Summer 1763.Anne Jaccob is coming of age, the daughter of a wealthy merchant. When she is taken advantage of by her tutor — a great friend of her father’s — and is set up to marry a squeamish snob named Simeon Onions, she begins to realize just how powerless she is in Georgian society. Anne is watchful, cunning, and bored.Her saviour appears in the form of Fub, the butcher’s boy. Their romance is both a great spur and an excitement. Anne knows she is doomed to a loveless marriage to Onions and she is determined to escape with Fub and be his mistress. But will Fub ultimately be her salvation or damnation? And how far will she go to get what she wants?Dark and sweeping, The Butcher’s Hook is a richly textured debut featuring one of the most memorable characters in fiction.

    His older sister, Beth, thought he was dead. His childhood friend Josh thought it was all his fault. They were the last two people to see him alive.Until now. Because Sam has been found, and he’s coming home. Beth desperately wants to understand what happened to her brother, but her family refuses to talk about it—even though Sam is clearly still affected by the abuse he faced at the hands of his captor.And as Sam starts to confide in Josh about his past, Josh can’t admit the truths he’s hidden deep within himself: that he’s gay, and developing feelings for Sam. And, even bigger: that he never told the police everything he saw the day Sam disappeared. As Beth and Josh struggle with their own issues, their friends and neighbors slowly turn on Sam, until one night when everything explodes. Beth can’t live in silence. Josh can’t live with his secrets. And Sam can’t continue on until the whole truth of what happened to him is out in the open.For fans of thought-provoking stories like The Face on the Milk Carton, this is a book about learning to be an ally—even when the community around you doesn’t want you to be.

    And like Jane Eyre, they call her wicked - but in her case, she fears the accusation is true. When she flees, she leaves behind the corpses of her tormentors.A fugitive navigating London's underbelly, Jane rights wrongs on behalf of the have-nots whilst avoiding the noose. Until an advertisement catches her eye. Her aunt has died and the new master at Highgate House, Mr Thornfield, seeks a governess. Anxious to know if she is Highgate's true heir, Jane takes the position and is soon caught up in the household's strange spell. When she falls in love with the mysterious Charles Thornfield, she faces a terrible dilemma: can she possess him - body, soul and secrets - and what if he discovers her murderous past?

    The news triggers a self-destructive tailspin, centred around Irina’s relationship with her obsessive best friend, and a shy young man from her local supermarket who has attracted her attention…Boy Parts is the incendiary debut novel from Eliza Clark, a pitch-black comedy both shocking and hilarious, fearlessly exploring the taboo regions of sexuality and gender roles in the twenty-first century.

    The Blood Veil falls. The Tournament begins.Every generation, at the coming of the Blood Moon, seven families in the remote city of Ilvernath each name a champion to compete in a tournament to the death.The prize? Exclusive control over a secret wellspring of high magick, the most powerful resource in the world--one thought long depleted.This year, thanks to a salacious tell-all book, the seven champions are thrust into worldwide spotlight, granting each of them new information, new means to win, and most importantly: a choice - accept their fate or rewrite their story.But this is a story that must be penned in blood.

    Meggie is immediately drawn to worldly, beautiful, and uninhibited Sabine; and when Sabine announces she's switching to the nightshift, Meggie impulsively decides to follow her. Giving up her daytime existence, her reliable boyfriend, and the trappings of a normal life, Meggie finds a liberating sense of freedom as she indulges her growing preoccupation with Sabine and plunges into another existence, immersing herself in the transient and uncertain world of the nightshift worker.While the city sleeps, she passes the hours at work clipping crime stories from the next day's newspapers. The liminal hours between night and day are spent haunting deserted bars and nightclubs with her eclectic coworkers and going on increasingly wild adventures with Sabine. Yet the closer she gets to Sabine, the more Sabine seems to push her away, leaving Meggie desperately trying to hold on to their intense friendship while doubting if she truly knows her friend at all.A fresh twist on the coming of age story and a dark love letter to city life, Nightshift explores the thin line between self-invention and self-destruction, as Meggie's sleep deprivation, drinking, and fixation with Sabine gain a momentum all their own. Vividly set in late-nineties London and framed by Meggie's present-day reflections, Nightshift is a captivating and moving debut that asks profound questions about who we are and if we can truly escape ourselves.

    They own vast lands and profitable businesses, they employ their neighbors, and they influence the government. A prolific and eccentric group, they include several millionaires, a mass murderer, a spiritual seeker who climbs into the mountains looking for God, a wealthy noctambulist who dies of a chicken scratch.Bellefleur traces the lives of several generations of this unusual family. At its center is Gideon Bellefleur and his imperious, somewhat psychic, very beautiful wife, Leah, their three children (one with frightening psychic abilities), and the servants and relatives, living and dead, who inhabit the mansion and its environs. Their story offers a profound look at the world's changeableness, time and eternity, space and soul, pride and physicality versus love. Bellefleur is an allegory of caritas versus cupiditas, love and selflessness versus pride and selfishness. It is a novel of change, baffling complexity, mystery.Written with a voluptuousness and startling immediacy that transcends Joyce Carol Oates's early works, Bellefleur is widely regarded as a masterwork—a feat of literary genius.

    . . especially when that secret is a dead teacher.Ivy used to be on top of the social ladder, until her ex made that all go away. She has the chance to be Queen Bee again, but only if the rest of the group can keep quiet.Tyler has always been a bad boy, but lately he’s been running low on second chances. There’s no way he’s going to lose everything because someone couldn’t keep their mouth shut.Kinley wouldn’t describe herself as perfect, though everyone else would. But perfection comes at a price, and there is nothing she wouldn’t do to keep her perfect record – one that doesn’t include murder charges.Mattie is only in town for the summer. He wasn’t looking to make friends, and he definitely wasn’t looking to be involved in a murder. He’s also not looking to be riddled with guilt for the rest of his life . . . but to prevent that he’ll have to turn them all in.Cade couldn’t care less about the body, or about the pact to keep the secret. The only way to be innocent is for someone else to be found guilty. Now he just has to decide who that someone will be.With the police hot on the case, they don’t have much time to figure out how to trust each other. But in order to take the lead, you have to be first in line . . . and that’s the quickest way to get stabbed in the back.Perfect for fans of Chelsea Pitcher, Karen M. McManus and Holly Jackson!

    The increasingly frantic protagonist fails to defend his supposed masculinity and eventually finds himself in a sanatorium. A Gothic tale of destabilized male-female binaries and subverted literary tropes, this is the book's first English publication.

    The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew.As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths.Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.

    As sophomore year begins, Harold takes up a hundred activities, leaving Ivy on her own. Luckily she’s found a distraction: the new anonymous art-sharing app, VEIL.Soon Ivy realizes that one of her classmates is the VEIL user who needs new paintbrushes … and another is the one visiting the hospital every week … and another is the one dealing with their parents’ messy divorce. While she’s too scared to put her own creations on the app, Ivy thinks of an even better way to contribute—by making gifts for the artists she’s discovered. The acts of kindness give her such a rush that, when Ivy suspects Harold is keeping a secret, she decides to go all in. Forget gifts—Ivy wants to throw Harold a major party.But when all those good intentions thrust her into the spotlight, Ivy’s carefully curated world is thrown into chaos. Now she has to find the courage to come out of the shadows—about her art, her secrets, and her mistakes—or risk losing everything and everyone she loves the most.

    This volume restores all of the material removed by the novel's first editor.Upon receipt of the typescript, Wilde's editor panicked at what he saw. Contained within its pages was material he feared readers would find "offensive"--especially instances of graphic homosexual content. He proceeded to go through the typescript with his pencil, cleaning it up until he made it "acceptable to the most fastidious taste." Wilde did not see these changes until his novel appeared in print. Wilde's editor's concern was well placed. Even in its redacted form, the novel caused public outcry. The British press condemned it as "vulgar," "unclean," "poisonous," "discreditable," and "a sham." When Wilde later enlarged the novel for publication in book form, he responded to his critics by further toning down its "immoral" elements.Wilde famously said that "The Picture of Dorian Gray" "contains much of me" Basil Hallward is "what I think I am," Lord Henry "what the world thinks me," and "Dorian what I would like to be--in other ages, perhaps." Wilde's comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own repressive Victorian era. By implication, Wilde would have preferred we read today the uncensored version of his novel.

    A foster kid with a checkered past and a history of suicide attempts, Ash was just another number in a system that failed him. But to James, Ash was never just a number, and the facts around his death no longer stack up so neatly. Now James has plenty of questions, and the one person who might have held the answers—Ash’s older brother, Elliot—has left town. And if anyone knows where he is, they aren’t talking. As James searches for Elliot and uncovers the tangle of lies and false alibis he left in his wake, he grows suspicious of what really happened on Ash’s last day. After all, innocent people don't run.

    In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy.But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

    He dies. Then he wakes, naked and bruised and thirsty, but alive. How can this be? And what is this strange deserted place?As he struggles to understand what is happening, the boy dares to hope. Might this not be the end? Might there be more to this life, or perhaps this afterlife?From multi-award-winning Patrick Ness comes one of the most provocative and moving novels of our time.