Their brutal punishment has been hushed up for more than two years when Mathilde Donnay, unable to walk since childhood, begins a relentless quest to find out whether her fiancé, officially "killed in the line of duty," might still be alive. Tipped off by a letter from a dying soldier, the shrewd, sardonic, and wonderfully imaginative Mathilde scours the country for information about the men. As she carries her search to its end, an elaborate web of deception and coincidence emerges, and Mathilde comes to an understanding of the horrors, and the acts of kindness, brought about by war.A runaway bestseller in France and the winner of the 1991 Prix Interallié, this astonishing novel is many things at once: an absorbing mystery, a playful study of the different ways one story can be told, a moving and incisive portrait of life in France during and after the First World War, and a love story of transforming power and beauty.

    But when he learns that the young spy sent by the OSS to Prague is a woman, he has misgivings about working with her. He had expected a man—a man who could handle his assignment with the help of Janak and his fellow Resistance workers. It doesn’t take long, however, for Janak to realize the beautiful blonde spy has enough daring and resourcefulness to do what it takes in the occupied city. The Nazis are everywhere, but Tereza’s knowledge of Czech and German allows her to fit right in.Both of them have an unspoken determination to keep their relationship professional, to keep distractions at a minimum, but is that going to be possible when every day might be their last? The bond that develops between them can only be destroyed by death, but that’s a real possibility for covert activists in Nazi-occupied Prague.

    Elsa's parents, who run the highly successful Mersey Antiques, take Lucy home, while Patsy has a more down-to-earth upbringing with her father and other grandmother above the Railway Hotel. When Patsy is invited to work at Mersey Antiques, she hopes it will bring her closer to Lucy, but it takes a series of dramatic events before they are drawn together.

    Abandoned at the altar by the love of her life, she barely bats an eyelid when her father announces her marriage to another. After all, what does she have to live for?There are many things Arthur Coghill, Duke of Redvale, is known for: the scar marring his face and the family history that gave the Dukedom its name being the most prominent. So, he never expected another member of the ton would come to offer him his daughter's hand. Or the Lady Cordelia herself.As the darkness melts away, Cordelia and Arthur finally taste happiness on the tip of their tongues. Happiness that turns into ashes when a sudden bout of unexplainable sickness leaves Cordelia on the brink of death. And true to his name, the Duke of Redvale will do everything to save her. For when is a monster not a monster? Oh, when you love it...

    He is Captain John Lacroix, home from Britain's disastrous campaign against Napoleon's forces in Spain.Gradually Lacroix recovers his health, but not his peace of mind - he cannot talk about the war or face the memory of what happened in a village on the gruelling retreat to Corunna. After the command comes to return to his regiment, he sets out instead for the Hebrides, with the vague intent of reviving his musical interests and collecting local folksongs.Lacroix sails north incognito, unaware that he has far worse to fear than being dragged back to the army: a vicious English corporal and a Spanish officer are on his trail, with orders to kill. The haven he finds on a remote island with a family of free-thinkers and the sister he falls for are not safe, at all.

    As Frances tries to sell her work, she finds that editors are only interested in writing similar to that of the new renegade literary sensation Edgar Allan Poe, whose poem, “The Raven” has struck a public nerve.She meets the handsome and mysterious Poe at a literary party, and the two have an immediate connection. Poe wants Frances to meet with his wife since she claims to be an admirer of her poems, and Frances is curious to see the woman whom Edgar married.As Frances spends more and more time with the intriguing couple, her intense attraction for Edgar brings her into dangerous territory. And Mrs. Poe, who acts like an innocent child, is actually more manipulative and threatening than she appears. As Frances and Edgar’s passionate affair escalates, Frances must decide whether she can walk away before it’s too late...Set amidst the fascinating world of New York’s literati, this smart and sexy novel offers a unique view into the life of one of history’s most unforgettable literary figures.

    Kings do battle with knights and knaves for possession of the finest pieces and the secrets of their manufacture.For Genevieve Planché, an English-born descendant of Huguenot refugees, porcelain holds far less allure; she wants to be an artist, a painter of international repute, but nobody takes the idea of a female artist seriously in London. If only she could reach Venice. When Genevieve meets the charming Sir Gabriel Courtenay, he offers her an opportunity she can’t refuse; if she learns the secrets of porcelain, he will send her to Venice. But in particular, she must learn the secrets of the colour blue… The ensuing events take Genevieve deep into England’s emerging industrial heartlands, where not only does she learn about porcelain, but also about the art of industrial espionage. With the heart and spirit of her Huguenot ancestors, Genevieve faces her challenges head on, but how much is she willing to suffer in pursuit and protection of the colour blue?

    When struggling perfumer Sophie Duval shelters Miss Kelly in her boutique, fending off a persistent British press photographer, James Henderson, a bond is forged between the two women and sets in motion a chain of events that stretches across thirty years of friendship, love, and tragedy.James Henderson cannot forget his brief encounter with Sophie Duval. Despite his guilt at being away from his daughter, he takes an assignment to cover the wedding of the century, sailing with Grace Kelly’s wedding party on the SS Constitution from New York. In Monaco, as wedding fever soars and passions and tempers escalate, James and Sophie—like Princess Grace—must ultimately decide what they are prepared to give up for love.

    But her biggest challenge will be their father; masterful and strong in everything—especially his kiss. Poor and without dowry—and even worse—now orphaned, Miss Carly Blakemore is thrown into the Victorian world without aid. Carly is forced to seek a position as governess in the house of Lord Huntington, the Earl of Dunfordshire—a man alone in his own right—and under suspicion for the tragic murder of his well-known and adulteress wife. His governess’s honesty and forthrightness quickly offend his noble person, and he finds himself reeling from her constant evaluation of his lack of parenting skills. However, in the midst of his resentments, he finds himself strangely drawn in by her very no-nonsense ways that drive him to madness. Carly stands her ground in head-to-head battles of will that take her to the brink of dismissal. Carly and the earl continually fight the feelings growing between them. Both are oblivious to the clouds of deceit and intrigue that are growing around the manor house, some bent upon removing the beautiful, headstrong governess permanently. A final desperate chase leads to an interception of a ship upon the high seas headed for the Mediterranean and a secret society of white-slave traders, opening the way for this book’s sequel.

    Model and woman about town Lee Miller moves to Paris determined to make herself known amidst the giddy circle of celebrated artists, authors, and photographers currently holding court in the city. She seeks out the charming, charismatic artist Man Ray to become his assistant but soon becomes much more than that: his model, his lover, his muse.Coming into her own more fully every day, Lee models, begins working on her own projects, and even stars in a film, provoking the jealousy of the older and possessive Man Ray. Drinking and carousing is the order of the day, but while hobnobbing with the likes of Picasso and Charlie Chaplin, she also falls in love with the art of photography and finds that her own vision can no longer come second to her mentor's.The Woman in the Photograph is the richly drawn, tempestuous novel about a talented and fearless young woman caught up in one of the most fascinating times of the twentieth century.

    Seventeen-year-old Naoko Nakamura’s prearranged marriage to the son of her father’s business associate would secure her family’s status in their traditional Japanese community, but Naoko has fallen for another man—an American sailor, a gaijin—and to marry him would bring great shame upon her entire family. When it’s learned Naoko carries the sailor’s child, she’s cast out in disgrace and forced to make unimaginable choices with consequences that will ripple across generations.America, present day. Tori Kovač, caring for her dying father, finds a letter containing a shocking revelation—one that calls into question everything she understood about him, her family and herself. Setting out to learn the truth behind the letter, Tori’s journey leads her halfway around the world to a remote seaside village in Japan, where she must confront the demons of the past to pave a way for redemption.In breathtaking prose and inspired by true stories from a devastating and little-known era in Japanese and American history, The Woman in the White Kimono illuminates a searing portrait of one woman torn between her culture and her heart, and another woman on a journey to discover the true meaning of home.

    The Ponte di Ghetto Nuovo, the bridge that leads to the ghetto, trembles under the weight of sacks of rotting vegetables, rancid fat, and vermin. Shapeless matter, perhaps animal, floats to the surface of Rio di San Girolamo and hovers on its greasy waters. Through the mist rising from the canal the cries and grunts of foraging pigs echo. Seeping refuse on the streets renders the pavement slick and the walking treacherous.  It was on such a night that the men came for Hannah.—Hannah Levi is known throughout sixteenth-century Venice for her skill in midwifery. When a Christian count appears at Hannah's door in the Jewish ghetto imploring her to attend his labouring wife, who is nearing death, Hannah is forced to make a dangerous decision. Not only is it illegal for Jews to render medical treatment to Christians, it's also punishable by torture and death. Moreover, as her Rabbi angrily points out, if the mother or child should die, the entire ghetto population will be in peril. But Hannah’s compassion for another woman’s misery overrides her concern for self-preservation. The Rabbi once forced her to withhold care from her shunned sister, Jessica, with terrible consequences. Hannah cannot turn away from a labouring woman again. Moreover, she cannot turn down the enormous fee offered by the Conte. Despite the Rabbi’s protests, she knows that this money can release her husband, Isaac, a merchant who was recently taken captive on Malta as a slave. There is nothing Hannah wants more than to see the handsome face of the loving man who married her despite her lack of dowry, and who continues to love her despite her barrenness. She must save Isaac.Meanwhile, far away in Malta, Isaac is worried about Hannah’s safety, having heard tales of the terrifying plague ravaging Venice. But his own life is in terrible danger. He is auctioned as a slave to the head of the local convent, Sister Assunta, who is bent on converting him to Christianity. When he won’t give up his faith, he’s traded to the brutish lout Joseph, who is renowned for working his slaves to death. Isaac soon learns that Joseph is heartsick over a local beauty who won’t give him the time of day. Isaac uses his gifts of literacy and a poetic imagination—not to mention long-pent-up desire—to earn his day-to-day survival by penning love letters on behalf of his captor and a paying illiterate public. Back in Venice, Hannah packs her “"birthing spoons”—secret rudimentary forceps she invented to help with difficult births—and sets off with the Conte and his treacherous brother. Can she save the mother? Can she save the baby, on whose tiny shoulders the Conte’s legacy rests? And can she also save herself, and Isaac, and their own hopes for a future, without endangering the lives of everyone in the ghetto?The Midwife of Venice is a gripping historical page-turner, enthralling readers with its suspenseful action and vivid depiction of life in sixteenth-century Venice. Roberta Rich has created a wonderful heroine in Hannah Levi, a lioness who will fight for the survival of the man she loves, and the women and babies she is duty-bound to protect, carrying with her the best of humanity’s compassion and courage.

    Within weeks, she and her mother, Miyako, are ripped from their home, rounded up along with thousands of other innocent Japanese-Americans and taken to the Manzanar prison camp. Buffeted by blistering heat and choking dust, Lucy and Miyako must endure the harsh living conditions of the camp. Corruption and abuse creep into every corner of Manzanar, eventually ensnaring beautiful, vulnerable Miyako. Ruined and unwilling to surrender her daughter to the same fate, Miyako soon breaks. Her final act of desperation will stay with Lucy forever...and spur her to sins of her own. Bestselling author Sophie Littlefield weaves a powerful tale of stolen innocence and survival that echoes through generations, reverberating between mothers and daughters. It is a moving chronicle of injustice, triumph and the unspeakable acts we commit in the name of love. "Littlefield has a gift for pacing...page-turning action and evocative, sensual, harrowing descriptions." -Publishers Weekly

    But Aurelia leaves Amy with one last gift.A bundle of letters with a coded key. A treasure hunt that only Amy can unlock.A life-changing secret awaits... if only she can reach it.

    Then, at her childhood home in Queens, Majella discovers the diary of her maternal ancestor Ginny—and is shocked to read a story of murder in her family history. With the famine upon her, Ginny Doyle fled from Ireland to America, but not all of her family made it. What happened during those harrowing years, and why does Ginny call herself a killer? Is Majella genetically fated to be a bad mother, despite the fierce tenderness she feels for her baby? Determined to uncover the truth of her heritage and her own identity, Majella sets out to explore Ginny’s past—and discovers surprising truths about her family and ultimately, herself.