIFFANY'S and THE MANCHURIAN CANDIDATE Comes a Breathtaking Story of Murder and Mischief...IT'S THE STORY of a big-game hunter, fisherman, fighter, visitor to Cuba, drunk, and Nobel Prize-winning author, recently deceased of a self-inflicted gunshot wound, whose final unpublished manuscript could fetch a mint...IT'S THE STORY of a short, balding man with a high-pitched voice and a vicious wit, whose cocktail parties are the talk of the town, especially when a beautiful woman dies at one of them...IT'S THE STORY of Hollywood's sexiest starlet, who manages to conceal things even when she's wearing nothing but a towel......and it's the story of Dick Sherman, intrepid New York publisher, on the trail of the literary find of the century-and the killer who will stop at nothing to keep it from being found.

    A COP HAD KILLED HIMSELF, AND EVERY CROOK IN TOWN KNEW THAT WOULD BE SURE TO BRING ON THE BIG HEAT. Why did they fear a dead man? Dave Bannion, homicide sergeant, fought for the answer to that question. The dead man was a police clerk who shot himself for no obvious reason. That was Bannion's first judgment, until a girl named Lucy presented a quite different picture of the dead man from the one he had shown to the world and to his fastidious, glacial wife. Bannion's chief, Lieutenant Wilks, wanted the case closed and speculation ended quickly and tightly. So did Max Stone and Lagana, who held the city in a sinister, underworld grip. But why? Why did they all fear a dead man . . . ?

    Of course he has; he's a mystery-script writer. But when Alicia takes a long, unannounced vacation, Sydney seizes the opportunity to perfect his artistic method.With her characteristic precision and unrivaled sensitivity to the inner tremblings of human character, Patricia Highsmith shockingly portrays Sydney's descent into the treacherous world of his own fictions. Once again Highsmith proves herself to be a master at depicting the unsettling forces that boil beneath the surface of everyday life.

    THEY THOUGHT WRONG.It all began with the phone call asking former porn star Angel Dare to do one more movie. Before she knew it, she'd been shot and left for dead in the trunk of a car. But Angel is a survivor. And that means she'll get to the bottom of what's been done to her even if she has to leave a trail of bodies along the way...

    The marathon dance craze flourished during the 1930s, but the underside was a competition and violence unknown to most ballrooms—a dark side that Horace McCoy's classic American novel powerfully captures."Were it not in its physical details so carefully documented, it would be lurid beyond itself." —Nation