Of her most recent book, Raptus, Carolyn Forché has written that she is “a genuine poet, a born poet, and I am in awe of her achievement.” The poems in Klink’s new collection offer a closely keyed meditation on being alone—on a self fighting its way out of isolation, toward connection with other people and a vanishing world.

    In this sequence of memoir-esque poems, Sierra DeMulder pulls at the threads of a past abusive relationship and the long road to forgiveness. The poems themselves become an act of recovery and reclamation, wherein the poet finds again the voice which was taken from her. These are hard poems, made up of clarity and healing, which attempt to share some of their peace with the world.

    Nor is it Martin Bryant, the man responsible for claiming 35 lives in the Port Arthur massacre. No, the person in Australia controversially ruled 'too dangerous to be released', the one who needs chains, leather restraints and a full-time posse of guards is Rebecca Butterfield: a self-mutilating murderer, infamous for slicing guards and stabbing another inmate 33 times.But Butterfield is not alone. There's cannibal killer Katherine Knight, jilted man-murderer Kathy Yeo, jailbreak artist Lucy Dudko, and a host of others who will greet you inside the gates of Australia's hardest women's jails. You will meet drug dealers, rapists and fallen celebrities. You will hear tales of forbidden love, drug parties gone wrong and guards who trade 40-cent phone calls for sex. All will be revealed in Green Is the New Black, a comprehensive account of women's prison life by award-winning author and journalist James Phelps.

    Keiko has never fit in, neither in her family, nor in school, but when at the age of eighteen she begins working at the Hiiromachi branch of “Smile Mart,” she finds peace and purpose in her life. In the store, unlike anywhere else, she understands the rules of social interaction ― many are laid out line by line in the store’s manual ― and she does her best to copy the dress, mannerisms, and speech of her colleagues, playing the part of a “normal” person excellently, more or less. Managers come and go, but Keiko stays at the store for eighteen years. It’s almost hard to tell where the store ends and she begins. Keiko is very happy, but the people close to her, from her family to her coworkers, increasingly pressure her to find a husband, and to start a proper career, prompting her to take desperate action…A brilliant depiction of an unusual psyche and a world hidden from view, Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.

    Scribble grammar has no neighbor. In the name of reason I need to record something because I am a survivor in this ocean.

    As she delves into queerness, feminism, fatness, dating, and race, Wiley molds these topics into a punching critique of culture and a celebration of self. A fat positive activist, Wiley's work soars and challenges the bounds of bodies and hearts, and the ways we carry them.