One is the main course of dinner, another the porn star contracted to copulate in space for a reality TV show. They become futuristic ant farms, get knocked up by the star high school quarterback and have secret abortions, use parakeets to reverse amputations, make love to garden gnomes, go into air conditioning ducts to confront their mother’s ghost, and do so in settings that range from Hell to the local white-supremacist bowling alley.

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    Each of the portraits in Close Range reveals characters fiercely wrought with precision and grace. These are stories of desperation and unlikely elation, set in a landscape both stark and magnificent.The half-skinned steer --The mud below --55 miles to the gas pump --The bunchgrass edge of the world --A lonely coast --Job history --Pair a spurs --People in Hell just want a drink of water --The governors of Wyoming --The blood bay --Brokeback Mountain

    Seventeen stories written over the past fifteen years reveal the author's vision of human love and tragedy.Wants --Debts --Distance --Faith in the afternoon --Gloomy tune --Living --Come on, ye sons of art --Faith in a tree --Samuel --The burdened man --Enormous changes at the last minute --Politics --Northeast playground --The little girl --A conversation with my father --The immigrant story --The long-distance runner

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

    There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime - Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day" - sent to her publisher shortly before her death - is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.Contents:The geranium -- The barber -- Wildcat -- The crop -- The turkey -- The train -- The peeler -- The heart of the park -- A stoke of good fortune -- Enoch and the gorilla -- A good man is hard to find -- A late encounter with the enemy -- The life you save may be your own -- The river -- A circle in the fire -- The displaced person -- A temple of the Holy Ghost -- The artificial nigger -- Good country people -- You can't be any poorer than dead -- Greenleaf -- A view of the woods -- The enduring chill -- The comforts of home -- Everything that rises must converge -- The partridge festival -- The lame shall enter first -- Why do the heathen rage? -- Revelation -- Parker's back -- Judgement Day.

    Vollmann, author of the National Book Award winner Europe Central   In this magnificent new work of fiction, his first in nine years, celebrated author William T. Vollmann offers a collection of ghost stories linked by themes of love, death, and the erotic.   A Bohemian farmer’s dead wife returns to him, and their love endures, but at a gruesome price. A geisha prolongs her life by turning into a cherry tree. A journalist, haunted by the half-forgotten killing of a Bosnian couple, watches their story, and his own wartime tragedy, slip away from him. A dying American romances the ghost of his high school sweetheart while a homeless salaryman in Tokyo animates paper cutouts of ancient heroes.   Are ghosts memories, fantasies, or monsters? Is there life in death? Vollmann has always operated in the shadowy borderland between categories, and these eerie tales, however far-flung their settings, all focus on the attempts of the living to avoid, control, or even seduce death. Vollmann’s stories will transport readers to a fantastical world where love and lust make anything possible.

    Borderlands is about breaking the mold and pushing the genre and its finest writers to the edge. Hailed as the anthology series of the 90s, Borderlands will remind you that horror can indeed be horrific. Read about a farmer who disdains his wife for a giant potato...women's clothing made from fetal tissue..an executive who slowly slips into the reality he sells...and more.CONTENTS'Introduction' -- Thomas F. Monteleone"The Calling" -- David B. Silva"Scartaris, June 28th" -- Harlan Ellison"Glass Eyes" -- Nancy Holder"The Grass of Remembrance" -- John DeChancie"On the Nightmare Express" -- Francis J. Malozzo"The Pounding Room" -- Bentley Little"Peeling It Off" -- Darrell Schweitzer"The Raw and the Cooked" -- Michael Green"His Mouth Will Taste of Wormwood" -- Poppy Z. Brite"Oh What a Swell Guy Am I" -- Jeffrey Osier"Delia and the Dinner Party" -- John Shirley"Suicide Note" -- Lee Moler"Stillborn" -- Nina Kiriki Hoffman"Ladder" -- T.E.D. Klein"Muscae Volitantes" -- Chet Williamson"The Man in the Long Black Sedan" -- Ed Gorman"His Frozen Heart" -- Jack Hunter Daves Jr."Evelyn Grace" -- Thomas Tessier"By The Light of the Silvery Moon" -- Les Daniels"A Younger Woman" -- John Maclay"But You'll Never Follow Me" -- Karl Edward Wagner"Stephen" -- Elizabeth Massie"Alexandra" -- Charles L. Grant"The Good Book" -- G. Wayne Miller"By Bizarre Hands" -- Joe R. Lansdale

    A failed writer meets an ageing gin-queen who claims he was once visited by an angel; a little girl finds a delirious, dying explorer from the Congo at the bottom of her back garden; a night-club is terrorized by a strange libidinous hand; and a young Victorian lady sails to India to find her fiance Cecil horribly transformed...

    It could be someone's pet cat, or a stuffed teddy bear, or a smiling marionette doll.But whatever it is that comes creeping up the stairs will have two qualities: it will be animated by a terrifying, diabolical force, and it will have only one intention -- murder.If Edward Benson wants his daughter back, he will have to fight a battle no human has ever fought before. And he must win, for only the victor will return with his life -- and his soul.

    Here are seven exquisite tales combining the keen psychological insight characteristic of the modern short story with the haunting mystery of the nineteenth-century Gothic tale, in the tradition of writers such as Goethe, Hoffmann, and Poe.

    P. Lovecraft and the Paperback era of Philip K. Dick, and arguably, is as influential as both these authors. From a historical context, Leiber in fact knew both of the authors, and his work can be seen as a bridge connecting the many different flavors of genres of science fiction, fantasy, and horror. Edited by award-winning editors Jonathan Strahan and Charles Brown, this new collection of the grand master's fiction covers all facets of his work, and features an Introduction by Neil Gaiman and an Afterword by Michael Chabon.

    These ten powerful stories portray men and women in their most intimate moments. A lover of poetry is asked by his wife to give up what may be his most treasured relationship. A book dealer is forced to face the truth about his life. And in the title story, a translator assists his wife’s suicide, even as he performs a last act of betrayal. James Salter’s assured style and emotional insight make him one of our most essential writers

    Mary Kornbluth, Garden City, NY: Doubleday, 1959 · One for the Books · ss Galaxy Sep ’55 · The Holiday Man · ss F&SF Jul ’57 · Dance of the Dead · ss Star Science Fiction Stories #3, ed. Frederik Pohl, Ballantine, 1954 · Legion of Plotters · ss Detective Story Magazine Jul ’53 · The Edge · ss F&SF Aug ’58 · The Creeping Terror [“A Touch of Grapefruit”] · ss Star Science Fiction Stories #5, ed. Frederik Pohl, Ballantine, 1959 · Death Ship · ss Fantastic Story Magazine Mar ’53 · The Distributor · ss Playboy Mar ’58

    Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.