A diary is Nao’s only solace—and will touch lives in a ways she can scarcely imagine.Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. Full of Ozeki’s signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

    In his previous novels, he has explored this inner world and its manifestations in the lives of his characters with rare inventiveness and subtlety, shrewd humor and insight. In When We Were Orphans, his first novel in five years, he returns to this terrain in a brilliantly realized story that illuminates the power of one's past to determine the present.Christopher Banks, an English boy born in early-twentieth-century Shanghai, is orphaned at age nine when his mother and father both vanish under suspicious circumstances. Sent to live in England, he grows up to become a renowned detective and, more than twenty years later, returns to Shanghai, where the Sino-Japanese War is raging, to solve the mystery of the disappearances.The story is straightforward. Its telling is remarkable. Christopher's voice is controlled, detailed, and detached, its precision unsurprising in someone who has devoted his life to the examination of details and the rigors of objective thought. But within the layers of his narrative is slowly revealed what he can't, or won't, see: that his memory, despite what he wants to believe, is not unaffected by his childhood tragedies; that his powers of perception, the heralded clarity of his vision, can be blinding as well as enlightening; and that the simplest desires--a child's for his parents, a man's for understanding--may give rise to the most complicated truths.A masterful combination of narrative control and soaring imagination, When We Were Orphans is Kazuo Ishiguro at his best.

    A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter’s abilities.But their burgeoning relationship is interrupted when Alessandra’s parents arrange her marriage to a wealthy, much older man. Meanwhile, Florence is changing, increasingly subject to the growing suppression imposed by the fundamentalist monk Savonarola, who is seizing religious and political control. Alessandra and her native city are caught between the Medici state, with its love of luxury, learning, and dazzling art, and the hellfire preaching and increasing violence of Savonarola’s reactionary followers. Played out against this turbulent backdrop, Alessandra’s married life is a misery, except for the surprising freedom it allows her to pursue her powerful attraction to the young painter and his art. The Birth of Venus is a tour de force, the first historical novel from one of Britain’s most innovative writers of literary suspense. It brings alive the history of Florence at its most dramatic period, telling a compulsively absorbing story of love, art, religion, and power through the passionate voice of Alessandra, a heroine with the same vibrancy of spirit as her beloved city.

    As for me, my parents named me Regret."Honolulu is the rich, unforgettable story of a young "picture bride" who journeys to Hawai'i in 1914 in search of a better life.Instead of the affluent young husband and chance at an education that she has been promised, she is quickly married off to a poor, embittered laborer who takes his frustrations out on his new wife. Renaming herself Jin, she makes her own way in this strange land, finding both opportunity and prejudice. With the help of three of her fellow picture brides, Jin prospers along with her adopted city, now growing from a small territorial capital into the great multicultural city it is today. But paradise has its dark side, whether it's the daily struggle for survival in Honolulu's tenements, or a crime that will become the most infamous in the islands history...With its passionate knowledge of people and places in Hawai'i far off the tourist track, Honolulu is most of all the spellbinding tale of four women in a new world, united by dreams, disappointment, sacrifices, and friendship.

    One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end. Thus begins an unexpected journey into the truth of Anya’s life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother’s life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are. Librarian's note: See alternate cover edition of ISBN13 9780312663155 here.

    But soon after her arrival, Mary falls into an adulterous affair with a young Japanese nobleman, scandalizing the British community. Casting her out of the European community, her compatriots tear her away from her small daughter. A woman abandoned and alone, Mary learns to survive over forty tumultuous years in Asia, including two world wars and the cataclysmic Tokyo earthquake of 1923.A bestseller in England, this bittersweet story of love and betrayal in the Far East is the source of the Masterpiece Theatre miniseries.

    Drawn into a complex triangle with two boys, she distracts herself from the onslaught of adulthood by playing the game of go with strangers in a public square--and yet the force of desire, like the occupation, proves inevitable. Unbeknownst to the girl who plays go, her most worthy and frequent opponent is a Japanese soldier in disguise. Captivated by her beauty as much as by her bold, unpredictable approach to the strategy game, the soldier finds his loyalties challenged. Is there room on the path to war for that most revolutionary of acts: falling in love?

    There, as the rest of the world goes to war, she encounters Ichimei Fukuda, the quiet and gentle son of the family's Japanese gardener. Unnoticed by those around them, a tender love affair begins to blossom. Following the Japanese attack on Pearl Harbor, the two are cruelly pulled apart as Ichimei and his family, like thousands of other Japanese Americans are declared enemies and forcibly relocated to internment camps run by the United States government. Throughout their lifetimes, Alma and Ichimei reunite again and again, but theirs is a love that they are forever forced to hide from the world.Decades later, Alma is nearing the end of her long and eventful life. Irina Bazili, a care worker struggling to come to terms with her own troubled past, meets the elderly woman and her grandson, Seth, at San Francisco's charmingly eccentric Lark House nursing home. As Irina and Seth forge a friendship, they become intrigued by a series of mysterious gifts and letters sent to Alma, eventually learning about Ichimei and this extraordinary secret passion that has endured for nearly seventy years.

    Smart and headstrong, she is encouraged by her mother—but her stern father is determined to maintain tradition, especially as the Japanese steadily gain control of his beloved country. When he seeks to marry Najin into an aristocratic family, her mother defies generations of obedient wives and instead sends her to serve in the king’s court as a companion to a young princess. But the king is soon assassinated, and the centuries-old dynastic culture comes to its end.In the shadow of the dying monarchy, Najin begins a journey through increasing oppression that will forever change her world. As she desperately seeks to continue her education, will the unexpected love she finds along the way be enough to sustain her through the violence and subjugation her country continues to face? Spanning thirty years, The Calligrapher’s Daughter is a richly drawn novel in the tradition of Lisa See and Amy Tan about a country torn between ancient customs and modern possibilities, a family ultimately united by love, and a woman who never gives up her search for freedom.

    Sudha is as beautiful, tenderhearted, and serious as Anju is plain, whip-smart, and defiant. yet since the day they were born, Sudha and Anju have been bonded in ways even their mothers cannot comprehend.The cousins' bond is shattered, however, when Sudha learns a dark family secret. Urged into arranged marriages, their lives take sudden, opposite turns: Sudha becomes the dutiful daughter-in-law of a rigid small-town household, while Anju goes to America with her new husband and learns to live her own life of secrets. Then tragedy strikes them both, and the women discover that, despite the distance that has grown between them, they have only each other to turn to. Set in the two worlds of India and America, this is an exceptionally moving novel of love, friendship, and compelling courage.

    Who is at the end of your red thread?” After losing her infant daughter in a freak accident, Maya Lange opens The Red Thread, an adoption agency that specializes in placing baby girls from China with American families. Maya finds some comfort in her work, until a group of six couples share their personal stories of their desire for a child. Their painful and courageous journey toward adoption forces her to confront the lost daughter of her past. Brilliantly braiding together the stories of Chinese birth mothers who give up their daughters, Ann Hood writes a moving and beautifully told novel of fate and the red thread that binds these characters’ lives. Heartrending and wise, The Red Thread is a stirring portrait of unforgettable love and yearning for a baby.

    It initially seems a simple duty until the professor begins to rave, pleading with invisible tormentors and denouncing his family...Are these just manifestations of illness, or is Yang spewing up the truth? In a China convulsed by the Tiananmen uprising, those who listen to the truth are as much at risk as those who speak it. Lyrical and heart-breaking, The Crazed is an incisive portrait of modern Chinese society.

    Set in alluring Shanghai at the turn of the century, The Binding Chair intertwines the destinies of a Chinese woman determined to forget her past and a Western girl focused on the promises of the future.Beautiful, charismatic, destructive, May escapes an arranged marriage in rural nineteenth-century China for life in a Shanghai brothel, where she meets Arthur, an Australian whose philanthropic pursuits lead him into one scrape after another. As a member of the Foot Emancipation Society, Arthur calls on May not for his pleasure but for her rehabilitation, only to find himself immediately and helplessly seduced by the sight of her bound feet. Reforming May is out of the question, so love-struck Arthur marries her instead and brings her home to live with him, his sister and brother-in-law, and their two girls, Alice and Cecily. In Alice, May sees the possibility of redemption: a surrogate for a child she has lost. And it is to May that Alice turns for the love her own mother withholds. But when the twelve-year-old is caught preparing her aunt's opium pipe, she is shipped off to a London boarding school, far from the dangerous influence of the woman who will come to reclaim her and to control the whole family.The Binding Chair unfolds among scenes of astonishing beauty and cruelty, in a lawless place where traditions and cultures clash, and where tragedy threatens a world built on the banks of unsettled waters--from the bustling Whangpoo River to the lake of blood in the Chinese afterworld. By turns shocking, exquisite, and hilarious, The Binding Chair is another spellbinding literary triumph by the writer whose work Michiko Kakutani of The New York Times has called "powerful and hypnotic."

    But in 1954 a local fisherman is found suspiciously drowned, and a Japanese American named Kabuo Miyamoto is charged with his murder. In the course of the ensuing trial, it becomes clear that what is at stake is more than a man's guilt. For on San Pedro, memories of a charmed love affair between a white boy and the Japanese girl who grew up to become Kabuo's wife; memories of land desired, paid for, and lost. Above all, San Piedro is haunted by the memory of what happened to its Japanese residents during World War II, when an entire community was sent into exile while its neighbors watched.

    It is here that Kazu’s life in Tokyo began, as a labourer in the run up to the 1964 Olympics, and later where he ended his days, living in the park’s vast homeless ‘villages’, traumatised by the destruction of the 2011 tsunami and enraged by the announcement of the 2020 Olympics.Akutagawa-award-winning author Yū Miri uses her outsider’s perspective as a Zainichi (Korean-Japanese) writer to craft a novel of utmost importance to this moment, a powerful rebuke to the Imperial system and a sensitive, deeply felt depiction of the lives of Japan’s most vulnerable people.