Her daughter, Rita, knows her mother has a history of dissociation and memory problems, which have led her to wander off before. But never has she stayed away so long. Unconvinced the police are taking the case seriously, Rita begins to carry out her own investigation. In the course of searching for her mom, she is forced to confront a labyrinth of secrets surrounding the family’s internment at a camp in the California desert during the Second World War, their postwar immigration to Toronto, and the father she has never known.Epic in scope, intimate in style, After the Bloom blurs between the present and the ever-present past, beautifully depicting one family’s struggle to face the darker side of its history and find some form of redemption.

    Avery is one of the engineers responsible for the dismantling and reconstruction of the temple as it’s rescued from the rising waters of the Aswan Dam. He is a “machine-worshipper,” yet exquisitely sensitive to the dichotomy of creation and destruction of which machines are capable. Jean is a botanist by avocation and passion, interested in everything that grows. They had met on the banks of the St. Lawrence River and watched together as the construction of the seaway changed the course of the river and swallowed towns, homes, lives. Now, at the edge of another world about to be lost forever, Avery and Jean create their own world, exchanging the “moments that are the mortar of our days, innocent memories we don’t know we hold until given the gift of the eagerness of another.”But that gift will not be enough to bind them when tragedy strikes, and they will go back to separate lives in Toronto. Avery returns to school to study architecture, and Jean enters the life of Lucjan, a Polish émigré artist. Lucjan’s haunting stories of occupied Warsaw draw Jean further and further away from Avery. But, in time, he will also offer her the chance for forgiveness, consolation, and, finally, her own, most essential life.Stunning in its explorations of both the physical and emotional worlds of its characters, intensely moving and lyrical, The Winter Vault is a radiant work of fiction.

    In FUNNY BOY we follow the life of the family through Arjie's eyes, as he comes to terms both with his own homosexuality and with the racism of the society in which he lives. In the north of Sri Lanka there is a war going on between the army and the Tamil Tigers, and gradually it begins to encroach on the family's comfortable life. Sporadic acts of violence flare into full scale riots and lead, ultimately, to tragedy. Written in clear, simple prose, Syam Selvadurai's first novel is masterly in its mingling of the personal and political.

    The Cure for Death by Lightning sold more than a staggering 100,000 copies in Canada alone and became a bestseller in Great Britain, later to be published in the United States and Europe. It was nominated for the Giller Prize, the richest fiction prize in Canada, and received a Betty Trask Award in the U.K.The Cure for Death by Lightning takes place in the poor, isolated farming community of Turtle Valley, British Columbia, in the shadow of the Second World War. The fifteenth summer of Beth Weeks’s life is full of strange happenings: a classmate is mauled to death; children go missing on the nearby reserve; an unseen predator pursues Beth. She is surrounded by unusual characters, including Nora, the sensual half-Native girl whose friendship provides refuge; Filthy Billy, the hired hand with Tourette’s Syndrome; and Nora’s mother, who has a man’s voice and an extra little finger. Then there’s the darkness within her own family: her domineering, shell-shocked father has fits of madness, and her mother frequently talks to the dead. Beth, meanwhile, must wrestle with her newfound sexuality in a harsh world where nylons, perfume and affection have no place. Then, in a violent storm, she is struck by lightning in her arm, and nothing is quite the same again. She decides to explore the dangers of the bush.Beth is a strong, honest, and compassionate heroine, bringing hope and joy into an environment that is often cruel. The character of Beth’s haunted mother infuses the book with life by means of her scrapbook of recipes scattered throughout, with luscious descriptions of food, gardening, and remedies, both practical and bizarre. Seen through Beth’s eyes, the West Coast landscape is full of beauty and mysteries, with its forests and rivers, and its rich native culture.The Globe and Mail commented that The Cure for Death by Lightning was "Canadian to the core," with hints of Susannah Moodie and Margaret Atwood and Alice Munro. Anderson-Dargatz’s vision of rural life has drawn comparisons with William Faulkner and John Steinbeck. A magic realism reminiscent of Latin American literature is also present, as flowers rain from the sky, and men turn into animals. Yet the style of The Cure for Death by Lightning, which the Boston Globe called "Pacific Northwest Gothic," is wholly original. Launched in a year with more than the usual number of excellent first novels (1996 was also the year of Fall On Your Knees by Ann-Marie MacDonald and Fugitive Pieces by Anne Michaels), this book with its assured voice heralds a worthy successor to Margaret Atwood, Carol Shields, Margaret Laurence and Alice Munro.

    This dark and wry fable begins with the narrator waking up and discovering he is missing an arm. He has no idea how he lost it or how to find it—but as he searches the chaotic, often surreal streets of Bombay, he meets an absurd and marvelous cast of characters who offer him clues: a woman selling rainbows, a beggar living under an egg cart, a coffin maker who builds finger-sized caskets, a giant who lives underwater, a homeless boy riding the rails. They all lead him to Baba Rakhu, master of the underworld, who will reveal the story of his lost arm—for a price. Funny and wise, violent and tender, The Cripple and His Talismans is an impressive debut. A bestseller in Canada, it has been compared to the works of Samuel Beckett, Lewis Carroll, and Salman Rushdie.

    With wry abandon and a beguiling heart, Everything Is Awful and You're a Terrible Person is a deadpan, tragicomic exploration of love, desire, and dysfunction in the twenty-first century.Daniel Zomparelli is editor and founder of Poetry Is Dead magazine, and the author of the poetry collections Davie Street Translations and (with Dina Del Bucchia) Rom Com. This is his first work of fiction.

    Heart - warming and compulsive reading, this is an entertaining, lively and moving novel from one of New Zealand's favourite authors.

    As her path intersects with others--often only briefly, but always intensely--she will encounter people who, by turns, want to rescue, control, become, change, and escape her, revealing difficult yet shining truths about who they are and what they yearn for. There is the childhood playmate who comes to fear Astra's unpredictable ways; the stranger who rescues her from homelessness and then has to wrestle with his own demons; the mother who hires Astra as a nanny even as her own marriage goes off the rails; the man who takes a leap of faith and marries her. Even as Astra herself remains the elusive yet compelling axis around which these narratives turn, her story reminds us of the profound impact that an individual can have on those around her, and the power struggles at play in all our relationships, no matter how intimate. A beautifully constructed and revelatory novel, Astra explores what we're willing to give and receive from others, and how well we ever really know the people we love the most.

    The survivors’ fractured world is suffocatingly circumscribed by neighbors and the Church. Focusing on troubled bank clerk Remouald Tremblay and desperately unrequited Clémentine Clément, Gaétan Soucy’s acclaimed fourth novel explores the same ominously enchanted terrain as his award-winning Vaudeville! Soucy brilliantly illuminates the dark corners where ordinary people fear to look and reminds that for every moment of justice, there are numerous crimes that will remain forever secret.