In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage "You can never go back." Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth.A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.

    Bergin.Illustrated with drawings by Aldo Salvadori

    [Penguin Readers Level 6]

    After hours of passing in and out of consciousness, Travis is discovered by Carlton Toomey, the wise and vicious farmer who set the trap to protect his plants, and Travis's confrontation with the subtle evils within his rural world has begun. Before long, Travis has moved out of his parents' home to live with Leonard Shuler, a one-time schoolteacher who lost his job and custody of his daughter years ago, when he was framed by a vindictive student. Now Leonard lives with his dogs and his sometime girlfriend in a run-down trailer outside town, deals a few drugs, and studies journals from the Civil War. Travis becomes his student, of sorts, and the fate of these two outsiders becomes increasingly entwined as the community's terrible past and corrupt present bear down on each of them from every direction, leading to a violent reckoning—not only with Toomey, but with the legacy of the Civil War massacre that, even after a century, continues to divide an Appalachian community. Vivid, harrowing yet ultimately hopeful, The World Made Straight is Ron Rash's subtlest exploration yet of the painful conflict between the bonds of home and the desire for independence.

     Meet Margaret, whose adventures in a new quilting group help her reconnect with her daughter as they grieve the slow loss of a loved one to Alzheimer’s. Then there’s Liz, a quilter seeking her own tribe in a neighborhood of perfect moms. But maybe she has more in common with her neighbors than she thinks. Sisters Amanda and Lucy, one dreamy, the other practical as the day is long, have financial woes that may force them to sell their beloved home. Can a quilt made with fabric from a mysterious aunt save the day? Lisa is still reckoning with the loss of her best friend. Diving headfirst into a new quilt project, she learns that sometimes a gift can be a first step toward healing. Melissa Bennett is sensible, smart and skeptical of marriage. A husband sounds nice, but with all the books and quilts in her life, where would she put him?

    Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg’s North End is exposed.A powerful intergenerational family saga, The Break showcases Vermette’s abundant writing talent and positions her as an exciting new voice in Canadian literature.

    Sometimes, it is Hemi, a man who was laid off from his job and realizes that this situation affords him the opportunity to reconnect with the land, his culture and his family. Other times, Toko is the narrator. Toko is Hemi's adopted son and is physically handicapped. However, he also has a sixth sense and can see events before they occur. Mostly, though, the story is told by Roimata, Hemi's wife and Toko's adoptive mother. She relates the growing concern the Maori have about developers coming into their land, and their quiet, concerted efforts to rebel. She details their successes and many painful failures in a sparse, simple prose. The book does not really have a true resolution; instead, Patricia Grace outlines the cultural differences that exist in New Zealand, and the uses and abuses of power, and how it can affect a people.

    In addition to Dracula--the landmark vampire novel that set the pattern for virtually all vampire fiction written after its publication in 1897--this omnibus collects the novels The Jewel of Seven Stars and The Lair of the White Worm. In also includes a dozen of Stoker's short tales of the macabre, including "Dracula's Guest," a sidebar to his famous novel. For more than a century, Bram Stoker's fiction has inspired countless writers of horror and fantasy fiction. This volume allows readers a unique opportunity to appreciate the full range of his dark imagination. Dracua and Other Horror Classics is one of Barnes & Noble's leatherbound classic editions. Each volume features authoritative texts by the world's greatest authors, in exquisitely designed bonded-leather bindings with distinctive gilt edging and an attractive silk-ribbon bookmark. Decorative, durable, and collectible, these books offer hours of pleasure to readers young and old and are an indispensible cornerstone for every home library.