Dumas's subtle and moving portrait of a woman in love is based on his own love affair with one of the most desirable courtesans in Paris. This is a completely new translation commissioned for the World's Classics.

    This engrossing story begins, "The city turned its dreariest aspect toward the railway on blackened walls, irregular and ill-paved streets, gloomy warehouses, and over all a gray, smoke-laden atmosphere which gave it mystery and often beauty. Sometimes the softened towers of the great steel bridges rose above the river mist like fairy towers suspended between Heaven and earth. And again the sun tipped the surrounding hills with gold, while the city lay buried in its smoke shroud, and white ghosts of river boats moved spectrally along.

    Symbolist poets and writers — Stéphane Mallarmé and Maurice Maeterlinck among them — defended the play's literary brilliance. Beyond its notoriety, the drama's haunting poetic imagery, biblical cadences, and febrile atmosphere have earned it a reputation as a masterpiece of the Aesthetic movement of fin de siècle England.Written originally in French in 1892, this sinister tale of a woman scorned and her vengeance was translated into English by Lord Alfred Douglas. The play inspired some of Aubrey Beardsley's finest illustrations, and an abridged version served as the text for Strauss' renowned opera of the same name. This volume reprints the complete text of the first English edition, published in 1894, and also includes "A Note on Salomé" by Robert Ross, Wilde's lifelong friend and literary executor. Students, lovers of literature and drama, and admirers of Oscar Wilde and his remarkable literary gifts will rejoice in this inexpensive edition.

    A friend to birds and animals, it is only when she is befriended by a young male ornithologist that Sylvia comes head on with conflicts over value systems and loyalties. The resolution of this dilemma is skillfully wrought, revealing the complexity of the decision making-process and the ethical conundrum that will save, or destroy, the earth.

    Stendhal narrates a young aristocrat's adventures in Napoleon's army and in the court of Parma, illuminating in the process the whole cloth of European history. As Balzac wrote, "Never before have the hearts of princes, ministers, courtiers, and women been depicted like this...one sees perfection in every detail."With beautiful illustrations by Robert Andrew Parker.

    Stephen Crane died at the age of 28 in Germany. In his short life, he produced stories that are among the most enduring in the history of American ficiton. The Red Badge of Courage manages to capture both the realistic grit and the grand hallucinations of soldiers at war. Maggie: A Girl on the Streets reflects the range of Crane's ability to invest the most tragic and ordinary lives with great insight.James Colvert writes in the introduction to this volume: "Here we find once again the major elements of Crane's art: the egotism of the hero, the indifference of nature, the irony of the narrator ... Crane is concerned with the moral responsibility of the individual ... (and) moral capability depends upon the ability to see through the illusions wrought by pride and conceit—the ability to see ourselves clearly and truly."Great Short Works of Stephen Crane Includes : The Red Badge of Courage; Maggie: A Girl of the Streets; The Monster. Stories: An Experiment in Misery; A Mystery of Heroism; An Episode of War; The Upturned Face; The Open Boat; The Pace of Youth; The Bride Comes to Yellow Sky; The Blue Hotel.

    Lewis, was the first American to win the Nobel Prize for Literature. Possibly the greatest satirist of his age, Lewis wrote novels that present a devastating picture of middle-class American life in the 1920s. Although he ridiculed the values, the lifestyles, and even the speech of his characters, there is often affection behind the irony. Lewis began his career as a journalist, editor, and hack writer. He became an important literary figure with the publication of Main Street. His seventh novel, Babbitt, is considered by many critics to be his greatest work. One of his major works The Job begins: Captain Lew Golden would have saved any foreign observer a great deal of trouble in studying America. He was an almost perfect type of the petty small-town middle-class lawyer. He lived in Panama, Pennsylvania. He had never been captain of anything except the Crescent Volunteer Fire Company, but he owned the title because he collected rents, wrote insurance, and meddled with lawsuits. See other titles by this author available from Kessinger Publishing.

    However, the voice of Trollope was unmistakable in this much more somber work, and the true authorship was ultimately unveiled.The heroine, Linda Tressel, is pressured by her religious zealot aunt to marry an unpleasant man she finds repulsive. The story unfolds in some caricature and melodrama, yet remains an interesting study of Victorian social mores and relationships.

    In the foothills of the French Alps the narrator meets a shepherd who has quietly taken on the task of planting one hundred acorns a day in an effort to reforest his desolate region. Not even two world wars can keep the shepherd from continuing his solitary work. Gradually, this gentle, persistent man's work comes to fruition: the region is transformed; life and hope return; the world is renewed.

    Winston K. Marks (1915-1979) is one such unjustly forgotten author.Included here are 12 science fiction stories, published between 1953 and 1959, representing some of his best work:THE WATER EATER (1953)UNBEGOTTEN CHILD (1953)…SO THEY BAKED A CAKE (1954)BACKLASH (1954)TABBY (1954)BREEDER REACTION (1954)FORSYTE'S RETREAT (1954)MATE IN TWO MOVES (1954)THE TEST COLONY (1954)BROWN JOHN’S BODY (1955)THE MIND DIGGER (1958)THE DEADLY DAUGHTERS (1958)If you enjoy this book, search your favorite ebook store for "Wildside Press Megapack" to see the more than 100 other entries in the series, covering science fiction, modern authors, mysteries, westerns, classics, adventure stories, and much, much more!

    For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls “all its wildnesses of character and voice.” These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.