Hagit R. Oron and Or Oron have written a book which not only details the principle of “look before you leap,” but also shows how imaginative children can be. Elphie’s facial expressions emoted perfectly what he was thinking and feeling during the entire journey, whether it was boredom, excitement, or fear. Elphie and Dad Go On an Epic Adventure would be a wonderful book to read at bedtime for smaller children, teaching them about road danger, adventure, and using your imagination to have fun." - Rosie Malezer for Readers’ FavoriteFor Elphie, everything is an adventure. But dad is cautious. Is dad going to join Elphie on his quest or is the trip to the shop going to be dull and boring? Join Elphie and dad to find out! "Elphie and dad go on an epic adventure" is a fun beautifully illustrated book that addresses kids and parents alike. It shows how you can transform everyday chores into exciting adventures. Bonus! Free gift for every buyer: an illustrated booklet with an extra-special-epic-adventure chocolate milk recipe for kids and their dads to make together.

    This delightful and persuasive essay is for adult readers.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    With keen emotion and fresh vision, the acclaimed artist captures the essence of the tale's timeless appeal: The journey of the awkward little bird -- marching bravely through hecklers, hunters, and cruel seasons -- is an unforgettable survival story; this blooming into a graceful swan is a reminder of the patience often necessary to discover true happiness. Splendid watercolors set in the lush countryside bring drama to life.

    He's a quiet ten year old who can't help himself from dropping out of reality and into the amazing world of his vivid imagination. His daydreams are fantastic and fascinating - only in the bizarre and disturbing world of dreams can he swap bodies with the family cat and his baby cousin, Kenneth, or wipe out his entire family with vanishing cream.

    Although Flush has adventures of his own with bullying dogs, horrid maids, and robbers, he also provides the reader with a glimpse into Browning’s life. Introduction by Trekkie Ritchie.

    

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    This is the story of how, with the help of some kind people, he discovers how wonderful the dark can be.

    Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.

    The Shepheardes Calender is represented by six eclogues, including the much-discussed "Februarie." Colin Clouts Come Home Againe, increasingly a focus of critical attention, is an important addition, and Amoretti is offered in its entirety.Seventeen critical essays, judiciously chosen from the many published since 1982, have been added to supplement eleven earlier commentaries. New to the Third Edition are the perspectives of Spenser's contemporary William Camden, Virginia Woolf, William Nelson, A. Bartlett Giamatti, Donald Cheney, Judith Anderson, Richard Helgerson, Louis Adrian Montrose, and David Lee Miller. The critical essays on the House of Busyrane, Spenser's pastoral, Muiopotmos, and Amoretti are grouped to "speak" to each other in ways sure to stimulate classroom discussion. This class-tested feature is back by popular demand along with essays by D. C. Allen, Robert A. Brinkley, Ronald P. Bond, Anne Lake Prescott, Andrew D. Weiner, Susanne Lindgren Wofford, Harry Berger, Jr., and Paul Alpers.A Chronology of Spenser's life and an extensive Bibliography are also included.

    Through a psychiatrist's analysis of the events, Shaffer creates a chilling portrait of how materialism and convenience have killed our capacity for worship and passion and, consequently, our capacity for pain. Rarely has a playwrite created an atmosphere and situation that so harshly pinpoint the spiritual and mental decay of modern man.

    From the springtime frolic of Oscar, Cat-About-Town to the yuletide warmth of The Christmas Day Kitten, these stories-radiantly illustrated by Peter Barrett and Ruth Brown-are perennial favorites, and this new complete edition will make a wonderful gift for all readers, great and small.

    Frizzle's class is learning all about water. And when Wanda suggests they take a trip to Waterland, Ms Frizzle gets that funny look in her eyes. But instead of taking her class to the water theme park, she takes them on a seriously wet and wild ride - through the water cycle! Join the class as they evaporate, condense, rain, and make their way back to the ocean...only to evaporate all over again!

    Barrie first created Peter Pan as a baby, living a wild and secret life with birds and fairies in the middle of London. Later Barrie let this remarkable child grow a little older and he became the boy-hero of Neverland, making his first appearance, with Wendy, Captain Hook, and the Lost Boys, in Peter and Wendy. The Peter Pan stories were Barrie's only works for children but, as their persistent popularity shows, their themes of imaginative escape continue to charm even those who long ago left Neverland. This is the first edition to include both texts in one volume and the first to a present an extensively annotated text for Peter Pan in Kensington Gardens.