Brown.From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

    The scenes in this one-act play, for all the characters' disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond.--from the introduction by Claudia RankineClaudia Rankine's first published play, The White Card, poses the essential question: Can American society progress if whiteness remains invisible?Composed of two scenes, the play opens with a dinner party thrown by Virginia and Charles, an influential Manhattan couple, for the up-and-coming artist Charlotte. Their conversation about art and representations of race spirals toward the devastation of Virginia and Charles's intentions. One year later, the second scene brings Charlotte and Charles into the artist's studio, and their confrontation raises both the stakes and the questions of what--and who--is actually on display.Rankine's The White Card is a moving and revelatory distillation of racial divisions as experienced in the white spaces of the living room, the art gallery, the theater, and the imagination itself.

    Adaptation of much-loved thriller about racism by award-winning children's author Malorie Blackman.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    Walters's essays deftly explore the psyches of cities such as Chicago, Detroit, New York, Portsmouth, and Washington, D.C. In "Cleveland," she interviews an African-American playwright who draws great reviews, but can't muster an audience. An on-air telephone chat between a DJ and his listeners drives a discussion of race and nutrition in "Chicago Radio." In "Manhattanville" the author, out for a walk with her biracial son, is mistaken for his nanny. Each essay explores societal questions—how eras of immense growth can leave us unable to prosper from that growth, how places intended for safety become fraught with danger, and how race and gender bias threaten our communities. Walters's haunting utterances are beautifully precise estimations of a place and its people.

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.

    Such was the opening line to many patient encounters in the emergency departments and clinics where I spent my career as a physician. Shadow me back through the years in a series of vignettes that will give you a peek into a world of medicine that few on the outside ever see. Along the way you may laugh a little, tear up a bit or even learn something, but through it all you will experience the highs and lows of the day to day practice of emergency and urgent care medicine. Put on your scrubs and come join me now: your first shift working in the emergency department is about to begin.

    He has fronted his own satirical show on TV in Karachi, worked as a journalist and been a highly regarded newspaper columnist - all dangerous occupations to be involved in - when the combination of seeing the aftermaths of a devastating bomb attack and being the target of death threats convinced him to leave Pakistan. Under the terms of their Australian migration visa, Sami and his wife and young daughter were obliged to settle in a rural area, and so they moved to Northam in WA.Now Sami is battling a crippling addiction to meat pies, but at least is no longer constantly mistaken for an escaped asylum seeker from the nearby detention centre. He has also been the star of Australian Story, the subject of an article in The New York Times, and has performed countless comedy shows to ever-growing and appreciative audiences.I, Migrant tells the hilarious and moving story of what it's like to leave the home you love to start a new life in another country so your child can be safe and grow up with a limitless future. Australia is lucky to have Sami Shah. Read I, Migrant, and laugh till you cry.

    In this research-backed guide, she examines each of the "tiger mother" stereotypes and goes beneath the surface to discover what happens in Asian parenting households. How do Asian parents think about childhood, family, and education and what can Western parents learn from them? And what benefits does a traditional Western upbringing have that Asian parents, too, may want to consider? Some of the takeaways from this parenting book include:The best of Asian parenting practices — such as how to teach children math, or raise tech-healthy kidsTeaching your child to broaden his or her attention spanFinding the right balance between work and play, while including family timeHelping your child see failure as a learning experienceAnd many, many more insightsEach chapter offers interviews with hundreds of Asian parents and kids and ends with a "How To" section of specific tips for Asian and Western parents both to aid childhood education and development inside and outside the classroom. Woven into this narrative are her reflections on teaching and parenting in locations that span the East and West. In this book, Thiagarajan synthesizes an extensive body of research on child education and Asian parenting both to provide accessible and practical guidelines for parents.

    A way of desensitizing the reader from his own defenses each time this long, Black Movie repeats.”– Marcus Wicker, author of Silencer

    Why has Christianity, a religion premised upon neighborly love, failed in its attempts to heal social divisions?  In this ambitious and wide-ranging work, Willie James Jennings delves deep into the late medieval soil in which the modern Christian imagination grew, to reveal how Christianity’s highly refined process of socialization has inadvertently created and maintained segregated societies.   A probing study of the cultural fragmentation—social, spatial, and racial—that took root in the Western mind, this book shows how Christianity has consistently forged Christian nations rather than encouraging genuine communion between disparate groups and individuals.Weaving together the stories of Zurara, the royal chronicler of Prince Henry, the Jesuit theologian Jose de Acosta, the famed Anglican Bishop John William Colenso, and the former slave writer Olaudah Equiano, Jennings narrates a tale of loss, forgetfulness, and missed opportunities for the transformation of Christian communities.  Touching on issues of slavery, geography, Native American history, Jewish-Christian relations, literacy, and translation, he brilliantly exposes how the loss of land and the supersessionist ideas behind the Christian missionary movement are both deeply implicated in the invention of race.Using his bold, creative, and courageous critique to imagine a truly cosmopolitan citizenship that transcends geopolitical, nationalist, ethnic, and racial boundaries, Jennings charts, with great vision, new ways of imagining ourselves, our communities, and the landscapes we inhabit.

    But when his voice changes suddenly, Jack and his parents leave the spotlight and move from New York City to Shaker Heights, Ohio. While Jack hopes to leave his Broadway past behind, his new neighbor refuses to let him off the hook. Louisa is a self proclaimed "musical theater nerd" and can hardly believe when an actor moves to town. What’s more, the local theater has announced auditions for her favorite show, “Into the Woods.” As the audition date looms nearer, the two are faced with difficult choices. Should Jack risk humiliation and return to the stage? Will Louisa have confidence to go it alone? And can their friendship survive all those complicated octave leaps?

    But on her first day of ballet class, she suffers a panic attack and makes a horrifying discovery. She's terrified of dancing in front of the other kids, and as for actually performing for an audience? Forget it. Yet Jenny refuses to give up her dream. With determination and a little ingenuity, she finds ways to observe ballet classes without actually participating. She trains in the safety of her room, while hiding the truth from her parents. Then Jenny meets her exact opposite: Ara Reyes, an outgoing, spontaneous, and accident-prone girl who loves dancing but has always been overlooked.The girls' friendship blossoms as they help each other uncover their real talents. Ara's dancing takes a leap forward and Jenny discovers she has an amazing gift for choreography. With the support of the school's newest teacher, Jenny's original ballet might just make it on stage ... but will she?Charming and inspiring, "Dancing on the Inside" shows how pursuing our passions can often lead to wonderful and unexpected results.

    Most contemporary accounts placed the blame for the tragedy squarely on the shoulders of the Confederates who administered the prison or on a conspiracy of higher-ranking officials. In this carefully researched and compelling revisionist account, William Marvel provides a comprehensive history of Andersonville Prison and conditions within it. Based on reliable primary sources - including diaries, Union and Confederate government documents, and letters - rather than exaggerated postwar recollections and such well-known but spurious "diaries" as that of John Ransom, Marvel's analysis exonerates camp commandant Henry Wirz and others from charges that they deliberately exterminated prisoners, a crime for which Wirz was executed after the war. According to Marvel, virulent disease and severe shortages of vegetables, medical supplies, and other necessities combined to create a crisis beyond Wirz's control. He also argues that the tragedy was aggravated by the Union decision to suspend prisoner exchanges, which meant that many men who might have returned home were instead left to sicken and die in captivity.

    Myers, a North Korea analyst and a contributing editor of The Atlantic, presents the first full-length study of the North Korean worldview. Drawing on extensive research into the regime’s domestic propaganda, including films, romance novels and other artifacts of the personality cult, Myers analyzes each of the country’s official myths in turn—from the notion of Koreans’ unique moral purity, to the myth of an America quaking in terror of “the Iron General.” In a concise but groundbreaking historical section, Myers also traces the origins of this official culture back to the Japanese fascist thought in which North Korea’s first ideologues were schooled.What emerges is a regime completely unlike the West’s perception of it. This is neither a bastion of Stalinism nor a Confucian patriarchy, but a paranoid nationalist, “military-first” state on the far right of the ideological spectrum.Since popular support for the North Korean regime now derives almost exclusively from pride in North Korean military might, Pyongyang can neither be cajoled nor bullied into giving up its nuclear program. The implications for US foreign policy—which has hitherto treated North Korea as the last outpost of the Cold War—are as obvious as they are troubling. With North Korea now calling for a “blood reckoning” with the “Yankee jackals,” Myers’s unprecedented analysis could not be more timely.