Compelled by this message, the wealthy, sybaritic Sextus Roscius goes not to his harlot, but to his doom—savagely murdered by unknown assassins. In the unseasonable heat of a spring morning in 80 B.C., Gordianus the Finder is summoned to the house of Cicero, a young advocate staking his reputation on this case. The charge is patricide; the motive, a son's greed. The punishment, rooted deep in Roman tradition, is horrific beyond imagining.Gordianus's investigation takes him through the city's raucous, pungent streets and deep into urban Umbria, unraveling layers of deceit, twisted passions, and murderous desperation. From pompous, rouged nobles to wily slaves to citizens of seemingly simple virtue, the case becomes a political nightmare. As the defense proceeds toward a devastating confrontation in the Forum, one man's fate may be threaten the very leaders of Rome itself.

    Machiavelli's illegitimate daughter and his bewitching ex-mistress will solve three murders with help from da Vinci and Lucrezia Borgia--including the murder of Lucrezia's real-life half sister.

    Suspicious, the Archbishop sends for Owen Archer, a Welshman with the charm of the devil, who's lost one eye to the wars in France and must make a new career as an honest spy.Masquerading as an apprentice to Apothecary Nicholas Wilton, whose shop dispensed the fatal potion, Owen's dark curls, leather eyepatch and gold earring intrigue Wilton's wife. But is this lovely woman a murderess? and what links the Wiltons to bumbling Brother Wulfstan, ascetic Archdeacon Anselm and his weaselly agent Potter Digby, and the ragged midwife Magda the Riverwoman? Answers as slippery as the frozen cobblestones draw Owen into a dangerous drama of old scandals and tragedies, obsession and unholy love...The Apothecary Rose marks the arrival of a bold and quick-witted detective in this expertly detailed, engrossing tale of medieval life-and death.

    But the accident that felled him has left him with only half a life; his memory and his entire past have vanished. As he tries to hide the truth, Monk returns to work and is assigned to investigate the brutal murder of a Crimean War hero and man about town. Which makes Monk's efforts doubly difficult, since he's forgotten his professional skills along with everything else...

    Until, that is, Edward Stodmarsh makes an ill-advised second marriage to the scheming Regina Stapleton, who insists on bringing her family's 'ornamental hermit' to live on the estate. Suddenly everyone wants to visit Mullings to glimpse this mysterious figure. Strange but harmless, thinks Florence Norris, the family's longstanding housekeeper. But events take a sinister turn with the arrival of sudden, violent death - and suddenly the hermit doesn't seem so harmless after all.

    Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes. Kiera wants to put her past aside, but when one of the house guests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down as accusations and rumors swirl. When Kiera and Gage's search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim...

    Will her death end the ceaseless plotting against Mary’s red-haired cousin, Elizabeth?1588, the year of the Spanish Armada, is a time of more terror and triumph, not just for queen and court but for the whole of England. The turmoil is reflected in its theatres and under the galleries of inns like London’s “The Queen’s Head” where Lord Westfield’s Men perform. The scene there grows even more tumultuous when one of the actors is murdered by a mysterious stranger during a brawl.Nicholas Bracewell, the company’s bookholder (a role far wider than mere producer) faces two immediate repercussions. The first is to secure a replacement acceptable to its temperamental star — and chief shareholder — Lawrence Firethorn. The second is to keep his promise to the dying Will Fowler and catch his killer.Soon further robberies, accidents, and misfortunes strike Lord Westfield’s Men even as their stage successes swell. Bracewell begins to suspect a conspiracy, not a single murderous act, but where lies the proof? Then the players are rewarded with the ultimate accolade — an appearance at court — and the canny bookholder senses the end to the drama is at hand…First published to great acclaim in 1988, The Queen’s Head anticipated the lure of bawdy, boisterous, yet elegant epics like Shakespeare in Love. Actor and playwright Marston has followed with, to date, ten more lusty, historically grounded, theatrically sound Bracewell mysteries that explore the face of England and reveal his deep love for its rich literary and dramatic heritage. The Roaring Boy was nominated for a 1996 Edgar Award for Best Novel.

    When a weekend party at Farthering Place is ruined by murder and the police seem flummoxed, Drew decides to look into the crime himself. With the help of his best friend, Nick Dennison, an avid mystery reader, and Madeline Parker, a beautiful and whip-smart American debutante staying as a guest, the three try to solve the mystery as a lark, using the methods from their favorite novels.Soon, financial irregularities at Drew’s stepfather’s company come to light and it’s clear that all who remain at Farthering Place could be in danger. Trying hard to remain one step ahead of the killer–and trying harder to impress Madeline–Drew must decide how far to take this game

    A Burnable Book is an irresistible thriller, reminiscent of classics like An Instance of the Fingerpost, The Name of the Rose and The Crimson Petal and the White. London, 1385. Surrounded by ruthless courtiers—including his powerful uncle, John of Gaunt, and Gaunt’s flamboyant mistress, Katherine Swynford—England’s young, still untested king, Richard II, is in mortal peril, and the danger is only beginning. Songs are heard across London—catchy verses said to originate from an ancient book that prophesies the end of England’s kings—and among the book’s predictions is Richard’s assassination. Only a few powerful men know that the cryptic lines derive from a “burnable book,” a seditious work that threatens the stability of the realm. To find the manuscript, wily bureaucrat Geoffrey Chaucer turns to fellow poet John Gower, a professional trader in information with connections high and low. Gower discovers that the book and incriminating evidence about its author have fallen into the unwitting hands of innocents, who will be drawn into a labyrinthine conspiracy that reaches from the king’s court to London’s slums and stews--and potentially implicates his own son. As the intrigue deepens, it becomes clear that Gower, a man with secrets of his own, may be the last hope to save a king from a terrible fate.Medieval scholar Bruce Holsinger draws on his vast knowledge of the period to add colorful, authentic detail—on everything from poetry and bookbinding to court intrigues and brothels—to this highly entertaining and brilliantly constructed epic literary mystery that brings medieval England gloriously to life.

    Conspirators plot an assassination, while mysterious, violent death stalks the shadowy cloisters of the Abbey of St Hilda. When the Abbess Etain, a leading speaker for the Celtic Church, is found murdered suspicion inevitably rests on the Roman faction.Attending the Synod is Fidelma, of the community of St Brigid of Kildare. As an advocate of the Brehon Court, she is called on to investigate the murder with Brother Eadulf, of the Roman faction. However, the two are so unlike that their partnership is described as that of a wolf and a fox - but which is which?More gruesome deaths follow and the friction among the clerics could end in civil war. Can the solution to the mysteries avert such a conflict?

    This is no ordinary journey—it is a time of rival popes, a boy king, and a shaky peace in the savage aftermath of Wat Tyler’s murder—and Hildegard has embarked on a perilous mission to try to secure the future of her priory. Traveling alone, she discovers danger, encountering first a gibbet with five bloodied corpses and then the body of a youth, brutally butchered. Who was the boy, how was he connected to the men hanging from the gibbet, and what do these gruesome deaths mean? Hildegard is determined to uncover the truth, no matter how terrible it may be. When even her childhood home, Castle Hutton, turns out not to be a safe haven from murder, Hildegard realizes she will have to summon all of her courage and wisdom to counter the dark forces that threaten her friends and family as well as her country.

    But when she needs someone to confide in, she turns to the honest warmth of her friend Fridgyth, the half-pagan herb-wife. A divisive and life-altering decision taken at the Great Synod is swiftly overshadowed as the monastery is ravaged by a deadly plague. As she tends the sick, Fridgyth starts to suspect that not all the deaths are natural. Despite Hild’s stern warnings “not to meddle” she sets out to investigate. Can Fridgyth’s wisdom and intuition unmask the murderer and unravel the dark politics surrounding the deaths and clandestine arrival of two young scholars?A SWARMING OF BEES is an absorbing and richly atmospheric murder mystery.

    The Lord of the Isles, overlord of the islands, assigns the task of finding the killer to Muirteach, the Prior’s bastard son.Since breaking with his father and leaving the monastery, Muirteach has spent his time acting as scribe for his uncle, an island chieftain. Muirteach’s father, a powerful churchman, leaves behind a mistress and several other bastards as well as his embittered eldest son, who is thankful he will never hear the words, “My bastard son, the cripple” again.As Muirteach seeks to find his father’s murderer he is helped by the physician Fearchar Beaton, and his daughter Mariota. Muirteach himself is suspected of the murder, as are the Prior’s mistress, her family, and the sub-prior. The killer strikes again, His Lordship wants the mystery solved before the Pope and the King in Edinburgh learn of it, and Muirteach himself must come to terms with his own troubled relationship with his father. Muirteach’s investigation submerges him deep into a whirlpool of deceit, long buried sins, and treachery, from which no one emerges unscathed.

    So, when she commits murder in self-defense, she flees her cherished Ireland, under cover of a false identity, for the anonymous shores of late nineteenth-century America. When she arrives in New York and sees the welcoming promise of freedom in the Statue of Liberty, Molly begins to breathe easier. But when a man is murdered on Ellis Island, a man Molly was seen arguing with, she becomes a prime suspect in the crime.If she can't clear her name, Molly will be sent back to Ireland where the gallows await, so using her Irish charm and sharp wit, she escapes Ellis Island and sets out to find the wily killer on her own. Pounding the notorious streets of Hell's Kitchen and the Lower East Side, Molly undertakes a desperate mission to clear her name before her deadly past comes back to haunt her new future.

    UNFORTUNATELY, SHE'S DEAD.Add the unflappable Julian Kestrel to the ranks of great sleuths of ages past. He's the very model of a proper Beau Brummell--except for his unusual willingness to plunge headlong into murder investigations. And an investigation's hard to avoid when, luring an elegant weekend at a friend's country estate, a murder victim turns up in his bed. With the help of his Cockney manservant, Dipper, Kestrel sets out to find the killer among the glittering denizens of 1820s London's social stratosphere.