No teachers, no school, no homework, no parents breathing down their necks! The boys are elated until they accidentally start a fire that quickly gets out of control in the dry underbrush. No one is prepared; no one can quite believe what is happening. As the adults in a nearby town bumble their way into helping to fight the fire, a group of children is inadvertently trapped by flames and separated from outside help. Pippa and Peter and Gramps and others must make their own way through the conflagration. Separately and together, they all find out what inner resources they have. There are no heroes or villains, just people caught and humbled by an awesome and catastrophic force.

    collection—features twelve of the World Fantasy and British Fantasy Award-winning Australian author’s finest, darkest fairy tales, and adds two new novellas to her marvelous cauldron of fiction. Stories peopled by women and girls—fearless, frightened, brave, bold, frail, and fantastical—who take the paths less traveled by, accept (and offer) poisoned apples, and embrace transformation in all its forms. Reminiscent of Angela Carter at her best, Slatter’s work is both timeless and fresh: fascinating new reflections from the enchanted mirrors of fairy tales and folklore.

    Soon thereafter, David’s life hit a downward spiral. His career came to a standstill, his marriage disintegrated, and his drinking went from a cocktail-hour indulgence to a full-blown addiction. He found himself haunted not only by George A.’s death, but also by his brother’s manic depression, a hereditary illness that overlaid a dark family history whose roots now gripped David.Barefoot to Avalon is Payne’s earnest and unflinching account of George A. and their boyhood footrace that lasted long into their adulthood, defining their relationship and their lives. As universal as it is intimate, this is an exceptional memoir of brotherhood, of sibling rivalries and sibling love, and of the torments a family can hold silent and carry across generations.

    Commentary by Nobel Prize winning author John Steinbeck.

    . .Thirty-three-year-old Kendra Richards just can't escape her reckless mother's endless requests for money that will never be repaid. Again and again, Kendra rescues Ginny despite the advice of her own father--a man who left Ginny and her cheating ways long ago. Kendra knows her mother is troubled--what she doesn't understand is why she can't tell her no--until she happens to meet psychologist Sam Hughes. . .Smart and sexy, Sam offers Kendra the answers--and the love and romance--she's been looking for. She's finally happy--until Ginny turns up for another handout. But this time the situation is desperate, and the stakes are higher than ever. Now, Kendra must finally decide if she's willing to lose everything for a woman who has nothing to give. . .Praise for the Novels of Gwynne Forster"Wise and wonderful as it points out, once again, the importance of honesty and appreciating what you have while you have it."--Publishers Weekly on A Different Kind of Blues"Touching, thought-provoking, and will make you think twice about ever keeping secrets from the one you love." --Kimberla Lawson Roby, New York Times bestselling author on If You Walked in My Shoes

    Having to survive in confined spaces has bred a unique culture where deference and non-confrontation make co-existence possible. **** Osaji's opportunities are limited by the need to care for her aging grandmother. But all that is about to change as circumstances push her toward a journey like no other.

    From the end of a relationship to the meaning behind its title, this anthology continually surprises and subverts, utilizing topics such as alien intelligence, reincarnation, imaginary children, and even conversations with Hitler’s childhood pet. Engaging and diverse, this compendium offers a fascinating perspective on mortality.

    They need not only to engage the communities surrounding them, but also to collaborate with visitors on the type and quality of experience they provide. This book -is a ground-breaking manifesto that calls for the establishment of a more inclusive, visitor-centered paradigm based on the shared experience of human habitation;-draws inspiration from film, theater, public art, and urban design to transform historic house museums;-provides a how-to guide for making historic house museums sustainable, through five primary themes: communicating with the surrounding community, engaging the community, re-imagining the visitor experience, celebrating the detritus of human habitation, and acknowledging the illusion of the shelter’s authenticity;-offers a wry, but informed, rule-breaking perspective from authors with years of experience; -gives numerous vivid examples of both good and not-so-good practices from house museums in the U.S.

    Your 21 days will be over before you know it, your carb and sugar cravings a distant memory.With palate-pleasing, and soul-satisfying, recipes for breakfasts, lunches, dinners, snacks, and even some "sweet" treats, The 21-Day Sugar Detox Cookbook is your guarantee for delicious detox success!

    He is fond of Mrs. Gresham—unflappable, uncouth, and never tardy with a check—and he has seen her through her husband’s suicide and her first son’s death in Vietnam. But he has never seen her crack until the day her second son, George, leaps into the sea at jagged Charity’s Point.The authorities call it a suicide, but Mrs. Gresham cannot believe her son, like his father, would take his own life. As Brady digs into the apparently blemish-free past of this upper-class prep school history teacher, he finds dark secrets. George Gresham may not have been suicidal, but that doesn’t mean he wasn’t in trouble.

    When he failed to return by 9.30pm, his wife roused the foreman of the ranch and a search was organised. It was the first of many searches covering a period of many months and an area of hundreds of square miles.Evidence proved beyond all reasonable doubt that Robert Osborne was killed by a band of itinerant Mexican labourers - but the solution to the mystery was not quite so straightforward...

    WHAT WERE THREE ARE NOW ONE, AND I AM FURY... Herman and Janet Erikson are going through a crisis of grief and suffering after losing their daughter in a hit and run. They've given up on each other, they've given up on themselves. They are living day by day. One afternoon, to make a horrible situation worse, their dog goes missing in the coyote-infested badlands behind their property. Herman, resolved in preventing another tragedy, goes to find the dog, completely unaware he's on a hike to the River Styx, which according to Greek myth was the border between the Living World and the world of the Dead. Long ago the gods died and the River dried up, but a bottle containing its waters still remains in the badlands. What Herman discovers about the dark power contained in those waters will change his life forever... "It happens from time to time...a book grabs you from the opening line and refuses to let you go. Benjamin Kane Ethridge's Bottled Abyss was one of those reads for me. Bottled Abyss is a stunningly sophisticated tale, both in its mythic scope and in its adroit handling of complex, emotional characters. Ethridge is a writer of rare emotional intelligence, developed far beyond his years, but with Bottled Abyss he has outdone even his own considerable promise. There are several writers out there, such as Laird Barron, John Langan and Lee Thomas, that have me chomping at the bit for their next release. Add to that shortlist Benjamin Kane Ethridge, for he has made me a fan for life!" -Joe McKinney, Bram Stoker Award-winning author of Flesh Eaters and Dead City

    Each writer offers a tale of a great fictional detective, including Neil Gaiman’s Lawrence Talbot, Clive Barker’s Harry D’Amour, and the eight-part “Seven Stars” adventure by Kim Newman (Anno Dracula).

    A vampire eons old has spread her touch throughout the human population, leaving the streets full of the undead. The survivors band together to fight back in this riveting tale.

    In fact, her book is a testament to the miraculous power of language to interpret and transform our world. It is a testament that invites readers to share her vision of experiences we all have in common: sorrow, tenderness, desire, the revelations of art, and mortality - "the hard, dry smack of death against the glass." To this community Mueller presents moments after moment where the personal and public realms intersect, where lives ranging from her own to those of Mary Shelley and Anton Webern illuminate the ways in which history shapes our lives. In "Brendel Playing Schubert," Mueller's breathtaking linguistic virtuosity reminds us how music can transport us out of ourselves and into "the nowhere where the enchanted live"; in "Midwinter Notes," the crepuscular world, stripped of its veil, shines forth as a signal from some realm where the sense of things may be revealed. In the title piece Mueller brings a sense of enduring and unclouded wonder to a recognition of all those whose lives might have been our own.