He survives early rough bumps and ethical challenges. Then, through networking, he lands two high-profile clients. With his brash moxie and brilliant legal strategy, he gets outstanding outcomes that put him on the success trajectory to the upper echelons of the city's divorce bar. But, faced with difficult choices in high-stakes litigation, will he balance his thirst for recognition and respect with his sense of right and wrong?​The Best People also follows Pilar Galt, a sensuous, intelligent single mother from the Houston barrios, for whom a temp assignment evolves into a relationship with the richest man in town. Her path intersects with Paddy's and eventually converges with his during a pivotal time in her life when she must overcome self-destructive tendencies to survive. A legal drama and social satire set after Enron and before the devastation of Hurricane Harvey, The Best People portrays a Houston as it is: a glitzy meritocracy populated with larger-than-life characters. It is the landscape where the country-club and café-society sets clash amidst clever legal maneuvering, big law firm politics, a Ponzi scheme, and judicial corruption.

    Not with a bang, but a whatever.The whateverpocalypse. That’s what Touré, a twenty-something Cambridge coder, calls it after waking up one morning to find himself seemingly the only person left in the city. Once he finds Robbie and Carol, two equally disoriented Harvard freshmen, he realizes he isn’t alone, but the name sticks: Whateverpocalypse. But it doesn’t explain where everyone went. It doesn’t explain how the city became overgrown with vegetation in the space of a night. Or how wild animals with no fear of humans came to roam the streets.Add freakish weather to the mix, swings of temperature that spawn tornadoes one minute and snowstorms the next, and it seems things can’t get much weirder. Yet even as a handful of new survivors appear—Paul, a preacher as quick with a gun as a Bible verse; Win, a young professional with a horse; Bethany, a thirteen-year-old juvenile delinquent; and Ananda, an MIT astrophysics adjunct—life in Cambridge, Massachusetts gets stranger and stranger.The self-styled Apocalypse Seven are tired of questions with no answers. Tired of being hunted by things seen and unseen. Now, armed with curiosity, desperation, a shotgun, and a bow, they become the hunters. And that’s when things truly get weird.

    Like most hormonally challenged women negotiating the change of life, she is a hot mess. To retain her sanity, she attends weekly AA meetings and adheres to a strict diet of organic, locally-sourced, (mostly) cruelty-free human blood from the hospice facility where she works. Her life stopped being fun about a hundred years ago, right about the time her teenage daughter stole her soul and took off for California with a hot, older guy. These days, Veronica’s existence is just that – an existence, as flat and empty as her own non-reflection in the bathroom mirror.When her estranged daughter contacts her via Facebook, Veronica learns that she has one chance to escape her eternal personal summer: she must find and apologize to every one of the people she’s turned into vampires in the last century. That is, if they’re still out there. With raging hormones and a ticking clock, Veronica embarks on a last-ditch road trip to regain her mortality, reclaim her humanity, and ultimately, die on her own terms.

    A target for antipathy, a name whispered in fear or loathing.I don't need you to like me. I just need to be free.It's finally time I tell my own story. The truth isn't tidy or convenient, but it's certainly more interesting.

    But when she realizes she was possibly poisoned a year earlier, she’s determined to discover who might have tried to get rid of her before she’s gone for good.Separated from her husband and with a contentious divorce in progress, Jennifer focuses her suspicions on her soon-to-be ex. Meanwhile, her daughters are each processing the news differently. Calm medical student Emily is there for whatever Jennifer needs. Moody scientist Aline, who keeps her mother at arm’s length, nonetheless agrees to help with the investigation. Even imprudent Miranda, who has recently had to move back home, is being unusually solicitous.But with her daughters doubting her campaign against their father, Jennifer can’t help but wonder if the poisoning is all in her head—or if there’s someone else who wanted her dead.

    A town where nearly all of the volunteer firemen are named Jim, where The Dirty Shame—the only bar in town—refuses to serve mixed drinks (too much work), where the locals hate the newcomers (then again, they hate the locals, too), and where the town softball team has never even come close to having a winning season. Until now.Rachel Flood has snuck back into town after leaving behind a trail of chaos nine years prior. She’s here to make amends, but nobody wants to hear it, especially her mother, Laverna. But with the help of a local boy named Jake and a little soul-searching, she just might make things right.In the spirit of Empire Falls and A League of Their Own, with the caustic wit of Where’d You Go, Bernadette thrown in for good measure, Richard Fifield’s hilarious and heartwarming debut will have you laughing through tears.

    Highly recommend!"--Jim Gaffigan, Actor, Comedian, New York Times Best Selling Author"Comedy for the Dead. Talk about a tough comedy crowd ... An intelligent story that shines the light of laughter into the shadows of loss. It grabs you from the start and never let's go."--Louie Anderson, Comedian, Actor, AuthorVince Locker's life is tragic. His comedy act for the LaughCom competition has just bombed, ruining any chance of the cash prize he desperately needed. His life is in tatters; abandoned by his father as a child, an estranged wife, Jessica, who he seems to disappoint just by his mere existence, and living in his mother's house with his bipolar brother and facing foreclosure. As he stands on Smith Avenue Bridge, suicide seems the only option until he is unexpectedly rescued by an old school mortician named Truss. Vince meets another of Truss's rescues, Winona. Although beyond social norms, the trio seize on a quick cash fix that just might help Vince meet his child support demands--comedic tributes for the dead. The eulogies are hilarious and off the wall, sometimes disastrous and sometimes enlightening. They propel Vince into the dark underworld of the funeral industry, life insurance scams, savage politics, a kidnapping, the murder investigation of a destitute unclaimed young woman and threats to Jessica and his young daughter. As details of the murdered young woman are slowly revealed, Vince realizes that he has many ghosts of his own to put to rest.

    Not your best friend, not your wife, not the police—and certainly not yourself. Sidney O’Keefe just wants to spend a peaceful weekend alone with his wife and daughter in the vacation paradise of Lake Placid, New York—now that he’s been paroled after a ten year stretch in a maximum-security prison. But any illusion of a peaceful future is destroyed when his eleven-year-old daughter, Chloe, suddenly disappears from the iconic beach scene, leaving Sidney and his wife, Penny, stricken with fear and panic.          When it’s determined that his old crime boss, Mickey Rabuffo, might be behind the abduction, it becomes apparent that the past has not only come back to haunt Sidney, but it’s come back to kill the entire family. With the village police assuming that Sidney, an ex-con with a history of prison violence, is responsible for his daughter’s disappearance, Sidney is left with no choice—he needs to take the law into his own hands—not only to expose the truth about what’s developing into a conspiracy of Biblical proportions, but also to render his own particular brand of rough justice. Perfect for fans of Gillian Flynn and Paula Hawkins

    When Emerson tragically passes away, she leaves one final wish for her best friends: to conquer the fears they still carry as adults.For each of them, that means something different. For Marley, it's coming to terms with the survivor's guilt she's carried around since her twin sister's death, which has left her blind to the real chance for romance in her life. For Georgia, it's about learning to stop trying to live up to her mother's and brother's ridiculous standards, and learning to accept the love her ex-husband has tried to give her.But as Marley and Georgia grow stronger, the real meaning of Emerson's dying wish becomes truly clear: more than anything, she wanted her friends to love themselves.

    She believes in photographic evidence, the view through her camera lens, and the snap of the shutter. It's why she traveled to Europe—to satisfy her wanderlust and to kick off her photography career. But in Ireland, all of that changed when Gabi gazed into the impossibly blue eyes of an American bartender. She wasn’t prepared for their intense and immediate attraction, or the fact that she’d be bringing Ethan home with her . . . as her fiancé.Gabi's upcoming marriage is the cherry on top of her mother's current predicament. Stumbling toward forty, Alissa is a pastry chef who raised her daughter single-handedly while Gabi’s father traveled the globe. Now her baby girl is getting married after a whirlwind romance and Alissa—well, Alissa is pregnant. Again. And not only is her ex the father, he wants her back. For good. Until she can figure out that part of the puzzle, Alissa is hiding her big little secret even as she helps Gabi plan a happily-ever-after wedding. But somewhere between disaster and hope, life might just bloom in a way that is breathtakingly unexpected . . .

    Embrace it.A bear flies through space. A hamster suffers a breakdown. Elsewhere, a garden snake is arrested by animal control and jailed for home invasion, while a child marvels at the wonder of nature as worms emerge from the ground and begin looking for vodka (as they always have). These are common occurrences in the world of Reza Farazmand’s wildly popular webcomic, Poorly Drawn Lines. Traveling from deep space to alternate realities to the bottom of the ocean, this eponymous collection brings together fan favorites with new comics and original essays to share Farazmand’s inimitable take on love, nature, social acceptance, and robots.

    She gave him a girl's name-Stacey.But Stacey's name was just the first hurdle he'd face in his uphill climb from birth to manhood. He also had to deal with an entitled older brother, the hodgepodge of different men his mother was involved with, and the nomadic lifestyle he was forced to endure for five years. And to top it all off, his mother couldn't cook a decent meal to save her life."Trailer Trash, With a Girl's Name" is Stacey Roberts' lighthearted, often hilarious account of growing up in an unstable household during the 1980s. Full of humor, history, and hope, it follows Stacey from the hospital room where he was born to the Winnebago that carried him across the country, filling in the gaps with a wit and humor that anyone with a dysfunctional family can appreciate.So go ahead and start reading. Once you hop aboard the Winnebago with Stacey and his quirky family, you'll find that you're in for the ride or your life, where what you learn along the way is not only entertaining, but also enormously enriching.

    But underneath the gleaming mid-century house, the flawless hostess mom, and the thriving businessman dad ran an unspoken tension that, amid the upheaval of the late 1960s, was destined to fracture their precarious facade.His older sister Donna introduces him to the charismatic Valentine, who places a tab of acid on twelve-year-old Rush's tongue, proclaiming: "This is sacrament. You are one of us now."After an unceremonious ejection from an experimental art school, Rush heads to Tuscon to make a major drug purchase and, still barely a teenager, disappears into the nascent American counterculture. Stitching together a ragged assemblage of lowlifes, prophets, and fellow wanderers, he seeks kinship in the communes of the west. His adolescence is spent looking for knowledge, for the divine, for home. Given what Rush confronts on his travels--from ordinary heartbreak to unimaginable violence--it is a miracle he is still alive.The Light Years is a prayer for vanished friends, an odyssey signposted with broken and extraordinary people. It transcends one boy's story to perfectly illustrate the slow slide from the optimism of the 1960s into the darker and more sinister 1970s. This is a riveting, heart-stopping journey of discovery and reconciliation, as Rush faces his lost childhood and, finally, himself.

    Author and artist Hilary Campbell turns the painful into the hilarious, validating emotions from forgotten middle school tragedies to relationships that ended only hours ago.Hilary Fitzgerald Campbell is an award-winning documentary filmmaker and cartoonist. Her films have won top prizes at Slamdance, SF IndieFest, and more. She was the co-illustrator of Jessica Bennett’s critically acclaimed Feminist Fight Club. Breaking Up Is Hard To Do, But You Could've Done Better is her first book of cartoons.

    In an effort to escape her troubled past, she seeks refuge in a rural community. Pine Ridge is idyllic; the surrounding forests are beautiful and the locals welcoming. Mostly.But Alex finds that she may have disturbed barely hidden secrets in her new home. As a chain of bizarre events is set off, events eerily familiar to those who have lived there for years, Alex realizes that she and her family might be in greater danger than ever before. And that the only way to protect them all is to confront the shadows lurking in Pine Ridge.