After his death, the contents of his studio, including thousands of glass negatives, were sold off for five dollars. For years the fragile negatives sat forgotten and deteriorating in cardboard boxes in an open carport. How did it happen, then, that the most implausible of events took place? That Disfarmer’s haunting portraits were retrieved from oblivion, that today they sell for upwards of $12,000 each at posh New York art galleries; his photographs proclaimed works of art by prestigious critics and journals and exhibited around the world? The story of Disfarmer’s rise to fame is a colorful, improbable, and ultimately fascinating one that involves an unlikely assortment of individuals. Would any of this have happened if a young New York photographer hadn't been so in love with a pretty model that he was willing to give up his career for her; if a preacher’s son from Arkansas hadn't spent 30 years in the Army Corps of Engineers mapping the U.S. from an airplane; if a magazine editor hadn't felt a strange and powerful connection to the work? The cast of characters includes these, plus a restless and wealthy young Chicago aristocrat and even a grandson of FDR. It’s a compelling story which reveals how these diverse people were part of a chain of events whose far-reaching consequences none of them could have foreseen, least of all the strange and reclusive genius of Heber Springs. Until now, the whole story has not been told.

    Italy's most important postwar novelist, Italo Calvino (1923-1985) achieved worldwide fame with such books as Cosmicomics, Invisible Cities, and If on a Winter's Night a Traveler. But he was also an influential literary critic, an important literary editor, and a masterful letter writer whose correspondents included Umberto Eco, Primo Levi, Gore Vidal, Leonardo Sciascia, Natalia Ginzburg, Michelangelo Antonioni, Pier Paolo Pasolini, and Luciano Berio. This book includes a generous selection of about 650 letters, written between World War II and the end of Calvino's life. Selected and introduced by Michael Wood, the letters are expertly rendered into English and annotated by well-known Calvino translator Martin McLaughlin.The letters are filled with insights about Calvino's writing and that of others; about Italian, American, English, and French literature; about literary criticism and literature in general; and about culture and politics. The book also provides a kind of autobiography, documenting Calvino's Communism and his resignation from the party in 1957, his eye-opening trip to the United States in 1959-60, his move to Paris (where he lived from 1967 to 1980), and his trip to his birthplace in Cuba (where he met Che Guevara). Some lengthy letters amount almost to critical essays, while one is an appropriately brief defense of brevity, and there is an even shorter, reassuring note to his parents written on a scrap of paper while he and his brother were in hiding during the antifascist Resistance.This is a book that will fascinate and delight Calvino fans and anyone else interested in a remarkable portrait of a great writer at work.

    Like those other outstanding comics Spike Milligan and Peter Cook he had an innate belief in absurdity as a way of life - his humour and sheer joy in madness for its own sake was as likely to find its outlet on the street as on the stage. The other Pythons often said that just listening to Graham tell them about one of his wild evenings out was fodder for a dozen sketches. He was inventive, fearless, willing to take chances and make stands. Openly gay, capable of outrageous alcohol-fuelled behaviour, Graham Chapman lived an untidy life, and in some respects this book mirrors that. Inside is everything from television scripts and sketches to humorous essays on serious topics, comic flights of fancy that serve no purpose except to elicit a laugh, letters to friends and fellow hellraisers like Keith Moon and Ringo Starr, his behind-the-scenes account of the filming of Life of Brian, his views on fellow Pythons, and much more.

    From humble beginnings in New York, Burns and Allen went on to become much-loved stars of stage, radio, television, and the big-screen, one of the few entertainers to be successful in each venue. The book begins with Burns' childhood and early struggles in vaudeville before he meets Gracie Allen. Burns then details his efforts to win her affections; their marriage and adoptions of two children; radio, film, and TV productions (including the script of a 1955 show for their television series). Included are 16 pages of illustrations. George Burns, born in 1896, passed away at age 100 in 1996. Gracie Allen preceded him in death, passing away in 1964.

    

    Although there is no evidence the letters were ever posted, they indicate a long relationship, geographically apart, in which correspondence would have been the primary means of communication. Dickinson did not write letters as a fictional genre, and these were surely part of a much larger correspondence yet unknown to us. In the week following Dickinson’s death on May 15, 1886, Lavinia Dickinson found what she described as a locked box containing seven hundred of her sister’s poems. The Master letters may have been among them, for they were clearly not with the correspondence, which Lavinia destroyed upon discovery. Of primary importance, the Master letters nevertheless have had an uncertain history of discovery, publication, dating, and transcription. This publication, issued at the centennial of Emily Dickinson’s death, presents the three letters in chronological order, based upon new dating of the manuscripts, and provides their texts in facsimile as well as in transcriptions that show stages in the composition of each letter.

    The range, charm, and vitality of his talents—he was a playwright, actor, composer, librettist, lyricist, director, painter, writer, cabaret singer, wit—brought him into close encounters, and often close friendship, with the great and the gifted. He knew everybody who was anybody in the theater and in the movies, in literature and in politics, on both sides of the Atlantic. Among those at his “marvelous party”: George Bernard Shaw . . . T. E. Lawrence . . . Virginia Woolf . . . the Churchills . . . Daphne Du Maurier . . . Greta Garbo (she wrote asking him to marry her; he wrote back saying he almost accepted) . . . Ian Fleming . . . W. Somerset Maugham . . . Marlene Dietrich (he advised her, “To hell with God damned ‘L’Amour.’ It always causes far more trouble than it is worth”) . . . Tallulah Bankhead . . . Edith Sitwell . . . FDR . . . Gertrude Lawrence (in a cable about Private Lives: “Have written delightful new comedy stop good part for you stop wonderful one for me stop”), and many more. There are letters about his productions of Bitter Sweet . . . Cavalcade . . . In Which We Serve . . . Brief Encounter . . . Private Lives, etc. . . . about his activities during World War II (he was a spy for the British government along with co-conspirator Cary Grant) . . . about the move to make him a knight that was endorsed in a personal letter from King George VI and blocked by Winston Churchill. Here are letters to and from his beloved mother, Violet . . . his longtime set and costume designer, Gladys Calthrop . . . his traveling companion from the 1930s on, Lord Amherst . . . and his business manager and onetime lover, Jack Wilson, in which he reveals his “secret heart.”Profoundly savvy, witty, loving, bitchy, and often surprisingly moving, The Letters of Noël Coward gives us “Destiny’s Tot” at his crackling best. An irresistible portrait of a time, of the man himself, and of the world he lived in and enchanted.

    While Gellhorn's wartime dispatches rank among the best of the century, her personal letters are their equal: as vivid and fascinating as anything she ever published. Gellhorn's correspondence from 1930 to 1996--chronicling friendships with figures as diverse as Eleanor Roosevelt, Leonard Bernstein, and H. G. Wells, as well as her tempestuous marriage to Ernest Hemingway--paint a vivid picture of the twentieth century as she lived it. Caroline Moorehead, who was granted exclusive access to the letters, has expertly edited this fascinating volume, providing prefatory and interstitial material that contextualizes Gellhorn's correspondence within the arc of her entire life. The letters introduce us to the woman behind the correspondent--a writer of wit, charm, and vulnerability. The result is an exhilarating, intimate portrait of one of the most accomplished women of modern times.

    She was Lord Byron's daughter and acted as interpretress for Charles Babbage, the computer pioneer. She was one of the first people to write programmes of instruction for Babbage's analytical engines.

    Thomas Mallon weaves a remarkable assortment of epistolary riches into his own insightful and eloquent commentary on the circumstances and characters of the world’s most intriguing letter writers. Here are Madame de Sévigné’s devastatingly sharp reports from the court of Louis XIV, F. Scott Fitzgerald’s tormented advice to his young daughter, the besotted midlife billets-doux of a suddenly rejuvenated Woodrow Wilson, the casually brilliant spiritual musings of Flannery O’Connor, the lustful boastings of Lord Byron, the cries from prison of Sacco and Vanzetti. Along with the confessions and complaints and revelations sent from battlefields, frontier cabins, and luxury liners, a reader will find Mallon considering travel bulletins, suicide notes, fan letters, and hate mail–forms as varied as the human experiences behind them.Yours Ever is an exuberant reintroduction to a vast and entertaining literature–a book that will help to revive, in the digital age, this glorious lost art.

    Few suspected that Hughes had been at work for a quarter of a century on this cycle of poems addressed to his first wife, Sylvia Plath. In Ariel's Gift, Erica Wagner explores the destructive relationship between these two poets through their lives and their writings. She provides a commentary to the poems in Birthday Letters, showing the events that shaped them and, crucially, showing how they draw upon Plath's own work. "Both narratively engaging and scholastically comprehensive."—Thomas Lynch, Los Angeles Times "Wagner has set the poems of Hughes's Birthday Letters in the context of his marriage to Plath with great delicacy."—Times Literary Supplement

    This work, which was published for the general public in the Western world a year after it was sent to its intended audience, beseeched the Soviet Union's authorities to Give them their ideology! Let the Chinese leaders glory in it for a while. And for that matter, let them shoulder the whole sackful of unfulfillable international obligations, let them grunt and heave and instruct humanity, and foot all the bills for their absurd economics (a million a day just to Cuba), and let them support terrorists and guerrillas in the Southern Hemisphere too if they like. The main source of the savage feuding between us will then melt away, a great many points of today's contention and conflict all over the world will also melt away, and a military clash will become a much remoter possibility and perhaps won't take place at all"--

    Yes, I want to write about my own country till I simply exhaust my store. Not only because it is a "sacred debt" that I pay to my country because my brother and I were born there, but also because in my thoughts I range with him over all the remembered places. I am never far away from them. I long to renew them in writing.' In numerous letters and journals, Katherine Mansfield recorded her feelings, thoughts and observations about writing, about the New Zealand of her childhood, the Europe of her later years, the people she encountered, the every day and the extraordinary. This classic selection - the only one available that combines material from both her letters and journals - brings together the pieces that most illuminate her character, her life and her stories. Chosen by renowned scholar and acclaimed writer C.K. Stead, they are a lively and informative entree to one of our most gifted writers.ABOUT THE EDITOR: Well-known New Zealand novelist, poet, critic, Karl Stead was for 20 years Professor of English at the University of Auckland until he took early retirement in 1986 to write full time.He has won a number of awards, including the New Zealand Book Award for both poetry and fiction and the Mansfield/Menton Fellowship. He was awarded a CBE in 1985 for services to NZ Literature, elected a Fellow of the Royal Society of Literature in 1995 and Honorary Visiting Fellow at St John's College Oxford in 1996. He spends about nine months of the year at home in New Zealand writing, and travels to the UK and Europe, and sometimes to the US, during the northern hemisphere summer. His recent novel, Mansfield, is his tenth work of fiction.

    Social work was uncharted territory at the time, and Britain was very much worse for wear - TB, polio, measles and whooping cough were just some of the hazards new babies faced. Social conditions could also add to the problems, at a time when poverty and alcoholism were rife. Armed with only her nursing training, her common sense and a desire to serve, Molly set out to win over a community and provide a new and valuable service in times of great change. As well as the challenges there was also joy and laughter, from the woman who finally had a baby after fifteen years of trying, to the woman who thought she should use marmalade as nappy cream, because the hospital had never taken the label off the jar they were using to store it. Warm, witty and moving, An Armful of Babies is a vivid portrait of rural England in the post-war years, and a testament to an NHS in its own infancy and to what hasn't changed: the bond between parents and their children, and the importance of protecting that.

    Beginning with a wonderful portrait of tha author's remarkable father, the book follows Dos Passos through Harvard; through World War I as an ambulance driver in France & Italy; through the chaotic postwar Middle East; through the vast reaches of Soviet Russia; the 'Russian Experiment' & through the literary world on both sides of the Atlantic.