I was six years old the day Lewis Holt came to take me away.Born into slavery, Dahlia never knew her mother—or what happened to her. When Dahlia’s father, the owner of Vesterville plantation, takes her to work in his home as a servant, she’s desperately lonely. Forced to leave behind her best friend, Bo, she lives in a world between black and white, belonging to neither.Ten years later, Dahlia meets Timothy Ross, an Englishman in need of a wife. Reinventing herself as Lily Dove, Dahlia allows Timothy to believe she’s white, with no family to speak of, and agrees to marry him. She knows the danger of being found out. She also knows she’ll never have this chance at freedom again.Ensconced in the Ross mansion, Dahlia soon finds herself held captive in a different way—as the dutiful wife of a young man who has set his sights on a political future. But when Bo arrives on the estate in shackles, Dahlia decides to risk everything to save his life. With suspicions of her true identity growing and a bounty hunter not far behind, Dahlia must act fast or pay a devastating price.

    When she was eight years old, Lily Decker somehow survived the auto accident that killed her parents and sister, but neither her emotionally distant aunt nor her all-too-attentive uncle could ease her grief. Dancing proves to be Lily's only solace, and eventually she receives a "scholarship" to a local dance academy--courtesy of a mysterious benefactor.Grown and ready to leave home for good, Lily changes her name to Ruby Wilde and heads to Las Vegas to be a troupe dancer, but her sensual beauty and voluptuous figure land her work instead as a showgirl performing everywhere from Les Folies Bergere at the Tropicana to the Stardust's Lido de Paris. Wearing costumes dripping with feathers and rhinestones, five-inch heels, and sky-high headdresses, Ruby may have all the looks of a Sin City success story, but she still must learn to navigate the world of men--and figure out what real love looks like.With her uncanny knack for understanding the hidden lives of women, Elizabeth J. Church captures both the iconic extravagance of an era and the bravery of a young woman who dances through her sadness to find connection, freedom, and, most important, herself.Advance praise for All the Beautiful Girls"A riveting novel, at once raw and tender, of a woman's struggle to heal the wounds of a devastating childhood . . . Elizabeth J. Church makes us feel Ruby Wilde's pain and root for her to survive. This is a heartbreaking story, passionately told."--Ellen Feldman, author of Next to LovePraise for Elizabeth J. Church's The Atomic Weight of Love"Oh, what an incandescent debut! Church follows one extraordinary woman who is brave to enough to challenge the times, take defiant wing, and chart her own extraordinary flight path. The Atomic Weight of Love is so engrossing I couldn't wait to read another page, and so alive I never wanted the story to end."--Caroline Leavitt, author of Is This Tomorrow"A tightly crafted novel."--The New York Times Book Review"Exquisite . . . the beautifully written story of a woman who must negotiate the tricky terrain of love, responsibility, ambition, and sacrifice. . . . It shows the impossible choices women faced--and still face--between family and self."--Tara Conklin, author of The House Girl"What does love require of us? How does one strike a balance between compromise and self-fulfillment? In her debut novel, Church writes to these issues in a style that is thoughtful and elegant. . . . Church hits the mark in this emotionally driven debut."--Library Journal"A striking story of a woman forced to choose between the future she desires or the path society insists she take." --Harper's Bazaar "An elegant glimpse into the evolution of love and womanhood."--Kirkus Reviews

    Forty people committed suicide and the entire compound burned to the ground. At just thirteen, Clare was the sole survivor found wandering miles from the encampment, hands blistered, memories of the horrific event wiped from her mind. Now a sociology professor and liaison to the FBI specializing in cults, Clare has fought to put the past behind her. She has a successful career, a quiet home, and is deeply in love. But intrusive memories and fear of inheriting her cult-leader father’s mental illness threaten to strangle Clare’s budding life when she receives a call from the past. A call informing her a woman has been found claiming to be her sister Shanna—a sister she long thought dead. Wracked with guilt but determined to prove herself to the sister she thought was lost, Clare returns to her hometown only to be stalked by a threatening stranger and haunted by hallucinations which seem all too real—hallucinations that plagued her father as well. Before long Clare begins to question what is real as the past overshadows the present and memories return that should’ve stayed forgotten.

    Where better for an existential crisis than the city so many artists have loved?Walking through the streets, she sees a man with white hair and a worn corduroy jacket—a dead ringer for her late father. A ghost? Or has mourning driven her mad? Then she receives a letter from a woman she never knew existed—her father’s lover of three decades. The mysterious Françoise has been entrusted with her father’s last gift to Gaby, a valuable seventeenth-century still life. The woman is also the bearer of so many of her father’s secrets.But when Gaby takes a French lover, she starts to question everything she ever knew about her father and her own double life: America or Paris, husband or lover, old life or a new, reimagined one?

    While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness.May 20, 1869: Housemaid Catriona Mitchell had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead . . . exactly one-hundred-and-fifty years before Mallory was strangled in the same spot.When Mallory wakes up in Catriona's body in 1869, she must put aside her shock and adjust quickly to the reality: life as a housemaid to an undertaker in Victorian Scotland. She soon discovers that her boss, Dr. Gray, also moonlights as a medical examiner and has just taken on an intriguing case, the strangulation of a young man, similar to the attack on herself. Her only hope is that catching the murderer can lead her back to her modern life . . . before it's too late.Outlander meets The Alienist in Kelley Armstrong's A Rip Through Time, the first book in this utterly compelling series, mixing romance, mystery, and fantasy with thrilling results.

    It is a story of good versus evil--of two brothers who are mortal enemies--but its main characters do not fit typical hero-villain molds. Clint Travess, Sheriff of Trenton County: a man dedicated to the law but plagued by guilt, and tormented by desire for another man's wife. Troy Travess, his brother: an ex-convict possessed by hate and a vow of revenge against the lawman who sent him to prison, but capable of loving the memory of a girl--and the son she left him. Matt Gustafson, wealthy rancher: a man who has nothing in common with Troy--except a vow to see Clint Travess dead. Ann Stuart Gustafson, Matt's wife: a woman who has everything she ever wanted, and would gladly trade it all for the man she loves. Mark Travess, Troy's son: a child caught in the middle of a deadly war between the two men who share his Travess blood. Will good triumph over evil in the end? Perhaps. But not without pain. Not without suffering. Not without the shedding of Travess blood. Click "Look inside" for a preview of this unusual western novel.