In slaking her sexual thirst, Celeste Price is remorseless and deviously free of hesitation, a monstress of pure motivation. She deceives everyone, is close to no one, and cares little for anything but her pleasure.

    There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

    The endless creaking of the house at night and the eerie stillness of the woods surrounding them would be enough of a sign, but there are secrets too—questions that Silla can’t ignore: Why does it seem that, ever since they arrived, the trees have been creeping closer? Who is the beautiful boy who’s appeared from the woods? And who is the tall man with no eyes who Nori plays with in the basement at night… a man no one else can see?

    He buys stolen police files on serial killers, and uses them to find and dig up missing bodies. Calls in the results anonymously, taunting the police for their failure to do their job.Detective Sandra Whittal takes that a little personally. She’s suspicious of the mysterious caller, who she names the Finder. Maybe he’s the one leaving the bodies behind. If not, who’s to say he won’t start soon?As Whittal begins to zero in on the Finder, Martin makes a shocking discovery. It seems someone—someone lethal—is very unhappy about the bodies he’s been digging up.Hunted by a cop, hunted by a killer. To escape and keep his family safe, Martin may have to go deeper into the world of murder than he ever imagined.

    His life has been derailed by a single, devastating act of violence, and now, in what he intends to be his last week on earth, he is determined to leave his mark upon humanity—randomly, unjustly, with infinite attention to detail. Allowing the morning's newspaper headlines to loosely dictate his actions, Crumb sets out on a weeklong descent into hell, determined to drag as many as possible into the darkness along with him.Gritty, dazzling, and profoundly disturbing, Jonny Glynn's The Seven Days of Peter Crumb is an extraordinary debut that portrays the deterioration of a severely splintered soul.

    Now he’s in his mid-thirties and spends most of his time not sleeping. Stan became a minor celebrity after being partially eaten by cannibals. Barbara is haunted by the messages carved upon her bones. Greta may or may not be a mass-murdering arsonist. And for some reason, Martin never takes off his sunglasses. Unsurprisingly, no one believes their horrific tales until they are sought out by psychotherapist Dr. Jan Sayer. What happens when these likely-insane outcasts join a support group? Together they must discover which monsters they face are within and which are lurking in plain sight.

    The dead are returning to life, intelligent, determined…and very hungry. Escape seems impossible for Jim Thurmond, one of the few left alive in this nightmare world. But Jim’s young son is also alive and in grave danger hundreds of miles away. Despite astronomical odds, Jim vows to find him—or die trying.Joined by an elderly preacher, a guilt-ridden scientist and an ex-prostitute, Jim sets out on a cross-country rescue mission. Together they must battle both the living and the living dead…and the even greater evil that awaits them at the end of their journey.

    Along the way, lines will be crossed, taboos will be violated, and common decency will take an extended leave of absence. This is not for the faint of heart or weak of stomach. Or anyone who enjoyed Fifty Shades of Grey. A young hospital security guard with a disturbingly unique taste in women. A maternity doctor with a horrifically unusual appetite. When the two of them meet, they embark on a journey of self-discovery as they shatter societal norms while engaging in destructive and abhorrent behavior. As they unwittingly help each other understand a world in which neither of them seems to belong, they begin to realize what it truly means to be alive...and that it might not always be a good thing.

    During his trip, he has a one-night stand with a young Japanese woman, Miki Someya. But Miki latches onto him. She follows him—stalks him—through the streets of Tokyo, professing her love and begging for his. Adam manages to avoid her, but he loses control of himself when she confronts him and threatens to follow him home to tell his wife about their affair.In a fit of drunken rage, Adam attacks her. He beats her black and blue, then he carves a smile on her face with a pair of shears. Afraid and ashamed, he flees the country and escapes prosecution.But years later, when children start vanishing in his city and the only suspect is a woman with a scarred face, he suspects his past has followed him home...Inspired by a classic urban legend, Jon Athan, the author of Lovesick and Maneater, brings you a disturbing new vision of sadistic romance.WARNING: This novel contains graphic content. Reader discretion is advised.

    He's going to learn archery and swimming, and he's going to make new friends. He's pretty excited, but that's probably because nobody told him that this is a horror novel.

    Stephen Graham Jones returns with Night of the Mannequins, a contemporary horror story where a teen prank goes very wrong and all hell breaks loose: is there a supernatural cause, a psychopath on the loose, or both?

    This is where four young friends come of age—in an atmosphere thick with fear and suspicion. Their innocent games soon bring them face-to-face with the village's darkest secrets in this eerily dispassionate, astonishingly assured novel, evocative of Stephen King's classic short story "Children of the Corn" and infused with the spirit of the Brothers Grimm.

    That’s bad enough. But what can he do if some of the monsters he sees turn out to be real?

    It’s been three years since Dario’s even seen the place, after getting legally emancipated from his father, the infamous director of Moldavia’s creature features.But then Dario’s brother invites him home to a mysterious ceremony involving his father and a tribute to his first film—The Curse of the Mummy’s Tongue. Dario swears his homecoming will be a one-time visit. A way for him to get closure on his past—and reunite with Hayley, his first love and costar of Zombie Children of the Harvest Sun, a production fraught with real-life tragedy—and say good-bye for good. But the unthinkable happens—Dario gets sucked back into the twisted world of Moldavia and the horrors, both real and imagined, he’s left there.With only months to rescue the sinking studio and everyone who has built their lives there, Dario must confront the demons of his past—and the uncertainties of his future. But can he escape the place that’s haunted him his whole life?

    When Darren’s girlfriend falls foul of his temper, things quickly spiral out of control and Stevie watches on helplessly as the violent scene unfolds.Only, he’s not the only one watching; Darren’s mates are there too, and one of them is filming the action on his smartphone. Turns out, such home movies are worth a lot of money. So much so, in fact, a new business is born and ‘actresses’ must be found…Set in the poverty-stricken, sprawling outskirts of Greater Manchester, this is an extreme horror tale and a bleak, family drama. It contains strong sex, violence and the making of snuff films.