Now they live in Sydney and are estranged. Each in her own way struggles with the loss of their parents.Little by little the sisters grow to understand the imaginative force of the past and the legacy of their shared orphanhood. Then Frances decides to make a journey home to the goldfields to explore what lies hidden and unspoken in their lives, in the shadowy tunnels of the past.

    When two frustrated artists take jobs at a remote weather station in Australia's Northern Territory--in hopes of finding solitude and inspiration--their journey affords an unflinching, original, and at times, hilarious look at what it means to grow up in the world today.

    Sally De Rooze is almost thirty. She survived the accident that killed her father and brothers. Her mother never forgave her for that. But she survived her mother too. Surviving is what she does best. Farmer Ross Bertram, who offers her his acres and safety, is the answer for a while. Until he starts pushing for a wedding. Sally wants ... wants more. Wants to know great love. Wants to find herself. One year. That's what she wants. One year of freedom in the big, bad city. Her survival skills are tested in the urban sprawl and she discovers more about herself than she had ever dared to imagined.

    Neither as pretty as cousin Alicia nor as domineering as mother Drusilla, she seems doomed to a quiet life of near poverty at Missalonghi, her family's pitifully small homestead in Australia's Blue Mountains. But it's a brand new century--the twentieth--a time for new thoughts and bold new actions. And Missy Wright is about to set every self-righteous tongue in the town of Byron wagging. Because she has just set her sights on a mysterious, mistrusted, and unsuspecting stranger... who just might be Prince Charming in disguise.

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    At once the story of a region, a town and people, it is also the story of Anna Tolley - "leggy, wilful and auburn-haired, always answering back" - who lives through momentous changes and earns the envy, love and hatred of those around her.

    Times were tough and when the Government implemented harsh and heavy-handed emergency regulations, families were divided along political lines, and bitter accusations of sabotage and treachery began to tear small mining communities apart. Against this emotive backdrop, in the tiny mining village of Pukemiro, a story of love and treachery is also being played out in the personal lives of some of those intimately connected with the strike. Ellen McCabe, wife of the local union secretary and hero, Thomas McCabe, and a life-long Union woman, finds herself caught up the passion of the fight and a new found passion of her own - when a charismatic war veteran, Jack Vaughan comes to Pukemiro and befriends her husband. In a powerful tale of love and conflict Ellen is forced to examine her loyalties and make heart shattering choices, as the country and community around her is pulled apart. A full-blooded romance set in times of conflict, Union will do for the Waikato what Denniston Rose did for the West Coast - and much more.

    Thomas Keneally's evocative writing gives us searing insight into the sun-parched settlements of hungry transports and corruptive soldiers. But this is not an 'historical' novel in the usual sense. It is the story of a man, Corporal Phelim Halloran, and of the demands made on him - by his girl, his Irish comrades, his superior officers, and, most often, by his conscience. Innocent and lover, poet, soldier-by-accident, scholar by the standards of his day, Halloran attempts to make a world unto himself. through his pity and love for Ann Rush, his 'secret bride'; but many seem pledged to complicate these simple desires. There is the convict-artist, Thomas Ewers, persecuted and compelled to illustrate the officers' journals. There is Halloran's feckless colleague, Terry Byrne. The convict, Quinn, whose term of imprisonment should have been nearly over. Robert Hearne, political prisoner, government clerk and traitor. Halloran comes to disbelieve in any other existence except his own and God's, until, shockingly and irrevocably, he is reunited with Ann."

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    It is also a startling and unusual love story. Oscar is a young English clergyman who has broken with his past and developed a disturbing talent for gambling. A country girl of singular ambition, Lucinda moves to Sydney, driven by dreams of self-reliance and the building of an industrial Utopia. Together this unlikely pair create and are created by the spectacle of mid-nineteenth century Australia. Peter Carey's visionary brilliance, and his capacity to delight and surprise, propel this story to its stunning conclusion.

    There are two stories here.Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year.But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island's women gather at strange hours...And then the miracles begin.A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other.'Catherine Noske's debut novel grapples with questions of familial obligation, complicity, remorse and the fallibility of memory...The Salt Madonna will appeal to readers who enjoyed Laura Elizabeth Woollett's Beautiful Revolutionary.' Books+Publishing'Catherine Noske's The Salt Madonna is Australian Gothic at its most sublime and uncanny. Superbly atmospheric and darkly unsettling, the characters are haunted by their colonial pasts, manifested in guilty silence...Noske's taut, subversive writing exposes unspeakable truths buried in dazzling stories, miracles and epiphanies.' Cassandra Atherton

    Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution. Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tóti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard. Riveting and rich with lyricism, Burial Rites evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?

    A few years after the war, Jean is back in England, the nightmare behind her. However, an unexpected inheritance inspires her to return to Malaya to give something back to the villagers who saved her life. Jean's travels leads her to a desolate Australian outpost called Willstown, where she finds a challenge that will draw on all the resourcefulness and spirit that carried her through her war-time ordeals.

    Their average life expectancy is six weeks.But Rosie is brighter than most, well-aware of the consequences of a second’s carelessness, or bad luck, or treachery. Or a fellow agent crumbling under torture, naming names.Her brief is to set up a new network in Rouen, where the old one has been blown and an agent is suspected of betrayal. If she gets there, that is. Landing from a gunboat on the Brittany coast, she must to travel to Paris – carrying forged papers, a radio transceiver and more than a million francs in cash… Frighteningly realistic, unbearably exciting, the Rosie Ewing Spy Thrillers are perfect for fans of Philip Kerr, Ian Fleming and John Le Carré. ‘You don’t read a novel by Alexander Fullerton. You live it.’ South Wales Echo

    It is 1827, and, in a remote hut high on the plains of New South Wales, two strangers spend the night in talk. One, an illiterate Irishman, and ex-convict and bushranger, is to be hanged at dawn. The other is the police officer who has been sent to supervise the hanging. As the night wears on, the two men share memories and uncover unlikely connections between their lives. 240 pp. Author tour. 20,000 print.From the Hardcover edition.