He also specializes in getting things people want---term papers, a date with the prom queen, fake IDs. He has few close friends and he never EVER lets emotions get in the way. For Jesse, life is simply a series of business transactions.But when Ken Foster, captain of the football team, leading candidate for homecoming king, and all-around jerk, hires Jesse to help him win the heart of the angelic Bridget Smalley, Jesse finds himself feeling all sorts of things. While following Bridget and learning the intimate details of her life, he falls helplessly in love for the very first time. He also finds himself in an accidental friendship with Bridget’s belligerent and self-pitying younger brother who has cerebral palsy. Suddenly, Jesse is visiting old folks at a nursing home in order to run into Bridget, and offering his time to help the less fortunate, all the while developing a bond with this young man who idolizes him. Could the tin man really have a heart after all?A Cyrano de Bergerac story with a modern twist, Sway is told from Jesse’s point of view with unapologetic truth and biting humor, his observations about the world around him untempered by empathy or compassion---until Bridget’s presence in his life forces him to confront his quiet devastation over a life-changing event a year earlier and maybe, just maybe, feel something again.

    But now its senior year and they haven’t spoken in three months. Not since the fight, where they each said things they couldn’t take back. They’re aching to break the silence, but those thirty-six steps between their bedroom windows feel more like thirty-six miles.Then one fateful night, Emory’s boyfriend, Luke, almost dies. And Hannah is the one who finds him and saves his life.As Luke tries to make sense of his near-death experience, he secretly turns to Hannah, who becomes his biggest confidante. In Luke, Hannah finds someone she can finally talk to about all the questions she’s grappling with. Emory just wants everything to go back to normal–the way it was before the accident. She has no idea why her relationship is spiraling out of control. But when the horrifying reason behind Hannah and Emory’s argument ultimately comes to light, all three of them will be forced work together to protect the one with the biggest secret of all.In the follow-up to her New York Times bestseller, Every Last Word, Tamara Ireland Stone crafts a deeply moving, unforgettable story about love, betrayal, and the power of friendship. * 2019 NCIBA Golden Poppy Award Winner * Bank Street College Best Children’s Books of the Year *"A beautiful testament to friendship and the intricate patterns we weave throughout each other's lives."―Robin Benway, National Book Award winning author of Far From the Tree "Beautiful, heartfelt, deep, and real. This book broke my heart and I loved every minute of it."―Robyn Schneider, author of The Beginning of Everything "Little Do We Know is a beautiful, affecting novel. Stone writes compellingly about the power of friendship, of love."―New York Times best-selling author Luanne Rice "Touching on weighty issues, including sexual harassment, religious crises, friendship, and taboo love, Stone writes a thought-provoking novel that challenges conventional ideas." ― Publishers Weekly, starred review "A realistic fiction novel for those who enjoy a dramatic romance; a must-have for most YA shelves." -- School Library Journal

    Isadora is tired of living with crazy relatives who think she's only worthy of a passing glance—so when she gets the chance to move to California with her brother, she jumps on it. But her new life comes with plenty of its own dramatic—and dangerous—complications . . . and Isadora quickly learns there's no such thing as a clean break from family.

    Joy, Tali, Luce, and Zoe knew their final summer at Camp Okahatchee would come to an end, but they swore they’d stay friends.After: Now, two years later, their bond has faded along with those memories.Then: That is, until the fateful flash of a photo booth camera transports the four of them back in time, to the summer they were fifteen—the summer everything changed.Now: The girls must recreate the past in order to return to the present. As they live through their second-chance summer, the mystery behind their lost friendship unravels, and a dark secret threatens to tear the girls apart all over again.Always: Summers end. But this one will change them forever.

    comes a fresh, contemporary story about a girl coping with PTSD and the boy who wants to help her move on from the past.Sixteen-year-old Maguire knows the universe is against her. No matter how many charms she buys off the internet or good luck rituals she performs each morning, horrible things happen when she's around. Like that time the roller coaster jumped off its tracks. Or the time the house next door caught on fire. Or the time her brother, father, and uncle were all killed in a car crash--and Maguire walked away with barely a scratch. Despite what her therapist tells her, Maguire thinks it's best to hide out in her room, far away from anyone she might accidentally hurt. But then she meets Jordy, an aspiring tennis star who wants to help her break her unlucky streak. Maguire knows that the best thing she can do for him is to stay away, but it turns out staying away might be harder than she thought.

    So when Zoe tells Hannah she needs to get out of their down-and-out New Jersey town, they pile into Hannah’s beat-up old Le Mans and head west, putting everything—their deadbeat parents, their disappointing love lives—behind them. Tragedy.

    Violet shares a blood type with Erica; soon, thanks to surgery and blackmail, she has the same face, body, and DNA. She knows every detail of the Silvermans’ lives, as well as the PTSD she will have to fake around them. And then, when the time is right, she “reappears”—Erica Silverman, brought home by some kind of miracle. But she is also Violet, and she has a job: Stay long enough to steal the Silverman Painting, an Old Master legendary in the Vegas crime world. Walking a razor’s edge, calculating every decision, not sure sometimes who she is or what she is doing it for, Violet is an unforgettable heroine, and Pretending to be Erica is a killer debut.

    The brutal murder of two teenage girls on the last day of Nora Cunningham's junior year in high school throws Nora into turmoil. Her certainties, friendships, religion, her prudence, her resolve to find a boyfriend taller than she is - are shaken or cast off altogether. Most people in Elmgrove, Maryland, share the comforting conviction that Buddy Novak, who had every reason to want his ex-girlfriend dead, is responsible for the killings. Nora agrees at first, then begins to doubt Buddy's guilt, and finally comes to believe him innocent - the lone dissenting voice in Elmgrove.Told from several different perspectives, including that of the murderer, Mister Death's Blue-Eyed Girls is a suspenseful page-turner with a powerful human drama at its core.

    Along the way they have found crewmates and friends, and even a disarming thief who could come to mean much more to Nix.But the end to it all looms closer every day.Her father is obsessed with obtaining the one map, 1868 Honolulu, that could take him back to his lost love, Nix’s mother. Even though getting it—and going there—could erase Nix’s very existence.For the first time, Nix is entering unknown waters.She could find herself, find her family, find her own fantastical ability, her own epic love.Or she could disappear.

    One problem: Wells's father is Jack Henderson, America's most famous conservative shock jock...and Allie hasn't told Wells that her family is Muslim. It's not like Allie's religion is a secret, exactly. It's just that her parents don't practice and raised her to keep her Islamic heritage to herself. But as Allie witnesses ever-growing Islamophobia in her small town and across the nation, she begins to embrace her faith—studying it, practicing it, and facing hatred and misunderstanding for it. Who is Allie, if she sheds the façade of the "perfect" all-American girl? What does it mean to be a "Good Muslim?" And can a Muslim girl in America ever truly fit in? ALL-AMERICAN MUSLIM GIRL is a relevant, relatable story of being caught between two worlds, and the struggles and hard-won joys of finding your place.

    Tomorrow, he’s a soldier in World War II.Kale Jackson has spent years trying to control his time-traveling ability but hasn’t had much luck. One day he lives in 1945, fighting in the war as a sharpshooter and helplessly watching soldiers—friends—die. Then the next day, he’s back in the present, where WWII has bled into his modern life in the form of PTSD, straining his relationship with his father and the few friends he has left. Every day it becomes harder to hide his battle wounds, both physical and mental, from the past.When the ex-girl-next-door, Harper, moves back to town, thoughts of what could be if only he had a normal life begin to haunt him. Harper reminds him of the person he was before the PTSD, which helps anchor him to the present. With practice, maybe Kale could remain in the present permanently and never step foot on a battlefield again. Maybe he can have the normal life he craves.But then Harper finds Kale’s name in a historical article—and he’s listed as a casualty of the war. Kale knows now that he must learn to control his time-traveling ability to save himself and his chance at a life with Harper. Otherwise, he’ll be killed in a time where he doesn’t belong by a bullet that was never meant for him.

    But what? What do they mean?LAURETH PEAK'S father has taught her to look for recurring events, patterns, and numbers - a skill at which she's remarkably talented. When he goes missing while researching coincidence for a new book, Laureth and her younger brother fly from London to New York and must unravel a series of cryptic messages to find him. The complication: Laureth is blind. Reliant on her other senses and on her brother to survive, Laureth finds that rescuing her father will take all her skill at spotting the extraordinary, and sometimes dangerous, connections in a world full of darkness.

    The year she emerged from her older sister’s shadow—and Kiera, who became a best-selling graphic novelist before she even graduated from high school, casts a long one. But it hasn’t worked out that way, not quite. So Normandy turns to her art and writing, and the “truth commission” she and her friends have started to find out the secrets at their school. It’s a great idea, as far as it goes—until it leads straight back to Kiera, who has been hiding some pretty serious truths of her own. Susan Juby’s The Truth Commission: A story about easy truths, hard truths, and those things best left unsaid.

    Joan’s Academy, and school is a pressure cooker. College applications, the battle for valedictorian, deciphering boys’ texts: Through it all, Colleen Rowley and her friends are expected to keep it together. Until they can’t.   First it’s the school’s queen bee, Clara Rutherford, who suddenly falls into uncontrollable tics in the middle of class. Her mystery illness quickly spreads to her closest clique of friends, then more students and symptoms follow: seizures, hair loss, violent coughing fits. St. Joan’s buzzes with rumor; rumor blossoms into full-blown panic.   Soon the media descends on Danvers, Massachusetts, as everyone scrambles to find something, or someone, to blame. Pollution? Stress? Or are the girls faking? Only Colleen—who’s been reading The Crucible for extra credit—comes to realize what nobody else has. Inspired by true events—from seventeenth-century colonial life to the halls of a modern-day high school, this is the mystery that raises the question, what’s really happening to the girls at St. Joan’s?

    Moments later, terrified and fleeing home to safety across the Brooklyn Bridge, he stumbles across a girl perched in the shadows, covered in ash, and wearing a pair of costume wings. With his mother and sister in California, and unable to reach his father, a New York City detective likely on his way to the disaster, Kyle makes the split-second decision to bring the girl home.What follows is their story, told in alternating points of view, as Kyle tries to unravel the mystery of the girl so he can return her to her family. But what if the girl has forgotten everything, even her own name? And what if the more Kyle gets to know her, the less he wants her to go home?