Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature.   • Includes a chronology, suggestions for further reading, notes, glossary, and an appendix of Fielding's revisions   • Introduction discusses narrative tecniques and themes, the context of eighteenth-century fiction and satire, and the historical and political background of the Jacobite revolutionFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

    In a story like Bartleby, the Scrivener -- one of the very few perfect representatives of the form in the English language -- he displayed an unflinching precision and insight and empathy in his depiction of the drastically alienated inner life of the title character. In Benito Cereno, he addressed the great racial dilemmas of the nineteenth century with a profound, almost surreal imaginative clarity. And in Billy, Budd, Sailor, the masterpiece of his last years, he fused the knowledge and craft gained from a lifetime's magnificent work into a pure, stark, flawlessly composed tale of innocence betrayed and destroyed. Melville is justly honored for the epic sweep of his mind, but his lyricism, his skill in rendering the minute, the particular, the local, was equally sublime.

    But Ralph Nickleby proves both hard-hearted and unscrupulous, and Nicholas finds himself forced to make his own way in the world. His adventures gave Dickens the opportunity to portray an extraordinary gallery of rogues and eccentrics: Wackford Squeers, the tyrannical headmaster of Dotheboys Hall, a school for unwanted boys; the slow-witted orphan Smike, rescued by Nicholas; and the gloriously theatrical Mr and Mrs Crummles and their daughter, the 'infant phenonenon'. Like many of Dickens's novels, Nicholas Nickleby is characterised by his outrage at cruelty and social injustice, but it is also a flamboyantly exuberant work, revealing his comic genius at its most unerring.

    Life is the other way around...And that, precisely, is the dilemma that preoccupies Adam Appleby as he begins another day of research in the Reading Room of the British Museum. Adam is a graduate student in literature and a practicing Catholic in the days before the Pill. He is also married, has three children, and is not looking forward to the possiblity of a fourth.On this foggy day in London, however, work and life conspire against him. As Adam makes his bumbling way through a series of misadventures that do little to alleviate his anxiety, the reader is treated to a hilarious and heartfelt tour of academia that only David Lodge could have created.

    This tale is set in the crossword and nature-notes department of an obscure national newspaper during the declining years of Fleet Street.

    But it is hilarious. Mr. Blandings, a successful New York advertising executive, and his wife want to escape the confines of their tiny midtown apartment. They design the perfect home in the idyllic country, but soon they are beset by construction troubles, temperamental workmen, skyrocketing bills, threatening lawyers, and difficult neighbors. Mr. Blandings' dream house soon threatens to be the nightmare that undoes him. This internationally bestselling book by Eric Hodgins is illustrated by William Steig and was made into a film starring Cary Grant and Myrna Loy -- and a later film starring Tom Hanks called The Money Pit.

    The volume includes recent essays from Alastair Duckworth, Marilyn Butler, D.A. Miller, Isobel Armstrong and Karen Newman.

    Yet he always seems to be troubled by disagreeable tradesmen, impertinent young office clerks and wayward friends, not to mention his devil-may-care son Lupin with his unsuitable choice of bride. Try as he might, he cannot avoid life's embarrassing mishaps. In the bumbling, absurd, yet ultimately endearing figure of Pooter, the Grossmiths created an immortal comic character and a superb satire on the snobberies of middle-class suburbia - one which also sends up late Victorian crazes for spiritualism and bicycling, as well as the fashion for publishing diaries by anybody and everybody.

    The novel recounts the hilarious but tragic life of Murphy in London as he attempts to establish a home and to amass sufficient fortune for his intended bride to join him.

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

    Beneath the once decorous surface of their lives, unsavories like blackmail and adultery are now to be glimpsed. As spooky as it is witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more.

    Soon after, she persuades Henry to abandon Southwood, his dahlias and the Major next door to travel her way, Brighton, Paris, Istanbul, Paraguay. Through Aunt Augusta, a veteran of Europe's hotel bedrooms, Henry joins a shiftless, twilight society: mixing with hippies, war criminals, CIA men; smoking pot, breaking all the currency regulations and eventually coming alive after a dull suburban life. In Travels with my Aunt Graham Greene not only gives us intoxicating entertainment but also confronts us with some of the most perplexing of human dilemmas.

    Wilmet's interest wanders to the nearby Anglo-Catholic church, where at last she can neglect her comfortable household in the company of three priests and engaging Piers Longridge who happens to be living with another man. Her limited life has its fragile "blessings."

    Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax, and a coda that casts shifting perspectives on all that has preceded.