James's Park begins young Lorna and Matt's intense relationship. Wholly in love, they leave London for a cottage in a rural Somerset village. Their intimate life together—--Matt’'s woodcarving, Lorna's self-discovery, their new baby, Molly—--is shattered with the arrival of World War II. In 1960s London, Molly happens upon a forgotten newspaper--—a seemingly small moment that leads to her first job and, eventually, a pregnancy by a wealthy man who wants to marry her but whom she does not love. Thirty years later, Ruth, who has always considered her existence a peculiar accident, questions her own marriage and begins a journey that takes her back to 1941 —and a redefinition of herself and of love. Told in Lively's incomparable prose, Consequences is a powerful story of growth, death, and rebirth and a study of the previous century--—its major and minor events, its shaping of public consciousness, and its changing of lives.

    With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America.It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.

    Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

    He has lived grandly and ferociously-and much beyond his means. His close friend Chick has suggested that he put forth a book of his convictions about the ideas which sustain humankind, or kill it, and much to Ravelstein's own surprise, he does and becomes a millionaire. Ravelstein suggests in turn that Chick write a memoir or a life of him, and during the course of a celebratory trip to Paris the two share thoughts on mortality, philosophy and history, loves and friends, old and new, and vaudeville routines from the remote past. The mood turns more somber once they have returned to the Midwest and Ravelstein succumbs to AIDS and Chick himself nearly dies.Deeply insightful and always moving, Saul Bellow's heartfelt novel is a journey through love and memory. It is brave, dark, and bleakly funny: an elegy to friendship and to lives well (or badly) lived.

    The CIA has learned that the Kremlin is about to launch a sophisticated propaganda operation aimed at discrediting and disrupting the United States and ultimately restoring Russia to great nation status. Intercepted intelligence suggests that the operation will hinge on a single, breaking news event in Eastern Europe, supported by a sustained campaign of disinformation and cyberattacks. Code-named the "Children’s Game"--a chess stratagem that leads to checkmate in four moves--it was probably conceived by a Russian billionaire and former FSB officer named Andrei Turov. For years Turov has been developing the infrastructure for a new kind of warfare that exploits weaknesses in western democracies and manipulates public opinion. His organization offers the Kremlin plausible deniability. But the United States has its own secret weapon: Christopher Niles, a former CIA intelligence officer, who understands Turov's ambitions and capabilities. It falls to him and his small team--composed of his journalist half-brother Jon, a special forces operative he would trust with his life, and Anna Carpenter, a resourceful US senator with deep roots in the intelligence community--to unravel Turov's plot and restore truth to a world spiraling into chaos.The Children's Game is a frighteningly realistic, timely thriller that delves into the secret corners of Vladimir Putin's Russia, exploring the shifting world order and the murky realm of US-Russia relations.

    I hate Nazis.I am a Nazi.I hate myself.This book is about the Holocaust. It's violent and graphic. To talk about what happened differently would not be fair to Lilo.World War II: A young Nazi guard stationed in a ghetto in Regensburg, Germany finds himself in a time and place that he hates. He has never directly participated in the bloodletting but has done nothing to stop it. He wonders if his soul can be saved. He saves a Jewish girl's life when ordered to murder her. He refuses despite the consequences. Perhaps the girl he saved can save him? Maybe she can be the key to his redemption and a light for his soul, to guide the way home.

    From the author of THE POELLENBERG INHERITANCE and THE TAMARIND SEED, a novel in which a former Resistance-fighter is confronted with painful memories when she is forced to make a critical decision about exposing a threat from the past.

    Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    Boyle has spun an even more dazzling tale that will delight both his longtime devotees and a legion of new fans. Boyle’s tenth novel, The Inner Circle has it all: fabulous characters, a rollicking plot, and more sex than pioneering researcher Dr. Alfred Kinsey ever dreamed of documenting . . . well, almost. A love story, The Inner Circle is narrated by John Milk, a virginal young man who in 1940 accepts a job as an assistant to Dr. Alfred Kinsey, an extraordinarily charming professor of zoology at Indiana University who has just discovered his life’s true calling: sex. As a member of Kinsey’s “inner circle” of researchers, Milk (and his beautiful new wife) is called on to participate in sexual experiments that become increasingly uninhibited—and problematic for his marriage. For in his later years Kinsey (who behind closed doors is a sexual enthusiast of the first order) ever more recklessly pushed the boundaries both personally and professionally. While Boyle doesn’t resist making the most of this delicious material, The Inner Circle is at heart a very moving and very loving look at sex, marriage, and jealousy that will have readers everywhere reassessing their own relationships—because, in the end, “love is all there is.”

    The first major work of contemporary fiction ever to use living historical figures as characters, the novel reimagines the three fateful days in 1953 that culminated with the execution of alleged atomic spies Julius and Ethel Rosenberg. Vice-President Richard Nixon - the voraciously ambitious bad boy of the Eisenhower regime - is the dominant narrator in an enormous cast that includes Betty Crocker, Joe McCarthy, the Marx Brothers, Walter Winchell, Uncle Sam, his adversary The Phantom, and Time magazine incarnated as the National Poet Laureate. All of these and thousands more converge in Times Square for the carnivalesque auto-da-fe at which the Rosenbergs are put to death. And not a person present escapes implication in Cold War America's ruthless "public burning."

    Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other—for no one but Saunders could conceive it.February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy’s body.From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

    She is excited, exhausted—and about to meet royalty. . . .So begins the unforgettable story of Charlotte Bill, who would care for a generation of royals as their parents never could. Neither Charlotte—LaLa, as her charges dub her—nor anyone else can predict that eldest sons David and Bertie will each one day be king. LaLa knows only that these children, and the four who swiftly follow, need her steadfast loyalty and unconditional affection.But the greatest impact on Charlotte’s life is made by a mere bud on the family tree: a misunderstood soul who will one day be known as the Lost Prince. Young Prince John needs all of Lala’s love—the kind of love his parents won’t…or can’t…show him.From Britain’s old wealth to the glittering excesses of Tsarist Russia; from country cottages to royal yachts, and from nursery to ballroom, Charlotte Bill witnesses history. The Royal Nanny is a seamless blend of fact and fiction—an intensely intimate, yet epic tale spanning decades, continents, and divides that only love can cross.

    Sally Ketchum has little chance of bettering her life until a mysterious barnstormer named Tex teaches her to fly and to dare to love. But when Tex dies in a freak accident, Sally must make her own way in the world. She enrolls in the U.S. military’s Women Airforce Service Pilots (WASP) program at a special school known as Avenger, where she learns to fly the biggest, fastest, meanest planes. She also reluctantly becomes involved with Beau Bayard, a flight instructor and aspiring writer who seems to offer her everything she could want. Despite her obvious mastery of flying, many members of the military are unable to accept that a “skirt” has any place in a cockpit. Soon Sally finds herself struggling against a high-powered Washington lawyer that wants to close down Avenger once and for all.

    Since then, she's written eight more, three of which have been short-listed for England's prestigious Booker Prize, and one of which, Offshore, won. Now she's back with her tenth and best book so far, The Blue Flower. This is the story of Friedrich von Hardenberg--Fritz, to his intimates--a young man of the late 18th century who is destined to become one of Germany's great romantic poets. In just over 200 pages, Fitzgerald creates a complete world of family, friends and lovers, but also an exhilarating evocation of the romantic era in all its political turmoil, intellectual voracity, and moral ambiguity. A profound exploration of genius, The Blue Flower is also a charming, wry, and witty look at domestic life. Fritz's family--his eccentric father and high-strung mother; his loving sister, Sidonie; and brothers Erasmus, Karl, and the preternaturally intelligent baby of the family, referred to always as the Bernhard--are limned in deft, sure strokes, and it is in his interactions with them that the ephemeral quality of genius becomes most tangible. Even his unlikely love affair with young Sophie von Kühn makes perfect sense as Penelope Fitzgerald imagines it. The Blue Flower is a magical book--funny, sad, and deeply moving. In Fritz Fitzgerald has discovered a perfect character through whom to explore the meaning of love, poetry, life, and loss. In The Blue Flower readers will find a work of fine prose, fierce intelligence, and perceptive characterization.

    In While England Sleeps, available for the first time in two years, he moves beyond precisely controlled domestic drama to create a historical novel, set against the rise of fascism in 1930s Europe, that tells a story of love and the violent chaos of war.