M. Ocean explores the depths of love deeply felt and violently lost. For those whose wounds are fresh and hearts still raw with ample emotion, Ocean portrays pain and suffering in apt and heart wrenching candour.

    Tap Out, Edgar Kunz’s debut collection, reckons with his working‑poor heritage. Within are poignant, troubling portraits of blue‑collar lives, mental health in contemporary America, and what is conveyed and passed on through touch and words―violent, or simply absent.   Yet Kunz’s verses are unsentimental, visceral, sprawling between oxys and Bitcoin, crossing the country restlessly. They grapple with the shame and guilt of choosing to leave the culture Kunz was born and raised in, the identity crises caused by class mobility. They pull the reader close, alternating fierce whispers and proud shouts about what working hands are capable of and the different ways a mind and body can leave a life they can no longer endure. This hungry new voice asks: after you make the choice to leave, what is left behind, what can you make of it, and at what cost?

    During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998. For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes. A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.

    Danks AwardHapax is ancient Greek for "once, once only, once and for all," and "onceness" pervades this second book of poems by American expatriate poet A. E. Stallings. Opening with the jolt of "Aftershocks," this book explores what does and does not survive its "gone moment"-childhood ("The Dollhouse"), ancient artifacts ("Implements from the Grave of the Poet"), a marriage's lost moments of happiness ("Lovejoy Street"). The poems also often compare the ancient world with the modern Greece where Stallings has lived for several years. Her musical lyrics cover a range of subjects from love and family to characters and themes derived from classical Greek sources ("Actaeon" and "Sisyphus"). Employing sonnets, couplets, blank verse, haiku, Sapphics, even a sequence of limericks, Stallings displays a seemingly effortless mastery of form. She makes these diverse forms seem new and relevant as modes for expressing intelligent thought as well as charged emotions and a sense of humor. The unique sensibility and linguistic freshness of her work has already marked her as an important, young poet coming into her own.

    But after meeting a man who seems heaven-sent, she starts to feel she has something to live for again, and soon discovers that their connection holds far more significance than she could ever have imagined. And when Jessica strikes an unlikely bond with Alexandra Green, the two new friends are taken on an emotional journey into the world of the supernatural, where psychic mediums pass on messages from beyond the grave. What -- or who -- is causing the strange goings-on in Alex's home? What secret is she keeping from Jessica? And who is the young woman who so badly needs their help? In a series of surprising twists and turns, the pieces of the puzzle finally fall into place and a mystery is unwittingly solved -- with life-changing consequences for all involved. 'Out of the Darkness' is an uplifting tale of friendship and redemption; of love and loss. And life...after death.

    accompanied by evocative illustrations, it is an intimate and unapologetically personal journey through a life the way we remember them, as Keaton puts it "chaotic, fragmented and often grammatically incorrect".

    THE SINGING KNIVES, originally published in 1971 by Broughton's Mill Mountain Press, is Frank Sanford's first collection of poetry. Reprinted by his own press, Lost Roads Publisher, after his death, THE SINGING KNIVES, debuts the work of a twenty-something year old boy way ahead of his time and in a state of unrest, capturing "poetry's more primal and mysterious possibilities"-David Clewell. "It is astonishing to me that I was not even aware of this superbly accomplished and moving poet. There is a great deal of pain in the poems, but it is a pain that makes sense, a tragic pain whose meaning rises from the way the poems are so firmly molded and formed from within"- James Wright.

    It is an ode to his muse, his all-consuming love, his everything- how it feels to find love, lose it, and get it back. Pour yourself some coffee and curl up with this book to let yourself feel something beautiful and true.

     From USA Today bestselling author, Sarah K. L. Wilson, comes an epic tale of a cynical teen and the dragon who teaches him how to be a hero. Eighteen-year-old Tor is scarred by war and starvation. When he is given a chance to be on of the Dominion’s famed Dragon Riders, he leaps at the chance. But Tor’s dragon and mission are out of the ordinary and to serve them both, he’ll have to learn to be something he’s never aspired to be … a hero. Can Tor embrace magic, responsibility, and epic quest he’s meant for? Dragon Chameleon is the epic dragon rider series you don’t want to miss. Combining dramatic dragon battles, breath-taking adventures, magical creations, and heart-pounding suspense, this tale will warm your heart and keep you flipping pages. This omnibus edition contains episodes 1-4 of the popular novella series: Dragon Chameleon: Rogue’s Quest It takes a special kind of magic to hide in plain sight. Can Tor handle it? Dragon Chameleon: Paths of Deception It takes a special kind of rogue to spy on the enemy. Is Tor that rogue? Dragon Chameleon: City of Ice What will Tor do when every decision drops him deeper into the fire? Dragon Chameleon: Mist of Power Magic isn’t evil – but is it being used that way? Binge-read the series reviewers are calling " just as fun, exciting and special as Dragon School" when you one-click today!

    By then, it's too late--her family hovers on the brink of financial ruin with another social catastrophe about to explode. But neither can resist an attraction that burns stronger than society's dictates and their lack of trust--his of women--hers from fear of discovery.

    

    In the singular landscape of Matthew Rohrer's first book of poems, the weather, the food, even the household appliances come to life. "A few pages into this book," says the Minneapolis City Pages, "and you'll start glancing sideways at the terrain, which . . . looks suddenly vital." These quirky poems entertain and delicately point to truth. Rohrer illuminates a land of skewed realities where the impossible seems familiar, the sacher torte is afraid to be eaten, and it's always dusk in the forest.

    We find her awake in the middle of the night, contemplating love and heartbreak in all their exhilarating and anguished specifics. With astonishing openness, in language both passionate and enchanting, she offers us an intimate map of a troubled and far-flung heart: “Can you believe I thought that?” she asks, “That we would always go/roaming brave and dangerous/on wild unlit roads?”At once witty and tender, with Dorothy Parker–like turns of the knife and memorable partings from lovers in New York, London, Rome and beyond, these poems capture a restless movement through loves and locales, and charm us at every turn with their forthrightness.From the Hardcover edition.

    Something that's very hard to learn on your own. This is something about putting yourself first because it's okay to love yourself before anyone else. This is something about doing what's best for you, no matter what people say, because only you know what you deserve. This is something about being real, being real to who you are and accepting things as they come and change. This is something about your mistakes, about your flaws, and about how beautiful it is to get up and try again. This is something about being you, about using your voice when you're afraid. About building enough courage when you feel like standing up to something you don't believe in, something that's wrong. This is about you, and every day should be about you, and that's something you should always consider.