Five years later the past has found her and to protect herself and her beloved child she'll have to perform one last act of dazzling daring more audacious than any she has previously attempted.With her internationally bestselling novels Chocolat, Blackberry Wine, Five Quarters of the Orange, and Coastliners, Joanne Harris has woven intoxicating spells that celebrate the sensuous while exposing the passion, secrets and folly beneath the surface of rustic village life. In Holy Fools, her most ambitious and accomplished novel to date, she transports us back to a time of intrigue and turmoil, of deception and masquerade. In the year 1605, a young widow, pregnant and alone, seeks sanctuary at the small Abbey of Sainte Marie-de-la-mer on the island of Noirs Moustiers off the Brittany coast. After the birth of her daughter, she takes up the veil, and a new name, Soeur Auguste. But the peace she has found in remote isolation is shattered five years later by the events that follow the death of her kind benefactress, the Reverend Mother. When a new abbess -- the daughter of a corrupt noble family elevated by the murder of King Henri IV -- arrives at Sainte Marie-de-la-mer, she does not arrive alone. With her is her personal confessor and spiritual guide, Père Colombin, a man Soeur Auguste knows all too well. For the newcomer is Guy LeMerle, a charlatan and seducer now masquerading as a priest, and the one man she fears more than any other. Soeur Auguste has a secret. Once she was l'Ailée, "The Winged One," star performer of a troupe led by LeMerle, before betrayal forced her to change her identity. But now the past has found her. Before long, thanks to LeMerle, suspicion and debauchery are breeding like a plague within the convent's walls -- fueled by dark rumors of witchcraft, part of the false priest's brilliantly orchestrated scheme of revenge. To protect herself and her beloved child, l'Ailée will have to perform one last act of dazzling daring more audacious than any she has previously attempted.

    You will sacrifice our rights in order to secure your peace with the Boers and shrug us off. It is for this expedience that men like Tom and Reuben and Sonwabo Pumami are dead. There will be thousands like them in the time to come. ' Against a backdrop of drought, the rinderpest pandemic, the South African War, the burgeoning gold-mining industry and the complex birth of the exploitative system of recruiting migrant labour, Shades explores the growing tensions between cultures in South Africa at the turn of the twentieth century and the deepening awareness of the black mission-educated elite, empowered by the printing press, of the need to articulate their political and spiritual beliefs. Set within the microcosm of an isolated Eastern Cape mission, Shades is not only a love story and the chronicle of a family but a sensitive and perceptive insight into the country's wider conflicts. It explores the slow but inexorable destruction of the fabric of a community, the assault on its traditions and the struggle to reconcile two faiths: the Christian and the traditional beliefs of the amaXhosa in their ancestral shades. It is the story of those far-sighted enough to seek convergence and those destined to undermine its wisdom. Primarily, Shades is an intimate tale of love, friendship, acceptance and profound loss: of life, of faith and of belonging.

    Witty, compassionate, and wry, it captures the social, political, and spiritual upheavals of those decades through the experiences of a middle-class couple, their four children, and the changing worlds in which they live. While Michael and Annie Keane taste the alternately intoxicating and bitter first fruits of the sexual revolution, their older, more tentative brother, Jacob, lags behind, until he finds himself on the way to Vietnam. Meanwhile, Clare, the youngest child of their aging parents, seeks to maintain an almost saintly innocence. After This, alive with the passions and tragedies of a determining era in our history, portrays the clash of traditional, faith-bound life and modern freedom, while also capturing, with McDermott’s inimitable understanding and grace, the joy, sorrow, anger, and love that underpin, and undermine, what it is to be a family.

    It can be found only in the final book of the series that made her a famous writer. But does that book exist?This absorbing novel spans the entire twentieth century, telling the moving story of a mother, her daughter, and two granddaughters, one of whom is the only person alive who knows the whereabouts of Harriet's final book. When a hospitalization brings the family back together, the mystery not only of Harriet's last book, but also of her life, hangs in the balance. Will the truth ever be known, or is Harriet's story gone forever?A multi-generational tale of long-lost love, motherhood, and family secrets, this is Baggott's most sweeping and mesmerizing novel yet.

    Fifty-something sisters Harriet and Belinda Bede live a comfortable, settled existence. Belinda, the quieter of the pair, has for years been secretly in love with the town's pompous (and married) archdeacon, whose odd sermons leave members of his flock in muddled confusion. Harriet, meanwhile, a bubbly extrovert, fends off proposal after proposal of marriage. The arrival of Mr. Mold and Bishop Grote disturb the peace of the village and leave the sisters wondering if they'll ever return to the order of their daily routines. Some Tame Gazelle, first published in Britain nearly 50 years ago, was the first of Pym's nine novels.

    1880 South Africa is a country torn apart by greed. In this remote and inhospitable land she becomes entangled with two very different men—one driven by ambition, the other by his ideals. Only when the rumor of a smallpox epidemic takes her into the dark heart of the diamond mines does she see her path to happiness.But this is a ruthless world of avarice and exploitation, where the spoils of the rich come at a terrible human cost and powerful men will go to any lengths to keep the mines in operation. Removed from civilization and disillusioned by her isolation, Frances must choose between passion and integrity, a decision that has devastating consequences.

    on March 13, 1964, a young woman returning home from her shift at a local bar is attacked in the courtyard of her Queens apartment building. Her neighbors hear her cries; no one calls for help.Unfolding over the course of two hours, Good Neighbors is the story of the woman's last night. It is also the story of her neighbors, the bystanders who kept to themselves: the anxious Vietnam draftee; the former soldier planning suicide; the woman who thinks she's killed a child and her husband, who will risk everything for her. Revealing a fascinating cross-section of American society in expertly interlocking plotlines, Good Neighbors calls to mind the Oscar-winning movie Crash, and its suspense and profound sense of urban menace rank it with Hitchcock's Rear Window and the gritty crime novels of Dennis Lehane, Richard Price, and James Ellroy.

    Investigating the strange ways in which love, in spite of everything - time, war, betrayal - can last, Zweig tells the story of Ludwig, an ambitious young man from a modest background who falls in love with the wife of his rich employer. His love is returned, and the couple vow to live together, but then Ludwig is dispatched on business to Mexico, and while he is there the First World War breaks out. With travel and even communication across the Atlantic now shut down, Ludwig makes a new life in the New World. Years later, however, he returns to Germany to find his beloved a widow and their mutual attraction as strong as ever. But is it possible for love to survive precisely as the impossible?

    Written shortly after The Scarlet Letter, The House of the Seven Gables re-addresses the theme of human guilt in a style remarkable in both its descriptive virtuosity and its truly modern mix of fantasy and realism.

    Persomi’s world is extraordinarily small. She has never been to the local village and spends her days absorbed in the rhythms of the natural world around her. Her older brother, Gerbrand, is her lifeline and her connection to the outside world. When he leaves the farm to seek work in Johannesburg, Persomi’s isolated world is blown wide open. But as her very small world falls apart, bigger dreams become open to her—dreams of an education, a profession, and of love. As Persomi navigates the changing world around her—the tragedies of WWII and the devastating racial strife of her homeland—she finally discovers who she truly is and where she belongs.A compelling coming of age story with an unlikely and utterly memorable heroine, Persomi’s English language publication solidifies Irma Joubert’s important place in the canon of inspirational historical fiction.

    Bridge, an inspired novel set in the years around World War II that testified to the sapping ennui of an unexamined suburban life. India Bridge, the title character, has three children and a meticulous workaholic husband. She defends her dainty, untouched guest towels from son Douglas, who has the gall to dry his hands on one, and earnestly attempts to control her daughters with pronouncements such as "Now see here, young lady ... in the morning one doesn't wear earrings that dangle." Though her life is increasingly filled with leisure and plenty, she can't shuffle off vague feelings of dissatisfaction, confusion, and futility. Evan S. Connell, who also wrote the twinned novel Mr. Bridge, builds a world with tiny brushstrokes and short, telling vignettes.

    And there she stayed for eighty-one years while the century raged around her, while lamplight and Victorian order became chaos and nuclear dread. Crusoe's Daughter, ambitious, moving and wholly original, is her story.

    Her true identity and fate have remained a mystery that has tantalized historians for decades. Now, for the first time, Gerald Kolpan envisions this remarkable woman’s life in a stunning debut novel.Kolpan imagines that Etta Place was born Lorinda Jameson, the daughter of a prominent financier, who becomes known as the loveliest of the city’s debutantes when she makes her entrance into Philadelphia society. Though her position in life is already assured, her true calling is on horseback. She can ride as well as any man and handle a rifle even better. But when a tragedy leads to a dramatic reversal of fortune, Lorinda is left orphaned, penniless, homeless, and pursued by the ruthless Black Hand mafia.Rechristened “Etta Place” to ensure her safety, the young woman travels to the farthest reaches of civilization, working as a “Harvey Girl” waitress in Grand Junction, Colorado. There, fate intervenes once more and she again finds herself on the run from the ruthless Pinkerton Detective Agency. But this time she has company. She soon finds herself at the legendary hideout at Hole-in-the-Wall, Wyoming, where she meets the charismatic Butch Cassidy and the handsome, troubled Harry Longbaugh, a.k.a. the Sundance Kid. Through a series of holdups and heists, Etta and Harry begin an epic and ultimately tragic romance, which will be the greatest of Etta’s life. Then, when Etta meets the young and idealistic Eleanor Roosevelt, her life is changed forever.Blending a compelling love story, high adventure, and thrilling historical drama, Etta is an electrifying novel. With a sweeping 1900s setting, colorful storytelling, and larger-than-life characters, Etta is debut that is both captivating and unforgettable.

    It’s a wonderful existence for someone like The Big Guy and his furry brother, except for the flea problem. Then an expedition of explorers from the outside turn his world inside out. Or rather a very blonde beauty called The Woman does. It leads to his and his ape brother being convinced to fly to New York by zeppelin, where they become the toast of the town. They even make Hollywood movies. It seems perfect. At least until The Big Guy does something that comes quite naturally to him in the wild, but leads to public humiliation in this new found world. To make matters worse, his ape brother has grown to not only love the pampered life, meals he doesn’t have to chase down, good cigars, fine wines and statuesque women, he’s come to like the Wrong Woman.Changes are afoot. They lead to a return to the world beneath the mist, and a deadly and unexpected encounter with a foe that is in many ways far worse than any dinosaur. Envy, jealousy, greed, fleas, and pyramids under the mist, are all part of this rollicking novella of the sort only Joe R. Lansdale could write. And don’t forget dinosaurs.

    One is black, one white. Both are successful women with impressive careers. Both have recently been widowed. And both are sworn enemies, sharing hedge and hostility which they prune with a zeal that belies the fact that they are both over eighty.But one day an unforeseen event forces the women together. And gradually the bickering and sniping softens into lively debate, and from there into memories shared. But could these sparks of connection ever transform into friendship? Or is it too late to expect these two to change?