Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice. He is the most successful novelist of his time, winner of the Nobel Prize in literature, a public man whose private life remains secret. He is expected to lead the condemnation of Hitler, whom he underestimates. His oldest daughter and son, leaders of Bohemianism and of the anti-Nazi movement, share lovers. He flees Germany for Switzerland, France and, ultimately, America, living first in Princeton and then in Los Angeles.The Magician is an intimate, astonishingly complex portrait of Mann, his magnificent and complex wife Katia, and the times in which they lived—the first world war, the rise of Hitler, World War II, the Cold War, and exile.

    Loner Sam flies under the radar at school and walks on eggshells at home to manage her mom’s obsessive-compulsive disorder, wondering how she can ever leave to pursue her dream of studying aerospace engineering. Popular, people-pleasing Zoe puts up walls so no one can see her true self: the girl who was abandoned as an infant, whose adoptive mother has cancer, and whose disabled brother is being sent away to live in a facility. When an unexpected encounter results in the girls’ exchanging phone numbers, they forge a connection through text messages that expands into a private universe they call Starworld. In Starworld, they find hilarious adventures, kindness and understanding, and the magic of being seen for who they really are. But when Sam’s feelings for Zoe turn into something more, will the universe they’ve built survive the inevitable explosion?

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    If someone doesn’t like her, that’s their problem, and Elisa couldn’t care less. Particularly if that person is Darcy Fitzgerald, a snobby, socially awkward heiress with an attitude problem and more money than she knows what to do with. From the moment they meet, Elisa and Darcy are at each other’s throats -- which is a bit unfortunate, since Darcy’s best friend is dating Elisa’s sister. It quickly becomes clear that fate intends to throw the two of them together, whether they like it or not. As hers and Darcy’s lives become more and more entwined, Elisa’s once-dull world quickly spirals into chaos in this story of pride, prejudice, and finding love with the people you least expect.

    After discovering a photograph of the forgotten Black modernist poet Hermia Druitt, who ran in the same circles as the Bright Young Things that she adores, Mathilda becomes transfixed and resolves to learn as much as she can about the mysterious figure. Her search brings her to a peculiar artists’ residency in Dun, a small European town Hermia was known to have lived in during the 30s. The artists’ residency throws her deeper into a lattice of secrets and secret societies that takes hold of her aesthetic imagination, but will she be able to break the thrall of her Transfixions?From champagne theft and Black Modernisms, to art sabotage, alchemy and lotus-eating proto-luxury communist cults, Mathilda’s journey through modes of aesthetic expression guides her to truth and the convoluted ways it is made and obscured.