STEALING NASREEN is a novel about the lives of three very different people, all of whom belong to the same small religious community. Set in Toronto with back story in Mumbai, Nasreen Bastawala, an Indo-Canadian lesbian and burnt-out psychologist, becomes enmeshed in the lives of Shaffiq and Salma Paperwala, new immigrants from Mumbai. While working in the same Toronto hospital as Nasreen, Shaffiq develops a persistent and confusing fascination with Nasreen, causing him to bring home and hide things he finds in her office. Salma, his wife, discovers some of these hidden treasures and suspects that something is amiss. Unbeknownst to Shaffiq, Nasreen begins attending weekly Gujarati classes taught by Salma, who finds herself inexplicably attracted to her student. This attraction harkens back memories and regrets Salma holds about a lesbian affair that ended badly years ago. Without knowing that it is happening, Nasreen becomes the centre of Shaffiq and Salma's lives. Each keeps a secret about Nasreen, and in so doing risks their marriage, while Nasreen struggles to come to terms with her mother's death, her recent break-up, and her new relationship with her father. An impulsive kiss between Salma and Nasreen sets off a surprising course of events.

    At its heart is Yuki Oyama, a Japanese girl fighting to make it as an artist, and her struggle with her decision to leave her two-year-old son, Jay. As an adult, Jay sets out to find his mother and confront her abandonment.

    While an acolyte at the temple, he fixates on the structure’s aesthetic perfection and it becomes the one and only object of his desire. But as Mizoguchi begins to perceive flaws in the temple, he determines that the only true path to beauty lies in an act of horrendous violence. Based on a real incident that occurred in 1950, The Temple of the Golden Pavilion brilliantly portrays the passions and agonies of a young man in postwar Japan, bringing to the subject the erotic imagination and instinct for the dramatic moment that marked Mishima as one of the towering makers of modern fiction. With an introduction by Donald Keene; Translated from the Japanese by Ivan Morris.(Book Jacket Status: Jacketed)

    Desperate to fend off starvation and predatory neighbors, she cuts off her hair, binds her chest, saddles her beloved mare, and sets off across the mountains to find her outlaw brother Noah and bring him home. A talented sharpshooter herself, Jess's quest lands her in the employ of the territory's violent, capricious Governor, whose militia is also hunting Noah—dead or alive.Wrestling with her brother's outlaw identity, and haunted by questions about her own, Jess must outmaneuver those who underestimate her, ultimately rising to become a hero in her own right.Told in Jess's wholly original and unforgettable voice, Whiskey When We're Dry is a stunning achievement, an epic as expansive as America itself—and a reckoning with the myths that are entwined with our history.

    They carry with them everything they believe they will need from home, but soon find that all of it -- from garden seeds to Scripture -- is calamitously transformed on African soil. What follows is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.

    They are the pastor and the organist, respectively, of the only church on the tiny island of Finø. Known for fabricating cheap miracles to strengthen their congregation's faith, they have been in trouble before. But this time their children suspect they are up to mischief on a far greater scale. When Peter and Tilte learn that scientific and religious leaders from around the world are assembling in Copenhagen for a conference, they know their parents are up to something. Peter and Tilte's quest to find them exposes conspiracies, terrorist plots, an angry bishop, a deranged headmaster, two love-struck police officers, a deluded aristocrat and much more along the way.Part adventure story, part study of human nature, The Elephant Keepers' Children is a delightful and thought-provoking novel from the prizewinning Danish author Peter Høeg.

    It was followed in 1932 by a sequel Aparajito, which was later also adapted into a film of the same name by Satyajit Ray.

    Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher.Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.

    An amazing, sui generis book, River of Fire spans two and a half millennia. Set during four Indian epochs (the classical, the medieval, the colonial, and the modern post-national), the novel is a meditation on history and human nature, tracing four souls through time. Each section is linked by characters who bear, in every period, the same names: Gautam, Champa, Kamal, and Cyril. Gautam (appearing first as a student of mysticism at the Forest University of Shravasti in the 4th century B.C.E.) and Champa (throughout embodying the enigmatic experience of Indian women) begin and end the novel; Muslim Kamal appears mid-way through, as the Muslims did, and loses himself in the Indian landscape; and Cyril, the Englishman, appears later still. In different eras, different relations from among the four -- romance and war, possession and dispossession. Yet together the characters reflect the oneness of human nature: amidst the nationalist and religious upheavals of Indian history, Hyder argues for a culture that is inclusive.Interweaving parables, legends, dreams, diaries, and letters, Hyder's prose is lyrical and witty. There is really no book like River of Fire. Qurratulain Hyder was awarded the Bharatiya Gnanpith, India's highest literary award, in 1989, and here is her masterpiece, her broadest canvas and her finest art.

    This summer, the revival season doesn’t go as planned, and after one service in which Reverend Horton’s healing powers are tested like never before, Miriam witnesses a shocking act of violence that shakes her belief in her father—and in her faith.When the Hortons return home, Miriam’s confusion only grows as she discovers she might have the power to heal—even though her father and the church have always made it clear that such power is denied to women. Over the course of the next year, Miriam must decide between her faith, her family, and her newfound power that might be able to save others, but, if discovered by her father, could destroy Miriam.Celebrating both feminism and faith, Revival Season is a story of spiritual awakening and disillusionment in a Southern, black, Evangelical community. Monica West’s transporting coming-of-age novel explores complicated family and what it means to live among the community of the faithful.

    But while Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra; Ajaya is the narrative of the ‘unconquerable’ Kauravas, who were decimated to the last man.***At the heart of India’s most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen – Gandhari. In the shadow of the throne stands Kunti, the Dowager-Queen, burning with ambition to see her firstborn become the ruler, acknowledged by all.And in the wings:* Parashurama, the enigmatic Guru of the powerful Southern Confederate, bides his time to take over and impose his will from mountains to ocean. * Ekalavya, a young Nishada, yearns to break free of caste restrictions and become a warrior.* Karna, son of a humble charioteer, travels to the South to study under the foremost Guru of the day and become the greatest archer in the land. * Balarama, the charismatic leader of the Yadavas, dreams of building the perfect city by the sea and seeing his people prosperous and proud once more. * Takshaka, guerilla leader of the Nagas, foments a revolution by the downtrodden as he lies in wait in the jungles of India, where survival is the only dharma.* Jara, the beggar, and his blind dog Dharma, walk the dusty streets of India, witness to people and events far greater than they, as the Pandavas and the Kauravas confront their searing destinies.Amidst the chaos, Prince Suyodhana, heir of Hastinapura, stands tall, determined to claim his birthright and act according to his conscience. He is the maker of his own destiny – or so he believes. While in the corridors of the Hastinapura palace, a foreign Prince plots to destroy India. And the dice falls…

    When the daughters from each family meet and form a friendship, only one of them knows they are sisters. It is a relationship destined to explode when secrets are revealed and illusions shattered. As Jones explores the backstories of her rich and flawed characters, she also reveals the joy, and the destruction, they brought to each other’s lives.At the heart of it all are the two girls whose lives are at stake, and like the best writers, Jones portrays the fragility of her characers with raw authenticity as they seek love, demand attention, and try to imagine themselves as women.

    After being orphaned as a young girl, Asghar grapples with coming-of-age as a woman without the guidance of a mother, questions of sexuality and race, and navigating a world that put a target on her back. Asghar's poems at once bear anguish, joy, vulnerability, and compassion, while exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests in our relationships with friends and family, and in our own understanding of identity. Using experimental forms and a mix of lyrical and brash language, Asghar confronts her own understanding of identity and place and belonging.

    Asher Lev is an artist who is compulsively driven to render the world he sees and feels even when it leads him to blasphemy. In this stirring and often visionary novel, Chaim Potok traces Asher’s passage between these two identities, the one consecrated to God, the other subject only to the imagination.Asher Lev grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual and revolving around a charismatic Rebbe. But in time his gift threatens to estrange him from that world and the parents he adores. As it follows his struggle, My Name Is Asher Lev becomes a luminous portrait of the artist, by turns heartbreaking and exultant, a modern classic.

    Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts.At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender,Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.