She was just sixteen when she met Jack Winter, a gorgeous, larger-than-life  mage who thrilled her with his witchcraft. Then a spirit Jack summoned killed him before Pete’s eyes—or so she thought. Now a detective , Pete is investigating the case of a young girl kidnapped from the streets of London. A tipster’s chilling prediction has led police directly to the child…but when Pete meets the informant, she’s shocked to learn he is none other than Jack. Strung out on heroin, Jack a shadow of his former self.  But he’s able to tell Pete exactly where Bridget’s kidnappers are hiding: in the supernatural shadow-world of the fey.  Even though she’s spent years disavowing the supernatural, Pete follows Jack into the invisible fey underworld, where she hopes to discover the truth about what happened to Bridget—and what happened to Jack on that dark day so long ago…

    Now Bob Howard, Laundry agent, must travel to the quiet English countryside to deal with an outbreak of one of the worst horrors imaginable. For, as it turns out, unicorns are real. They're also ravenous killers from beyond spacetime...At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

    But when an ancient book falls into his hands, Drothe finds himself in possession of a relic capable of bringing down emperors-a relic everyone in the underworld would kill to obtain.

    His son has trouble at school. And he has to keep his sharp teeth hidden.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the many who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience. In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.Contents: Introduction (Book 1: The Hanged Man, Tales of Dread) • essay by Orson Scott Card Eumenides in the Fourth Floor Lavatory (1979) / novelette by Orson Scott Card Quietus (1979) / short story by Orson Scott Card Deep Breathing Exercises (1979) / short story by Orson Scott Card Fat Farm (1980) / short story by Orson Scott Card Closing the Timelid (1979) / short story by Orson Scott Card Freeway Games (1979) / short story by Orson Scott Card A Sepulchre of Songs (1981) / novelette by Orson Scott Card Prior Restraint (1986) / short story by Orson Scott Card The Changed Man and the King of Words (1982) / novelette by Orson Scott Card Memories of My Head (1990) / short story by Orson Scott Card Lost Boys (1989) / short story by Orson Scott Card Afterword (Book 1: The Hanged Man, Tales of Dread) • essay by Orson Scott Card Introduction (Book 2: Flux, Tales of Human Futures) • essay by Orson Scott Card A Thousand Deaths [Tales of Capitol] (1978) / novelette by Orson Scott Card Clap Hands and Sing (1982) / short story by Orson Scott Card Dogwalker (1989) / novelette by Orson Scott Card But We Try Not to Act Like It (1979) / short story by Orson Scott Card I Put My Blue Genes On (1978) / short story by Orson Scott Card In the Doghouse (1978) / short story by Orson Scott Card and Jay A. Parry The Originist [Foundation] (1989) / novella by Orson Scott Card Afterword (Book 2: Flux, Tales of Human Futures) • essay by Orson Scott Card Introduction (Book 3: Maps in a Mirror, Fables and Fantasies) • essay by Orson Scott Card Unaccompanied Sonata (1979) / short story by Orson Scott Card A Cross-Country Trip to Kill Richard Nixon (1980) / novelette by Orson Scott Card The Porcelain Salamander (1981) • short story by Orson Scott Card Middle Woman (1981) / short story by Orson Scott Card The Bully and the Beast (1979) / novella by Orson Scott Card The Princess and the Bear (1980) / novelette by Orson Scott Card Sandmagic [Mither Mages] (1979) / novelette by Orson Scott Card The Best Day (1984) / short story by Orson Scott Card A Plague of Butterflies (1981) / short story by Orson Scott Card The Monkeys Thought 'Twas All in Fun (1979) / novelette by Orson Scott Card Afterword (Book 3: Maps in a Mirror, Fables and Fantasies) • essay by Orson Scott Card Introduction (Book 4: Cruel Miracles, Tales of Death, Hope, and Holiness) • essay by Orson Scott Card Mortal Gods (1979) / short story by Orson Scott Card Saving Grace (1987) / short story by Orson Scott Card Eye for Eye (1987) / novella by Orson Scott Card St. Amy's Tale (1980) / novelette by Orson Scott Card Kingsmeat (1978) / short story by Orson Scott Card Holy (1980) / novelette by Orson Scott Card Afterword (Book 4: Cruel Miracles, Tales of Death, Hope, and Holiness) • essay by Orson Scott Card Introduction (Book 5: Lost Songs, The Hidden Stories) • essay by Orson Scott Card Ender's Game [Ender Wiggin] (1977) / novelette by Orson Scott Card Mikal's Songbird (1978) / novelette by Orson Scott Card Prentice Alvin and the No-Good Plow [The Alvin Maker Saga] (1989) • poem by Orson Scott Card Malpractice (1977) / short story by Orson Scott Card Follower (1978) / short story by Orson Scott Card Hitching (1978) / short story by Orson Scott Card Damn Fine Novel (1989) / short story by Orson Scott Card Billy's Box (1978) / short story by Orson Scott Card The Best Family Home Evening Ever (1978) / short story by Orson Scott Card Bicicleta (1977) / short story by Orson Scott Card I Think Mom and Dad Are Going Crazy, Jerry (1979) / short story by Orson Scott Card Gert Fram (1977) / short story by Orson Scott Card Afterword (Book 5: Lost Songs, The Hidden Stories) • essay by Orson Scott Card

    Matilda of the Hunt. The lone woman who rides with the Wild Hunt, tasked with finding killers who've escaped justice and letting the hounds reap their souls. For Olivia Taylor-Jones, Matilda isn't just a legendary figure from Welsh lore. She is Olivia's past, and her future, one she's finally embraced.Having accepted her role as Matilda, Olivia must now lead her first Hunt. Seems simple enough. But when she questions their target's guilt, the Hunt is halted, her mission failed. Still, it's just a matter of getting Gabriel's help and investigating the man's past to reassure herself that he's guilty. He must be. Otherwise, he wouldn't be a target. But the deeper she digs, the more problems she finds, until she must question everything she knows about the Hunt and the choice she's made.

    It may seem like a good ghost buster can charge what he likes and enjoy a hell of a lifestyle--but there's a risk: Sooner or later he's going to take on a spirit that's too strong for him. While trying to back out of this ill-conceived career, Castor accepts a seemingly simple ghost-hunting case at a museum in the shadowy heart of London - just to pay the bills, you understand. But what should have been a perfectly straightforward exorcism is rapidly turning into the Who Can Kill Castor First Show, with demons and ghosts all keen to claim the big prize. That's OK: Castor knows how to deal with the dead. It's the living who piss him off...

    That's why he's been hired to descend into the Nightside, an otherworldly realm in the center of London where fantasy and reality share renting space and the sun never shines.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    If you haven’t read The Emperor’s Blades, this will spoil it. It’s wicked spoilery. If you read it, and it spoils it, don’t blame me. I told you it was a spoiler. There. That should have given you enough time to back out.A word from the author:The funny thing about big novels is that you can’t follow all the characters. The protagonists get full screen time, of course, but there are dozens of minor characters populating a novel, characters with lives, fears, hopes, and stories of their own who just… disappear the moment they leave the ambit of the lucky few. This seems a shame. Fortunately, it’s a problem with a solution, and this story is an attempt at that solution—if only in a small way for one single character.I loved writing Akiil, Kaden’s thieving friend at the monastery, and I needed to know what happened to him during the slaughter at the end of The Emperor’s Blades; after all, last time we see him, he’s going about his business, and then the soldiers arrive, killing everyone in sight. Did he make it? Did he die heroically? Did he sell out his monastic brothers?The only way to know a thing about a character, at least for me, is to write it, and so I wrote this tale—“The Last Abbot of Ashk’lan.” It answers some questions. It asks a lot more. If nothing else, it reminds me that all of my characters, even the most minor, are crying out for their own pages, their own triumphs and failures, their own stories. Here is one.

    Then, as quickly and inexplicably as it had struck, the disease–dubbed Transcription Divergence Syndrome (TDS)–vanished, leaving behind a population divided into three new branches of humanity: giant gray-skinned argos, hairless seal-like betas, and grotesquely obese charlies.Paxton Abel Martin was fourteen when TDS struck, killing his mother, transforming his preacher father into a charlie, and changing one of his best friends, Jo Lynn, into a beta. But Pax was one of the few who didn’t change. He remained as normal as ever. At least on the outside.Having fled shortly after the pandemic, Pax now returns to Switchcreek fifteen years later, following the suicide of Jo Lynn. What he finds is a town seething with secrets, among which murder may well be numbered. But there are even darker–and far weirder–mysteries hiding below the surface that will threaten not only Pax’s future but the future of the whole human race.

    I wasn't totally against the idea, either. Sometimes things just fall that way, and either you roll with it or it rolls over you. Letting the bad guys win isn't how I roll."Meet Joe Ledger, Baltimore PD, attached to a Homeland task force… who's about to get a serious promotion.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    Konrath's critically acclaimed thrillers FUZZY NAVEL and CHERRY BOMB...Before the events of Jack Kilborn's and Blake Crouch's #1 Amazon Kindle bestseller SERIAL...Three hunters of humans meet for the ultimate showdown at the TRUCK STOP.Taylor is a recreational killer, with dozens of grisly murders under his belt. He pulls into a busy Wisconsin truck stop at midnight, trolling for the next to die.Chicago Homicide cop Jacqueline "Jack" Daniels is a long way from home, driving to meet her boyfriend for a well-earned vacation. She pulls into the truck stop for a quick cup of coffee and stumbles into her worst nightmare.Jack's no stranger to dealing with psychos, but she's got her hands full trying to stop Taylor. Especially since he's getting help from someone just as deadly; a portly serial maniac named Donaldson...TRUCK STOP is a 15,000 word thriller novella that ties together Konrath's and Kilborn's works, with terrifying results.A prequel to SERIAL, which has been downloaded more than 70,000 times, TRUCK STOP is an eighteen-wheeled ride straight into hell. Not for the faint of heart. Let the reader beware.This ebook also includes an exclusive interview: JA Konrath talks with Jack Kilborn, plus excerpts from their latest books, CHERRY BOMB and AFRAID.Praise for JA Konrath's thriller FUZZY NAVEL:"Fuzzy Navel is Konrath at his best – a hilariously heartstopping thriller." — Linda Fairstein, author of Lethal Legacy"This gripping novel is an adrenalin rush." — Library Journal"This book moves so fast it was like having the words fired into my head by a machine gun." — CrimespreePraise for AFRAID by Jack Kilborn:"AFRAID is a masterpiece of unrelenting horror. And I'm not exaggerating. Masterpiece. It's the best piece of fiction I've read in several years. It simply NEVER lets up." — James Rollins, author of The Doomsday Key"A bloody, terrifying, hurtling assault across a landscape of non-stop mayhem. A guilty, guilty pleasure." — F. Paul Wilson, creator of Repairman Jack“AFRAID is a true page turner, a novel that offers a million mile a minute action and suspense. Definitely, a must have with constant thrills and chills." — Heather Graham, author of Deadly Gift"Never have I read a novel so gruesome and simultaneously relentless. This book throbs with unmitigated, inexorable. sheer friggin’ TERROR. You’ll probably need a shrink when you’re done.” — Edward Lee, author of The Golem"Fast and ferocious, this is a dangerous thriller that will take a bite out of you. An absolute must read for anyone who loves the adrenaline rush of a shocking story told with style, speed and savage grace." — Jonathan Maberry, author of Patient Zero

    Where better for the annual festive jump than the chance to experience a real Victorian Christmas?On the longest night of 1895, a terrible storm rages above Harewood Hall. Max, Markham and an injured Peterson are welcomed in by the Harewood family, but quickly realise that the gathering is far from celebratory. For tonight marks the Ordeal of the Haunted Room.Every Harewood heir must endure one terrifying night alone in the Haunted Room before he can inherit the family seat. Legend says that ghosts will murder anyone who isn't the true heir. Francis Harewood's ordeal will begin at midnight and end at dawn, but it isn't long before everything goes horribly wrong....