They say a lot of things about the Schwa, but one thing’s for sure: no one ever noticed him. Except me. My name is Antsy Bonano—and I can tell you what’s true and what’s not, ’cause I was there. I was the one who realized the Schwa was “functionally invisible” and used him to make some big bucks. But I was also the one who caused him more grief than a friend should. So if you all just shut up and listen, I’ll spill everything. Unless, of course, "the Schwa Effect" wipes him out of my brain before I'm done....

    Now he has hooks. He chose hooks because they were cheaper. He chose hooks because he wouldn’t outgrow them so quickly. He chose hooks so that everyone would know he was different, so he would scare even himself. Then he meets Aurora. The hooks don’t scare her. They don’t keep her away. In fact, they don’t make any difference at all to her. But to Lucius, they mean everything. They remind him of the beast he is inside. Perhaps Aurora is his Beauty, destined to set his soul free from its suffering. Or maybe she’s just a girl who needs love just like he does.

    Her father's "bunny rabbit." A mildly geeky girl attending a highly competitive boarding school. Frankie Landau-Banks at age 15: A knockout figure. A sharp tongue. A chip on her shoulder. And a gorgeous new senior boyfriend: the supremely goofy, word-obsessed Matthew Livingston. Frankie Landau-Banks, at age 16: No longer the kind of girl to take "no" for an answer and possibly a criminal mastermind. This is the story of how she got that way.Frankie Landau-Banks. No longer the kind of girl to take "no" for an answer. Especially when "no" means she's excluded from her boyfriend's all-male secret society. Not when her ex-boyfriend shows up in the strangest of places. Not when she knows she's smarter than any of them. When she knows Matthew's lying to her. And when there are so many, many pranks to be done.

    But Joe Spooner brought more back with him than just good war stories. When movie-star handsome Peter Coleridge, a young ex-GI who served in Joe's company in postwar Austria, shows up, Evie is suddenly caught in a complicated web of lies that she only slowly recognizes. She finds herself falling for Peter, ignoring the secrets that surround him . . . until a tragedy occurs that shatters her family and breaks her life in two.

    Her single father raised her as a piano prodigy, with a rigid schedule and the goal of playing sold-out shows across the globe. Now, as a teenager, Glory has disappeared. As we flash back to the events leading up to her disappearance, we see a girl on the precipice of disaster. Brilliant and lonely, Glory is drawn to an artistic new boy, Frank, who moves in next door. The farther she falls, the deeper she spirals into madness. Before long, Glory is unable to play anything but the song "Chopsticks." But nothing is what it seems, and Glory's reality is not reality at all. In this stunningly moving novel told in photographs, pictures, and words, it's up to the reader to decide what is real, what is imagined, and what has been madness all along....

    Even worse, Harper has lost her stepsister, Tess; the divorce divides them. Harper decides to escape by joining a volunteer program to build a house for a family in Tennessee who lost their home in a tornado. Not that she knows a thing about construction. Soon she's living in a funky motel and working long days in blazing heat with a group of kids from all over the country. At the site, she works alongside Teddy, the son of the family for whom they are building the house. Their partnership turns into a summer romance, complete with power tools. Learning to trust and love Teddy isn't easy for Harper, but it's the first step toward finding her way back home.

    His girlfriend has dumped him to hook up with his best friend. He has no money and no job. His parents insist that he drive his great-uncle Lester to his bridge club four times a week and be his cardturner—whatever that means. Alton’s uncle is old, blind, very sick, and very rich. But Alton’s parents aren’t the only ones trying to worm their way into Lester Trapp’s good graces. They’re in competition with his longtime housekeeper, his alluring young nurse, and the crazy Castaneda family, who seem to have a mysterious influence over him. Alton soon finds himself intrigued by his uncle, by the game of bridge, and especially by the pretty and shy Toni Castaneda. As the summer goes on, he struggles to figure out what it all means, and ultimately to figure out the meaning of his own life. Through Alton’s wry observations, Louis Sachar explores the disparity between what you know and what you think you know. With his incomparable flair and inventiveness, he examines the elusive differences between perception and reality—and inspires readers to think and think again.

    But things start to look up when a new student breezes through the halls of his small-town high school. Sage Hendricks befriends Logan at a time when he no longer trusts or believes in people. Sage has been homeschooled for a number of years and her parents have forbidden her to date anyone, but she won't tell Logan why. One day, Logan acts on his growing feelings for Sage. Moments later, he wishes he never had. Sage finally discloses her big secret: she was born a boy. Enraged, frightened, and feeling betrayed, Logan lashes out at Sage and disowns her. But once Logan comes to terms with what happened, he reaches out to Sage in an attempt to understand her situation. But Logan has no idea how rocky the road back to friendship will be.

    Imagine if it had happened to your friend. And imagine if you hadn't done anything to help. That's what it's like to be Logan, an utterly frank, slightly awkward, and extremely loveable outcast enmeshed in a mysterious psychological drama. This story allows readers to piece together the sequence of events that has changed his life and changed his perspective on what it means to be a good friend and what it means to be a good person. This is What I Did: is a powerful read with clever touches, such as palindrome notes, strewn throughout the story and incorporated into the unique design of the book.

    He has a strategy--knows the profile of The Girl Who Would Say Yes. In each new town, each new school, he can count on plenty of action before he and his father move again. Getting down is never a problem. Until he hooks up with the wrong girl and finds himself in the wrong place at very much the wrong time.AND THEN YOU CAN'T SEE ANYTHING ELSE.After an assault that leaves Evan bleeding and broken, his father takes him to the family cabin in rural Pearl Lake, Minnesota, so Evan's body can heal. But what about his mind?HOW DO YOU GO ON, WHEN YOU CAN'T THINK OF ONE WITHOUT THE OTHER?Nothing seems natural to Evan anymore. Nothing seems safe. The fear--and the guilt--are inescapable. He can't sort out how he feels about anyone, least of all himself. Evan's really never known another person well, and Pearl Lake is the kind of place where people know everything about each other--where there might be other reasons to talk to a girl. It's annoying as hell. It might also be Evan's best shot to untangle sex and violence.

    Never too deep, never enough to die. But enough to feel the pain. Enough to feel the scream inside.Now she's at Sea Pines, a "residential treatment facility" filled with girls struggling with problems of their own. Callie doesn't want to have anything to do with them. She doesn't want to have anything to do with anyone. She won't even speak.But Callie can only stay silent for so long...

    Desperate for money, she takes a job at the Glenmore, where hotel guest Grace Brown entrusts her with the task of burning a secret bundle of letters. But when Grace's drowned body is fished from the lake, Mattie discovers that the letters could reveal the grim truth behind a murder.Set in 1906 against the backdrop of the murder that inspired Theodore Dreiser's An American Tragedy, Jennifer Donnelly's astonishing debut novel effortlessly weaves romance, history, and a murder mystery into something moving, and real, and wholly original.Includes a reader's guide and an interview with the author.

    Polygamy is the norm, strict obedience is expected and it is customary for young girls to be assigned to much older husbands.Celeste was born and raised in Unity, yet she struggles to fit in. Perhaps it's because of Taviana, the girl who has come to live with them and entertains Celeste with forbidden stories, or Jon, the young man she has clandestine meetings with, or maybe it's the influence of Craig, the outsider she meets on the beach. Whatever it is, she struggles to accept her ordained life. At fifteen she is repulsed at the thought of being assigned to an older man and becoming a sister wife, and she knows for certain she is not cut out to raise children. She wants something more for herself, yet feels powerless to change her destiny because rebelling would bring shame upon her family.Celeste watches as Taviana leaves Unity, followed by Jon, and finally Craig, the boy who has taught her to think "outside the box." Although she is assigned to a caring man, his sixth wife, she is desperately unhappy. How will Celeste find her way out of Unity?Torn from the headlines and inspired by current events, Sister Wife is a compelling portrait of a community where the laws of the outside world are ignored and where individuality is punished.

    or split them apart. But as the weeks pass and the instant messages accumulate, it's clear that tenth grade will be a roller coaster ride of boy temptation, math torture, donut emergenices, and Queen Bee encounters.Then a jerky boy sends peppy Angela into the dumps, tough Maddie makes a mistake that has the whole school talking, and good girl Zoe gets in over her head with a flirty teacher. Will the winsome threesome make it through the year?

    He's tough, but times are even tougher. The wimps have stopped coughing up their lunch money. The administration is cracking down. Then to make things worse, Tod and his friends get busted doing something bad. Something really bad.Lucky Tod must spend his daily detention in a hot, empty room with Mrs. Woodrow, a no-nonsense guidance counselor. He doesn't know why he's there, but she does. Tod's punishment: to scrawl his story in a beat-up notebook. He can be painfully funny and he can be brutally honest. But can Mrs. Woodrow help Tod stop playing the bad guy before he actually turns into one . . . for real?Read Tod's notebook for yourself.