The Vajkays—call them Mother and Father—live in Sárszeg, a dead-end burg in the provincial heart of the Austro-Hungarian Empire. Father retired some years ago to devote his days to genealogical research and quaint questions of heraldry. Mother keeps house. Both are utterly enthralled with their daughter, Skylark. Unintelligent, unimaginative, unattractive, and unmarried, Skylark cooks and sews for her parents and anchors the unremitting tedium of their lives.Now Skylark is going away, for one week only, it’s true, but a week that yawns endlessly for her parents. What will they do? Before they know it, they are eating at restaurants, reconnecting with old friends, and attending the theater. But this is just a prelude to Father’s night out at the Panther Club, about which the less said the better. Drunk, in the light of dawn Father surprises himself and Mother with his true, buried, unspeakable feelings about Skylark.Then, Skylark is back. Is there a world beyond the daily grind and life's creeping disappointments? Kosztolányi’s crystalline prose, perfect comic timing, and profound human sympathy conjure up a tantalizing beauty that lies on the far side of the irredeemably ordinary. To that extent, Skylark is nothing less than a magical novel.

    It all started with Askild 'the Crackpot', chased by bloodhounds on a German plain after escaping from a Nazi concentration camp: he is a painter, a murderer and a thief.His son, Niels 'Jug Ears' Junior, is born in an outhouse, wins respect by kicking other boys in the balls, and uses dynamite to blow up the privy when his father sells his cherished coin collection.And his son, Asger 'the Liar', collects stories about his shipwrecked family which are always exciting though not entirely true. He is haunted by the time he spent hidden in the space under the stairs with his fat aunt, aka 'the Little Bitch'. He has a confession to make and a buried treasure to find. Unable to banish Doghead, a horror from his childhood, to the shadow realm, he reveals the very bad deeds children can do - to push his family story forward, past a point of no return.Doghead is a richly imaginative farcical tragedy; a witty saga of three generations of wild Eriksson men. It touches on chilling themes - concentration camps, child abuse, alcoholism, rape - yet warmly celebrates the stories that hold families together.

    And home to Jama, a ten year-old boy. But then his mother dies unexpectedly and he finds himself alone in the world.Jama is forced home to his native Somalia, the land of his nomadic ancestors. War is on the horizon and the fascist Italian forces who control parts of East Africa are preparing for battle. Yet Jama cannot rest until he discovers whether his father, who has been absent from his life since he was a baby, is alive somewhere.And so begins an epic journey which will take Jama north through Djibouti, war-torn Eritrea and Sudan, to Egypt. And from there, aboard a ship transporting Jewish refugees just released from German concentration camps, across the seas to Britain and freedom.This story of one boy's long walk to freedom is also the story of how the Second World War affected Africa and its people; a story of displacement and family.

    Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name. Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy's faith is challenged by a social reality that changes her life.

    It hints at the existence of an extraordinary artifact that—if he can find it—would redefine history. Traveling in one of Europe’s earliest automobiles, he sets out in search of this strange treasure.Thirty-five years later, a Portuguese pathologist devoted to the murder mysteries of Agatha Christie finds himself at the center of a mystery of his own and drawn into the consequences of Tomás’s quest.Fifty years on, a Canadian senator takes refuge in his ancestral village in northern Portugal, grieving the loss of his beloved wife. But he arrives with an unusual companion: a chimpanzee. And there the century-old quest will come to an unexpected conclusion.The High Mountains of Portugal—part quest, part ghost story, part contemporary fable—offers a haunting exploration of great love and great loss. Filled with tenderness, humor, and endless surprise, it takes the reader on a road trip through Portugal in the last century—and through the human soul.

    Set in Norway and Iceland at the beginning of the eleventh century, Gunnar's Daughter is the story of the beautiful, spoiled Vigdis Gunnarsdatter, who is raped by the man she had wanted to love. A woman of courage and intelligence, Vigdis is toughened by adversity. Alone she raises the child conceived in violence, repeatedly defending her autonomy in a world governed by men. Alone she rebuilds her life and restores her family's honor--until an unremitting social code propels her to take the action that again destroys her happiness.First published in 1909, Gunnar's Daughter was in part a response to the rise of nationalism and Norway's search for a national identity in its Viking past. But unlike most of the Viking-inspired art of its period, Gunnar's Daughter is not a historical romance. It is a skillful conversation between two historical moments about questions as troublesome in Undset's own time--and in ours--as they were in the Saga Age: rape and revenge, civil and domestic violence, troubled marriages, and children made victims of their parents' problems.

    From his own birth and childhood on the streets of Dublin to his role as soldier (and lover) in the Irish Rebellion, Henry recounts his early years of reckless heroism and adventure. At once an epic, a love story, and a portrait of Irish history, A Star Called Henry is a grand picaresque novel brimming with both poignant moments and comic ones, and told in a voice that is both quintessentially Irish and inimitably Roddy Doyle's.

    It is the answer he gave his wife (now ex-wife) years earlier when she told him she wanted one. The loss, longing and regret that haunt the years between those two “no”s give rise to one of the most eloquent meditations ever written on the Holocaust. As Kertesz’s narrator addresses the child he couldn’t bear to bring into the world he ushers readers into the labyrinth of his consciousness, dramatizing the paradoxes attendant on surviving the catastrophe of Auschwitz. Kaddish for the Unborn Child is a work of staggering power, lit by flashes of perverse wit and fueled by the energy of its wholly original voice. Translated by Tim Wilkinson

    Hana is twelve-years-old when she is put on one of the last UN evacuation buses fleeing the besieged city of Sarajevo. Her twenty-one-year-old sister, Atka, staying behind to look after their five younger siblings, is there to say goodbye. Thinking that they will be apart for only a few weeks, they make a promise to each other to be brave.But as the Bosnian war escalates and months go by without contact, their promise to each other becomes deeply significant. Hana is forced to cope as a refugee in Croatia, far away from home and family, while Atka battles for survival in a city where snipers, mortar attacks and desperate food shortages are a part of everyday life. Their mother, working for a humanitarian aid organisation, is unable to reach them and their father retreats inside himself, shocked at what is happening to his city. In Sarajevo, death lurks in every corner and shakes the foundation of their existence. One day their beloved uncle is killed while queuing up for bread in the market square, in a massacre similar to the one three months earlier which prompted a cellist to make a lone musical protest in the deserted streets. But when Atka finds work as a translator in an old, smoky radio station, and then with a photojournalist from New Zealand, life takes an unexpected turn, and the remarkable events that follow change her life, and those of her family, forever.Set in the middle of the bloodiest European conflict since the Second World War, Goodbye Sarajevo is a moving and compelling true story of courage, hope and extraordinary human kindness.

    The housekeeper's reputation is one built on dependable efficiency, though she is something of an oddity. Stubborn, foul-mouthed and with a flagrant disregard for her employer's opinions she may even be crazy. She allows no-one to set foot inside her house; she masks herself with a veil and is equally guarded about her personal life. And yet Emerence is revered as much as she is feared. As the story progresses her energy and passion to help becomes clear, extinguishing any doubts arising out of her bizarre behaviour. A stylishly told tale which recounts a strange relationship built up over 20 years between a writer and her housekeeper. After an unpromising and caustic start benign feelings develop and ultimately the writer benefits from what becomes an inseparable relationship. Simultaneously we learn Emerence's tragic past which is revealed in snapshots throughout the book.

    A sweeping saga, it tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys—an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets—struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. An artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward; a man and his wife each become collaborators, without the other knowing. Ludmila Ulitskaya’s big yet intimate novel belongs to the tradition of Dostoyevsky, Tolstoy, and Pasternak: a work of politics, love, and belief that is a revelation of life in dark times.

    The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.

    Not all of them return – and those who do will never be the same. Among them is the daredevil Laurids Madsen, who promptly escapes again into the anonymity of the high seas.As soon as he is old enough, his son Albert sets off in search of his missing father on a voyage that will take him to the furthest reaches of the globe and into the clutches of the most nefarious company. Bearing a mysterious shrunken head, and plagued by premonitions of bloodshed, he returns to a town increasingly run by women – among them a widow intent on liberating all men from the tyranny of the sea.From the barren rocks of Newfoundland to the lush plantations of Samoa, from the roughest bars in Tasmania, to the frozen coasts of northern Russia, We, The Drowned spans four generations, two world wars and a hundred years. Carsten Jensen conjures a wise, humorous, thrilling story of fathers and sons, of the women they love and leave behind, and of the sea’s murderous promise. This is a novel destined to take its place among the greatest seafaring literature.

    He was a Muslim officer and he was murdered. But when Detective Barudi sets out to interrogate the man s mysterious widow, the Secret Service takes the case away from him. Barudi continues to investigate clandestinely and discovers the murderer s motive: it is a blood feud between the Mushtak and Shahin clans, reaching back to the beginnings of the 20th century. And, linked to it, a love story that can have no happy ending, for reconciliation has no place within the old tribal structures.Rafik Schami s dazzling novel spans a century of Syrian history in which politics and religions continue to torment an entire people. Simultaneously, his poetic stories from three generations tell of the courage of lovers who risk death sooner than deny their passions. He has also written a heartfelt tribute to his hometown Damascus and a great and moving hymn to the power of love

    Near the end of World War II, 19-year-old Boris Koptek leaves the village to join the Russian army, swearing to the 16-year-old love of his life, Vera, that as soon as he returns they will marry. Young Boris, who with his engineering battalion fights his way almost to Berlin, is reported killed in action crossing the Spree River. But Vera refuses to believe he is dead, and each day, all these years later, faithfully awaits his return.Then one day the narrator arrives in the village, a 26-year-old native of Leningrad who is fascinated by both the still-beautiful woman and her exemplary story, and little by little falls madly in love with her. But how can he compete with a ghost that will not die?Beautifully, delicately, but always powerfully told, Andre� Makine delineates in masterly prose the movements and madness that constitute the dance of pure love.