She's got six steady clients that keep her hands full. There's Lex, the fussy but fabulous department store owner who loves Oysters Rockefeller and 1950s comfort food; Willa, who needs to lose weight under doctor's orders but still believes butter makes everything better; a colorful family who may or may not be part of the Russian mob; an uberwealthy Georgetown family; the picture-perfect Van Houghtens, whose matriarch is allergic to everything; and finally, a man she calls "Mr. Tuesday," whom she has never met but who she is strangely drawn to. For Gemma, cooking is predictable. Recipes are certain. Use good ingredients, follow the directions, and you are assured success. Life, on the other hand, is full of variables. So when Gemma's takes an unexpected turn on a road she always thought was straight and narrow, she must face her past and move on in ways she never would have imagined. Because sometimes in life, all you need is a little hope, a lot of courage, and---oh yes---butter.

    Lou Ann Hunter’s mother, Patricia, has always had a passionate nature, which explains why she’s been married and divorced five times and spooned enough male patients to be ousted from three elderly care facilities. She also has Alzheimer’s, which is why she wants to spend her remaining months or years surrounded by memories at her family’s decrepit old plantation in Louisiana with her only daughter. Lou Ann, a.k.a. Lulu the Love Guru, has built an empire preaching sex, love, and relationship advice to the women of America—mostly by defying the example her mother has set for her. But with her mother suddenly in need of a fulltime caretaker, Lou Ann reluctantly agrees to step out of the spotlight and indulge her mother’s wishes, even if it means trading in her Louboutins and Chanel No. 5 for boots and mosquito repellant. Upon arrival at Sutton Hall, Lou Ann discovers that very little functions at it should, least of all her mother’s mind. She is haunted not only by creaky floorboards and things that go bump in the night, but also by the living ghost sleeping downstairs. Every good day Patricia and Lou Ann have treasure hunting in the attic seems to be followed by two days of meltdowns and cold shoulders. And as Lou Ann adjusts to this new and inevitably temporary dynamic, she is forced to confront the fact that her mother’s fate is completely out of her hands—and the end may be coming quicker than she even thought possible. Heartrending at times and laugh-out-loud funny at others, How Lulu Lost Her Mind is the book for anyone whose mom has ever made them cry—whether tears of joy, regret, frustration, love, or all of the above. Fans of Emily Giffin, Kristan Higgins, and Jill Shalvis won’t be able to forget it.

    What a difference a week makes in a heartfelt, laugh-out-loud novel by the Washington Post bestselling author of The Overdue Life of Amy Byler.Celeste Mason is the Pinterest stay-at-home supermom of other mothers’ nightmares. Despite her all-organic, SunButter-loving, free-range kids, her immaculate home, and her volunteering awards, she still has time to relax with a nice glass of pinot at the end of the day. The only thing that ruins it all is her workaholic, career-obsessed neighbor, who makes no secret of what she thinks of Celeste’s life choices every chance she gets.Wendy Charles is a celebrated productivity consultant, columnist, and speaker. On a minute-by-minute schedule, she makes the working-mom hustle look easy. She even spends at least one waking hour a day with her kids. She’s not apologizing for a thing. Especially to Celeste, who plays her superior parenting against Wendy whenever she can.Who do Celeste and Wendy think they are? They’re about to find out thanks to one freaky week. After a neighborhood potluck and too much sangria, they wake up—um, what?—in each other’s bodies. Everything Celeste and Wendy thought they knew about the “other kind of mom” is flipped upside down—along with their messy, complicated, maybe not so different lives.

    She's on a plane when the flight attendant makes an announcement: prepare for a crash landing. She braces herself as thoughts flash through her mind. The shocking thing is, the thoughts are not of her husband, but a man she last saw fifteen years ago: Wyatt Armstrong.Dawn, miraculously, survives the crash, but so do all the doubts that have suddenly been raised. She has led a good life. Back in Boston, there is her husband, Brian, her beloved daughter, and her work as a death doula, where she helps ease the transition between life and death for patients in hospice.But somewhere in Egypt is Wyatt Armstrong, who works as an archaeologist unearthing ancient burial sites, a job she once studied for, but was forced to abandon when life suddenly intervened. And now, when it seems that fate is offering her second chances, she is not as sure of the choice she once made.After the crash landing, the airline ensures the survivors are seen by a doctor, then offers transportation wherever they want to go. The obvious option for Dawn is to continue down the path she is on and go home to her family. The other is to return to the archaeological site she left years before, reconnect with Wyatt and their unresolved history, and maybe even complete her research on The Book of Two Ways--the first known map of the afterlife. As the story unfolds, Dawn's two possible futures unspool side by side, as do the secrets and doubts long buried beside them. Dawn must confront the questions she's never truly asked: What does a life well-lived look like? When we leave this earth, what do we leave behind? Do we make choices...or do our choices make us? And who would you be, if you hadn't turned out to be the person you are right now?

    Felicia has been quietly in love with her happily married boss for twenty years; now that he’s a lonely widower, she just needs the right situation to make him see her as more than the best executive assistant in Midtown Manhattan. Andrea is a private detective specializing in gathering evidence on cheating husbands—a skill she unfortunately learned from her own life—and can’t figure out why her intuition tells her the guy she’s tailing is one of the good ones when she hasn’t trusted a man in years. For these three women, as well as half a dozen others in sparkling supporting roles—a young model fresh from rural Georgia, a diva Hollywood star making her Broadway debut, an overachieving, unemployed Brown grad who starts faking a fabulous life on social media, to name just a few—everything is about to change, thanks to the dress of the season, the perfect little black number everyone wants to get their hands on…

    They got married around the same time, had kids around the same time, and now, fifteen years later, they’ve started getting divorced around the same time, too. With three of the Core Four unions crumbling to dust around them, Jessica and Mitch Butler take a long, hard look at their own marriage. Can it be saved? Or is divorce, like some fortysomething zombie virus, simply inescapable?To maximize their chance at immunity, Jessica and Mitch try something radical. Their friends’ divorces mostly had to do with sex—having it, not having it, wanting to have it with other people—so they decide to relax a few things. Terms are discussed, conditions are made, and together the Butlers embark on the great experiment of taking their otherwise happy, functional marriage and breaking some very serious rules.Jessica and Mitch are convinced they’ve hit upon the next evolution of marriage. But as lines are crossed and hot bartenders pursued, they each start to wonder if they’ve made a huge mistake. What follows is sexy, fun, painful, messy, and completely surprising to them both. Because sometimes doing something bad is the only way to get to the heart of what’s really good.

    Eve, fresh out of Harvard Business School, has fired “the gray hairs,” put the managing editor in a supply closet, stopped using the landlines, and hired a bevy of manicured and questionably attired underlings who text and tweet their way through meetings. Imogen, darling of the fashion world, may have Alexander Wang and Diane von Furstenberg on speed dial, but she can’t tell Facebook from Foursquare and once got her iPhone stuck in Japanese for two days. Under Eve’s reign, Glossy is rapidly becoming a digital sweatshop—hackathons rage all night, girls who sleep get fired, and “fun” means mandatory, company-wide coordinated dances to Beyoncé. Wildly out of her depth, Imogen faces a choice—pack up her Smythson notebooks and quit, or channel her inner geek and take on Eve to save both the magazine and her career. A glittering, uproarious, sharply drawn story filled with thinly veiled fashion personalities, The Knockoff is an insider’s look at the ever-changing world of fashion and a fabulous romp for our Internet-addicted age.

    For fourteen years, Letty Espinosa has worked three jobs around San Francisco to make ends meet while her mother raised her children—Alex, now fifteen, and Luna, six—in their tiny apartment on a forgotten spit of wetlands near the bay. But now Letty’s parents are returning to Mexico, and Letty must step up and become a mother for the first time in her life. Navigating this new terrain is challenging for Letty, especially as Luna desperately misses her grandparents and Alex, who is falling in love with a classmate, is unwilling to give his mother a chance. Letty comes up with a plan to help the family escape the dangerous neighborhood and heartbreaking injustice that have marked their lives, but one wrong move could jeopardize everything she’s worked for and her family’s fragile hopes for the future. Vanessa Diffenbaugh blends gorgeous prose with compelling themes of motherhood, undocumented immigration, and the American Dream in a powerful and prescient story about family.

    For the past two years, she has shouldered the responsibility of raising her younger brother and sister after their parents’ untimely deaths. Forced to leave college for a crappy job that barely pays the bills, Parker manages her family property, which consumes every aspect of her life. Now winter is coming and the forecast isn’t spreading sunshine on the dark cloud over her head. The last thing Parker needs is a mudslide destroying everything she has worked so hard to maintain.Colin Hudson’s job as a public works supervisor is to protect Parker’s property and neighborhood from further damage. But it’s a little hard when the owner of the land is a control freak who tries to do everything herself. The hardworking, attractive young woman is far from the “hot mess” she claims to be. In fact, her tight grip of control is one of the things that attract him the most. It’s also the hardest to crack. Now Colin’s working overtime to help Parker open up her heart, trust him, and let him in.As Parker and Colin work together to keep her home and neighborhood safe, they may be in for another disaster. Or they may just realize that sometimes it takes destruction to create something new.

    -Her son adores him. He was there when she needed him most. -He anticipates her every need. -He would never betray her like her first husband.The perfect husband. He checks all the boxes.The question is, why? Nina Garrity learned the hard way that her missing husband, Glen, had been leading a double life with another woman. But with Glen gone—presumably drowned while fishing on his boat—she couldn't confront him about the affair or find closure to the life he blew apart. Now, a year and a half later, Nina has found love again and hopes she can put her shattered world back together. Simon, a widower still grieving the death of his first wife, thinks he has found his dream girl in Nina, and his charm and affections help break through to a heart hardened by betrayal. Nina's teenage son, Connor, embraces Simon as the father he wishes his dad could have been, while her friends see a different side to him, and they aren't afraid to use the word obsession.Nina works hard to bridge the divide that’s come between her daughter and Simon. She wants so badly to believe her life is finally getting back on track, but she’ll soon discover that the greatest danger to herself and her children are the lies people tell themselves.