Garton has a way with teenage boredom, atmospheric small town isolation, incest, drug abuse, and over the top violence and he has managed to create a modern remake of the story of the Pied Piper with a sinister character, Mace (who wears a crucifax around his neck a crucifix with an axlike blade on it) appearing on the scene, seducing mixed up kids with his siren song of pleasure, power, and indulgence, all leading to a horrifically unsettling climax of death and destruction. And then there are the ratlike things that do the piper s bidding . . .

    All he had to do was sacrifice that fragile thing called integrity. Instead Andrew Durant chose a different path. Against him were ranged the mighty forces of the Establishment. At stake was all he was and could ever hope to be. Here, from the magnificent pen of one of the greatest and most spellbinding storytellers of our days, is one of her most unforgettable novelistic triumphs - the searing, soaring story of an idealistic man in a world of corruption, battling to save both himself and the beautiful woman who had become a helpless pawn in a gigantic game of power and perveristy.

    As their wedding day grows near, Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family, the possiblity of marriage without Faith, muggings, and a sniper's bullet.

    They've got homes on Long Island and a dream: to pull off the perfect heist. Tom and Joe also have badges, uniforms and guns, just like the rest of the New York City police force! These two shining examples of New York's Finest don't care what they steal or how, as long as it comes out to 2 million dollars. But they get involved with the Mob and find out that robbing Wall Street can be very dangerous

    He started life in a lab, went to Parochial School, was kidnapped by gypsies, chased by roboticidal, and incompetent, hit-men, told fortunes on the Midway, and finally fostered by an elderly couple who gave up writing science fiction when their stories came true. He's Roderick, the first robot programmed to learn and think, and sent out into the world to re-invent it...

    AldissAn invasion of invisible monsters strikes terror on an English farm.HE WHO SHAPES, by Roger ZelaznyThe science of tomorrow makes possible a new kind of psychiatrist--one who can enter another human mind and reshape it...if he dares!THE DOORS OF HIS FACE, THE LAMPS OF HIS MOUTH, by Roger ZelaznyA man measures his courage against a Venusian sea monster the size of a thirty-story building."REPENT, HARLEQUIN!" SAID THE TICKTOCKMAN, by Harlan EllisonA John Birch world of the future where tardiness takes time off your life, and a joker who's never on time throws jelly-beans into the clockworks.Four Distinguised Runners-up:THE DROWNED GIANT, by J.G. BallardCOMPUTERS DON'T ARGUE, by Gordon R. DicksonBECALMED IN HELL, by Larry NivenBALANCED ECOLOGY, by James H. Schmitz"The stories in this book...show the quality of modern science fiction, its range, and, I think, its growing depth and maturity. Science fiction has come a long way." --DAMON KNIGHTContents ix • Introduction (Nebula Award Stories) • (1966) • essay by Damon Knight 1 • The Doors of His Face, the Lamps of His Mouth • (1965) • novelette by Roger Zelazny 34 • Balanced Ecology • (1965) • shortstory by James H. Schmitz 53 • "Repent, Harlequin!" Said the Ticktockman • (1965) • shortstory by Harlan Ellison 65 • He Who Shapes • (1965) • novella by Roger Zelazny 151 • Computers Don't Argue • (1965) • shortstory by Gordon R. Dickson 165 • Becalmed in Hell • [Known Space] • (1965) • shortstory by Larry Niven 178 • The Saliva Tree • (1965) • novella by Brian W. Aldiss 234 • The Drowned Giant • (1964) • shortstory by J. G. Ballard

    It was in the best interests of the human race, said the State, that mates be selected for all professional people according to strict scientific principles.

    In this lost colony the inhabitants had forgotten the very existence of earth. Only one man remembered. He foresaw the awesome consequences if this paradise were ever rediscovered.MonumentThe novel of a frightening future - a planet in mortal combat with an alien universe.

    Citizens of this new world, officially labelled 'delinquents' by their Dictator, are named after murderers and are obliged to wear sackcloth and ashes. Individualism is stamped out. Privilege, which might arouse envy, is energetically discouraged. Thus it is no surprise to find Jael 97 reporting to the Ministry of Facial Justice. Being facially overprivileged, her good looks have been the cause of discontent among other women, and she has considered having a beta (second-grade) face fitted. But this affront to her ego stirs her rebellious spirit, and she begins the struggle to reassert the rights of the individual.

    When their friends leave them behind on Earth, they've got a few millenia to kill before they'll manage to get back to school. So, as an experiment, mind you, they decide to give evolution a bit of a nudge... And that's when all hell breaks loose... a little more literally than either of them planned...

    In this world the Protectors own the land and are constantly feuding with the Just, who wish to return the land to the Folk. The Protectors, however, are divided within themselves, the Reds against the Blacks, as bitterly opposed to each other as united they are opposed to the Just. After a typical skirmish between the Reds and Blacks, two Endwives, whose job it is to come after battles to nurse the wounded and bury the dead, find a strange being, a Visitor from the sky, nameless, sexless, with a purpose to fulfill unknown even to himself. It is the Visitor who one day will make the unthinkable journey to the Outward -- to the very margin of the Deep.

    WIth access to every computer in post-World War III's fully-automated society, he had the potential to become the ultimate spy, the perfect assassin, an invincible dictator.Only loyalty to samurai virtues kept his attention in check--until the day when Elizabeth was taken away from him, and Tokugawa began his quest for revenge...

    276 pages, 1972, SBN 684-12530-7; New York, America and Canada

    Campbell, Jr., Award for best young science fiction writer. One summer day in the 1920s, Haverstock's Traveling Curiosus and Wondershow rides into a small Midwestern town. Haverstock's show is a presentation of mysterious wonders: feats of magic, strange creatures, and frightening powers. Three teenage girls attend the opening performance that evening which, for each, promises love and threatens death. The three girls are drawn to the show and its performers-a lusty centaur, Angel the magical albino boy, the rowdy stage hands-but frightened by the enigmatic owner, Haverstock. The girls at first try to dismiss these marvels as trickery, but it becomes all too real, too vivid to be other than nightmare reality. Each feels the force of the show and its power to alter everyday lives: Francine is drawn embarrassingly to the centaur, Rose makes an assignation with one of the hands and gets in trouble, and Evelyn is fascinated by the pathetic, mysterious Angel, The Boy Who Can Fly, and together they plan escape. No stranger or more disturbing vision of the dark side of carnival life has been handled with such grace or conviction since Bradbury's vintage period. With a poet's mastery of language Reamy brings his circus of characters to a startling, fantastic conclusion. ABOUT THE AUTHOR TOM REAMY, at the time of his sudden death, was one of the most popular young writers in the Science Fiction field in recent years. His style is in the fantastic tradition of Richard Matheson and Ray Bradbury, and BLIND VOICES, his only novel, demands comparison to such masterpieces as Bradbury's Dandelion Wine or Something Wicked This Way Comes.