Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    Reclusive comic book artist Trip Spector spends his life doodling super-square, straitlaced superheroes, hiding from his fans, and crushing on his unattainable boss until he meets the dork of his dreams. Silas Goolsby is a rowdy FX makeup creator with a loveless love life and a secret streak of geek who yearns for unlikely rescues and a truly creative partnership.Against their better judgment, they fall victim to chemistry, and what starts as infatuation quickly grows tender and terrifying. With Silas’s help, Trip gambles his heart and his art on a rotten plan: sketching out Scratch, a "very graphic novel" that will either make his name or wreck his career. But even a smash can't save their world if Trip retreats into his mild-mannered rut, leaving Silas to grapple with betrayal and emotions he can't escape. What will it take for this dynamic duo to discover that heroes never play it safe?

    Set in the 1980s against the backdrop of a swiftly gentrifying Manhattan, The Lost Language of Cranes tells the story of twenty-five-year-old Philip, who realizes he must come out to his parents after falling in love for the first time with a man. Philip's parents are facing their own crisis: pressure from developers and the loss of their longtime home. But the real threat to this family is Philip's father's own struggle with his latent homosexuality, realized only in his Sunday afternoon visits to gay porn theaters. Philip's admission to his parents and his father's hidden life provoke changes that forever alter the landscape of their worlds.

    In the eyes of the Army they are just two mates who are close. But from the revelation of personal secrets, ensuing hatred and aggression, through terror and danger, to loyalty, triumphant strength and courage, grows their own realisation of what they are: comrades first and foremost, but something else too, something more significant. The two Royal Engineers, Sgt Tom Warren and SSgt Alex Turner, learn to understand the real meaning of loyalty and strength. Their fight for survival cuts through all the discipline and rules, to tie them together in a unique bond of companionship and trust.

    He proved them wrong. Now he's back at the landscaping business, Potosi and Sons, he shares with his two older brothers—but they seem more interested in getting Anthony to sell out his share than in celebrating his recovery.The oil-and-water relationship between Anthony and his brothers is hardly new. Even when they were kids, Sal and Chip delighted in terrorizing their baby brother with stories like "The Hook," complete with visits to the abandoned Victorian a half mile down the two-lane.Now Anthony towers over his brothers...but he's still the youngest. When the new owner of the Hook House calls an order in, they take a little too much satisfaction in sending him to face his old fears. And learning to open up again to trust, desire—and maybe even love—is far scarier than The Hook.

    After his father dies, Noah's mother, a temperamental poet, takes a teaching job in a small New Hampshire town, far from Chicago and the only world Noah has known. While Noah gets along reasonably with his mother, the crumbling house they try to renovate quickly reveals dark secrets, via dusty Mason jars they discover interred between walls. The jars contain scraps of letters, poems, and journal entries, and eventually reconstructs a history of pain and violence that drives a sudden wedge between Noah and his mother. Fortunately, Noah finds an unexpected ally in J.D., a teenager down the street who has family troubles of his own.

    But the year starts off with the wrong kind of bang when Jonathan -- in an inebriated lapse of judgment -- sleeps with a friend of his... A girlfriend!When word gets around that hot-but-previously-unavailable Jonathan might be on the market, the school's 'it' girl approaches him with a proposal: pretend to be her boyfriend, and achieve popularity like he's never known. But popularity isn't what Jonathan wants. And suddenly, going back into the closet becomes Jonathan's only way to get what he's after -- a trip to see Kylie Minogue.

    All goes well until Charlotte escapes, transfers her consciousness to the Internet, and begins terrorizing the American public.Charlotte's attacks have everyone on high alert—everyone except Lee Fisher, the closeted son of the US president. Lee has other things to worry about, like keeping his Secret Service detail from finding out about his crush on Nico, the eccentric, Shakespeare-obsessed new boy at school. And keeping Nico from finding out about his recent suicide attempt. And keeping himself from freaking out about all his secrets.But when the attacks start happening at his school, Lee realizes he's Charlotte’s next target. Even worse, Nico may be part of Charlotte’s plan too.As Lee races to save himself, uncover Charlotte’s plan, and figure out if he can trust Nico, he comes to a whole new understanding of what it means to be alive ... and what makes life worth living.

    Unprepared for the consequences of their attraction, at first each feigns indifference. But during the restless summer weeks that follow, unrelenting buried currents of obsession and fear, fascination and desire, intensify their passion as they test the charged ground between them. What grows from the depths of their spirits is a romance of scarcely six weeks' duration and an experience that marks them for a lifetime. For what the two discover on the Riviera and during a sultry evening in Rome is the one thing both already fear they may never truly find again: total intimacy. The psychological maneuvers that accompany attraction have seldom been more shrewdly captured than in André Aciman's frank, unsentimental, heartrending elegy to human passion. Call Me by Your Name is clear-eyed, bare-knuckled, and ultimately unforgettable.

    Or so it seems to invisible fifteen-year-old Hazard James. But when he falls in with bad apple Jesse Wesley, Hazard is suddenly shoved into the spotlight. Jesse and his friends introduce him to the underworld of teenage life: house parties, hangovers, the advantages of empty homes, and reputation by association. So what if his old friends don't get it? So what if some people love to hate him? Screw gossip and high school's secret rules. There's just something about walking into a room and having all eyes on him when just last year nobody noticed him at all.For a while Hazard basks in the attention, and before he realizes the depth of the waters he's wading, he and Jesse strike up a "friends with benefits" routine. It could be something more, but what self-respecting teenage boy would admit it? Not Jesse—and so not Hazard, either. Not until it's too late. Hazard and Jesse have collided, and Hazard's life will never be the same.

    . . its emotional wallop is earned honestly and uncompromisingly.”—Kevin Thomas, L.A. TimesWinner of the Outstanding First Narrative Feature Award at OUTFest (the Los Angeles Gay & Lesbian Film Festival), and the Best Gay Male Feature Film Award at the Philadelphia International Gay & Lesbian Film Festival.Combine a hunky, repressed Mormon missionary and an L.A. party boy, sensual sex and knowing humor, and the result is a sure-fire crowd-pleaser. Christian is a handsome, young man who flits from guy to guy without much of a thought in his pretty little head. So when his roommate Julie discovers that the gorgeous group of young men who moved in next door are Mormon missionaries, they bet on whether Christian can bed one of them. Christian quickly moves in for the kill, identifying Elder Aaron Davis as a repressed homo—and quite a sexy one at that. Their initial encounters have a charged sexual tension, but fear of the devil keeps Aaron’s libido at bay. When the two are alone together, Aaron’s Mormon missionary roommates interrupt, spot their brother as gay and send him back in shame to his Idaho hometown and embarrassed parents. But in a heartfelt conclusion that brought festival audiences to their feet, love wins out over fear.The feature film version of Latter Days will be released in January 2004, starring Jacqueline Bisset, Mary Kay Place, Wes Ramsey, Steve Sandvoss and Amber Benson.C. Jay Cox wrote the screenplay for the smash hit film Sweet Home Alabama, starring Reese Witherspoon, and makes his directing debut with Latter Days, for which he also wrote the screenplay.

    Best friends. At least they used to be. But a year ago Sam cut Charlie out of his life--no explanation, no discussion, nothing. Fast-forward one year, and both Sam's and Charlie's lives are spiraling out of control. Sam has a secret he's finding harder and harder to hide, and Charlie is dealing with an increasingly absent dad and a dealer whose threats are anything but empty. As told in alternating chapters from Sam and Charlie during the sticky Florida summer before their senior year, the ex-best friends are thrown together once again when they have no one else to turn to. P. E. Ryan's Saints of Augustine is a witty, enthralling, and unforgettable novel about the power of friendship.

    There wasn't even a reason for it: sometimes love just fades, as quickly and mysteriously as it appears in the first place. Enter Damien. Damien's the guy with a different man on his arm for every event, he's smooth and arrogant and always impeccably turned out. Christo hates him. But God, he's gorgeous. Damien could be exactly what Christo needs to get him over John.It's only going to be a fling. Nothing serious, nothing that will affect their working relationship or the rest of their lives. So why are they fighting through the night rather than letting go and walking away? Why does Damien's secretive nature bug Christo so much? And why does he even care that the other man might not be as tough as he pretends to be?

    He takes care of his family, friends, neighbors—everyone but himself. He’s fine with his books and his cat, and sees his future as one without a partner by his side. That is, until a classic-film-loving twink named Will moves into the apartment across from him and throws flirtatious quotes from classic movies at him from his balcony. To Charlie’s surprise, lively, sexy Will does his best to get invited into Charlie’s apartment and then doesn’t seem to want to leave. Beneath the flirtatious exterior, Will has been looking for home since he was kicked out as a teen, and views the soft romances of old black-and-white movies as something he will never be able to have. Someone like Charlie, older, educated, kind and loving, in pain and achingly lonely, obviously wouldn’t want to keep Will around, much less let Will fuss over him, so he goes for what he thinks he can get, and makes it clear he’d like Charlie to be his new daddy. Charlie discovers it’s a role that suits him perfectly because Will needs care, and Charlie loves to give it. But Will has never stayed in one place for long. He’s never stayed long with one person, either. Charlie wants Will more with each moment they spend together, but to have him, he’ll have to risk the security of his quiet life. To be happy, Charlie will have to put his shattered heart in Will’s hands and invite him to stay.

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.