But not before they were provided with an alternative—an alternative that would mould their uncertain future...and that of the Delhi-based graduate, Mohan Sharma, who, while flipping through the lesser-known pages of mythology, becomes cognisant of a sinister presence lurking around. This is followed by a cryptic letter, revealing the existence of his grandfather of whom he has no recollection.Pandemonium strikes as Mohan unwittingly unravels a closely guarded secret that shall bring him face-to-face with an unspeakable horror, his adversary who is blessed with the boon of immortality by Lord Shiva. Accompanied by five men, each possessing a distinct ability, Mohan must find the weapon, long forgotten by mankind, that can spell doom for his nemesis—Lord Rama’s wondrous bow...the ‘Kodanda’!

    But even after her death, Savitri remains in the house, invisible yet constantly audible. Gradually, the inmates begin to rely on Savitri’s voice to have their lives managed.One day, Savitri falls silent. Soon afterwards, Moom, a young girl of 11 or 12 mysteriously appears in Agarwal House. And her arrival reveals several secrets.

    Encounter Shiva like never before!

    Somlata has just married into the dynastic but declining Mitra family. At eighteen, she expects to settle into her role as a devout wife in this traditional, multi-generational family. But then Somlata, wandering the halls of the grand, decaying Mitra mansion, stumbles upon the body of her great aunt-in-law, Pishima.A child bride widowed at twelve, Pishima has finally passed away at the ripe old age of seventy. But she isn’t letting go just yet. Pishima has long harbored a grudge against the Mitras for keeping her in perpetual widowhood, never allowed to fall in love.. Now, her ghost intends to meddle in their lives, making as much mischief as possible. Pishima gives Somlata the keys to her mysterious box of gold to keep it out of the Mitras’ hands. However, the selfless Somlata, witnessing her new family waste away their wealth to the brink of bankruptcy, has her own ideas.

    Combining stories from the Adi Parva which precede the main narrative of the Pandav-Kaurav war for succession.

    More than half a century may have passed since his death, but his poetry remains alive, inscribed in every stone and tree and pathway. Rumi’s followers entrust Ibn Battuta with a manuscript of his life stories to spread word of the mystic on his travels. As Battuta reads and recites these tales, his listeners discover their own lives reflected in these stories—fate has bound them, and perhaps you, to Rumi. A Mirrored Life reaffirms the magical powers of storytelling, making us find Rumi in each of our hearts.

    That left my final hope, the new wordkeeper."Anya’s carefree teenage life is thrown into turmoil when her mother is abducted, passing on the mantle of wordkeeper to her. Her only ally for this task is a cursed immortal warrior.In another part of the country, village boy Bilal dismisses tales about a prophecy claiming he is a messiah … until the day his dearest friend is killed in a case of mistaken identity.Anya and Bilal need to find each other so they can fufil the old prophecy and destroy their common enemy, the vengeful god who pursues them.The first of a trilogy, this book takes you on a breathtaking journey of fantasy and adventure, through modern cities, ancient cremation grounds, mythical planets and mystical mountains.

    The only hitch in this perfect romance is her prospective sister-in-law who thinks Misha is everything a Bahu shouldn’t be: garrulous, geeky, gawky, gainfully employed (especially the last bit). The questions is will Misha win Didi (and the Kha-Pee Panchayat) over with her Stepford Wife Act? Will she continue to be the poster child for the inherent evils of the Bahu Brigade? Or will she learn to ‘lau’ herself before the whole world and its wife can do the same?

    As she stares death in the face, her memories travel back to the beginning of her story, to life's unfairness at every point: A fiercely intelligent princess who wilfully blindfolded herself for the sake of her peevish, visually-impaired husband; who underwent a horrible pregnancy to mother one hundred sons, each as unworthy as the other; whose stern tapasya never earned her a place in people's hearts, nor commanded the respect that Draupadi and Kunti attained; who even today is perceived either as an ingratiatingly self-sacrificing wife or a bad mother who was unable to control her sons and was, therefore, partly responsible for the great war of the Mahabharata.In this insightful and sensitive portrayal, Aditi Banerjee rescues Gandhari from being reduced to a mere symbol of her blindfold. She builds her up, as Ved Vyasa did, as an unconventional heroine of great strength and iron will - who, when crossed, embarked upon a complex relationship with Lord Krishna, and became the queen who cursed a God.

    When the beautiful and lonely lady of the manor invites him to stay and share a story, his grief at the destruction of his glorious city spills forth in a story of two brothers, Taka and Wara - wolf and boy - a tale of love and loyalty, hurt and distrust. The storyteller is amazed when the lady, or Begum, responds with a tale of her own, of Aresh and Barab, and a friendship that transcends death. Transfixed by their storytelling duel and shocked by the discovery of forbidden love, the pair draw out their stories in order to delay the moment of their parting. Part fable, part fantasy, The Storyteller's Tale captures the twilight of the Mughals and transports the reader to the stunning setting of an unforgettable brief encounter. Adapting ancient traditions of storytelling, skilfully weaving history and the lives of ordinary people in a landscape of war and devastation, Ahmad's finely drawn tale draws from the great folklore traditions of One Thousand and One Nights and the Tales of Genji.

    The writers included here are familiar names in India – writers such as Amrita Pritam, Saadat Hasan Manto, Khwaja Ahmed Abbas, and also two new women writers, Ajeet Caur and Usha Mahajan – among others.

    Around 1000 years back, anyone could go for a purgatory voyage to experience life after death for 12 days through a tunnel in Bharmaur, Himachal Pradesh. But no one could recall what happened to him during his purgatory voyage. Once, a person from Bundelkhand, named Kalidas went for a purgatory voyage. He experienced life after death and surprisingly, he was able to recall all those incidents of a different planet. After returning to his state, he embarked on a discourse about his purgatory voyage and his scary encounters with the King of Bundelkhand.Could anyone believe in his riveting account of the voyage or people smelled a foul play?• RECOMMENDATION •The novel "Purgatory Voyage" by Adarsh Kumar Khare is about a story that dates back to 925 AD of a village person, otherwise living peacefully, whose life is thrown into a turmoil consequent to an extraordinary experience of the afterlife, an outcome of his deed (karma) and sense of inquiry. The story is beautifully weaved with threads of mythology, traditional Hindu beliefs, and folklore. At the same time, there is a conscious effort to bring out the social behavior, rituals, and festivities of village life of that period along with the political order of the King with his subjects.There is a gripping narration of Kali, the protagonist of the novel, of other-worldly experience of his visits to after-life planets of hells and heavens, of torments and punitive actions meted out to sinners, and accounts of suffering the souls have to undergo for the various sins committed in their earthly lives. The author seems to have largely drawn from the “Pretkalp” part of Garud Puran for making such a vivid description of the splendors of the city of Yam, the horrors of various hells, and the excruciating journey of an ordinary soul through all this.The most interesting part of this novel is the day-by-day recount by Kali of incidents, pain, and suffering of his soul and other fellow souls in his 10-days sojourn to different types of hells and also exploring parts of Yam City and heaven. The curiosity of a reader is held on toes as the account of each day unfolds, much like the Arabian nights.I find ‘Purgatory Voyage’ by Adarsh Khare a hugely fascinating story in which one cannot leave reading halfway. It latches on to your curiosity and leads your imagination till you reach the end and sigh a sense of relief and joy of having gone through the upheavals along with the protagonist of the story. I think this is the achievement of Adarsh Khare in writing this book.Asit Kumar, Advisor in the Ministry of Petroleum, New Delhi.Purgatory Voyage is a very interesting novel based on one of the important ancient scriptures of India, specifically the Garuda Puran. Adarsh Kumar Khare has used his creative craft to bring back alive the old teachings of India in a story of fiction that should strike a chord with all age group people, particularly those who have some inclination to occultism. The author has followed a style of simple storytelling that generates curiosity in the mind ‘what next’. It was a joy to read the book describing what life after death could be like, with vivid descriptions of different hells and heaven, and punishment or reward according to committed sins or virtuous work. Most of the geographical locations including river, valleys, and forests bear names either similar or the same as those that exist in present-day India and that adds much credence and authenticity to arouse interest in the reader’s mind, even though it is a fiction. This book is a must for those who have some fascination towards Indian rich cultural heritage including ancient scriptures and those having the curiosity to peep into the future of life after death.Pradipta Kumar Das, Bestselling author of Power of the Universe lies within you.

    Indian mythology is replete with tales of Dévas battling the Asuras constantly. The interesting thing to note is that whether it is a God or an incarnation of a deity in human form, aka an Avatār, there was also a human element involved in these stories. The teachers of the Dévas (gods) and the Asuras were human sages, known as Rishis.    Find out what happens when seemingly unconnected individuals get drawn into a world of suspense and action, as mythology collides with their world in the book 'The Mahāsiddha Field', the first in a new sci-fi/fantasy series!   An elderly wandering mendicant in South India, two young Indian-American men, two soldiers from the Indian Army and a mysterious sage from high up in the Himalayas are thrown together in an adventure unlike any other; as a most unlikely adversary leaps out of the world of Indian Mythology to challenge their beliefs, their sanity and their courage.

    But things are not going as planned. He, instead, awakens a supreme evil and there’s only one way to save planet Earth.Abhay needs to decode a truth about a legendary Hindu God that even the Vedas were afraid to share. A truth that will change the destiny of the entire human race for once and all.The past is not far behind, and when an age-old conflict threatens the world yet again, Abhay is stuck in a race against time. Can he overcome the odds, or will fate finally take its revenge for the injustices long forgotten? Join Abhay on the quest to finish a story that started centuries ago as he unveils the truth behind the Shiva Origins!

    It is one of the most appreciated works of Dinkar other than "Kurukshetra".Karna was first born son of Kunti whom she had abandoned at birth as he was an illegitimate son. Karna grew up in a lowly family, yet became one of the best warriors of his time. In the Great Mahabharata war, Karna was obliged to fight from the side of Duryodhana as Duryodhana recognizing his merits had made him a king and adopted him as a close friend. Karna fighting from Kaurava's side was a great worry of Pandavas as he was reputed to be unconquerable in war. The way Dinkar has presented the story of Karna with all hues of human emotions trapped in moral dilemmas, is simply marvelous. The rhythm and meter is lilting. Choice of words and purity of language is exhilarating. The work has a timeless relevance and is a must read.