Three hundred years ago, as legend goes, the frightened Yorkshire villagers smothered a crying babe in Keldale Abbey, where they'd hidden to escape the ravages of Cromwell's raiders.Now into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an axe in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry."Yet as Lynley and Havers wind their way through Keldale's dark labyrinth of secret scandals and appalling crimes, they uncover a shattering series of revelations that will reverberate through this tranquil English valley—and in their own lives as well.

    Her cousin Erin has been missing for several days. Maggie herself spent weeks in Ireland, trying to track Erin's movements, working beside the police. But it was to no avail: no trace of her was ever found.The experience inspired Maggie to become a cop. Now, back on Long Island, more than 20 years have passed. Maggie is a detective and a divorced mother of a teenager. When the Gardaí call to say that Erin's scarf has been found and another young woman has gone missing, Maggie returns to Ireland, awakening all the complicated feelings from the first trip. The despair and frustration of not knowing what happened to Erin. Her attraction to Erin's coworker, now a professor, who never fully explained their relationship. And her determination to solve the case, once and for all. A lyrical, deeply drawn portrait of a woman - and a country - over two decades - The Mountains Wild introduces a compelling new mystery series from a mesmerizing author.

    It was supposed to be the perfect summer getaway--until they met Severine, the girl next door. For Kate Channing, Severine was an unwelcome presence, her inscrutable beauty undermining the close-knit group's loyalties amid the already simmering tensions. And after a huge altercation on the last night of the holiday, Kate knew nothing would ever be the same. There are some things you can't forgive, and there are some people you can't forget, like Severine, who was never seen again. Now, a decade later, the case is reopened when Severine's body is found in the well behind the farmhouse. Questioned along with her friends, Kate stands to lose everything she's worked so hard to achieve as suspicion mounts around her. Desperate to resolve her own shifting memories and fearful she will be forever bound to the woman whose presence still haunts her, Kate finds herself buried under layers of deception with no one to set her free.

    Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: turning pictures into stories.But she soon discovers that on this set, nothing is as it's supposed to be--or as it seems. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the editor she was hired to replace.Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself.The only problem is, the killer may still be on the loose. And he might not be finished.

    In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal but grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante. A dark reworking of Henry James's The Ambassadors, The Talented Mr. Ripley—is up to his tricks in a 90s film and also Rene Clement's 60s film, "Purple Noon."

      As a sixteen-year-old, Tessa Cartwright was found in a Texas field, barely alive amid a scattering of bones, with only fragments of memory as to how she got there. Ever since, the press has pursued her as the lone surviving “Black-Eyed Susan,” the nickname given to the murder victims because of the yellow carpet of wildflowers that flourished above their shared grave. Tessa’s testimony about those tragic hours put a man on death row.   Now, almost two decades later, Tessa is an artist and single mother. In the desolate cold of February, she is shocked to discover a freshly planted patch of black-eyed susans—a summertime bloom—just outside her bedroom window. Terrified at the implications—that she sent the wrong man to prison and the real killer remains at large—Tessa turns to the lawyers working to exonerate the man awaiting execution. But the flowers alone are not proof enough, and the forensic investigation of the still-unidentified bones is progressing too slowly. An innocent life hangs in the balance. The legal team appeals to Tessa to undergo hypnosis to retrieve lost memories—and to share the drawings she produced as part of an experimental therapy shortly after her rescue.   What they don’t know is that Tessa and the scared, fragile girl she was have built a  fortress of secrets. As the clock ticks toward the execution, Tessa fears for her sanity, but even more for the safety of her teenaged daughter. Is a serial killer still roaming free, taunting Tessa with a trail of clues? She has no choice but to confront old ghosts and lingering nightmares to finally discover what really happened that night.   Shocking, intense, and utterly original, Black-Eyed Susans is a dazzling psychological thriller, seamlessly weaving past and present in a searing tale of a young woman whose harrowing memories remain in a field of flowers—as a killer makes a chilling return to his garden.

    with razor-sharp wit and a breaking heart.Juniper Song knows secrets–how to keep them and how to search them out.  As a girl, noir fiction was her favorite escape, and Philip Marlowe has always been her literary idol. So when her friend Luke asks her to investigate a possible affair between his father and a young employee, Juniper (or "Song" as her friends call her) finds an opportunity to play detective. Driving through L.A.'s side streets, following leads, tailing suspects-it all appeals to Song's romantic ideal of the noir hero. But when she's knocked out while investigating a mysterious car and finds a body in her own trunk, Song lurches back to the real L.A., becoming embroiled in a crime that goes far beyond role play. What's more, this isn't the first time Song has stuck her nose in other people's business. As she fights to discover the truth about her friend's family, Song reveals one of her own deeply hidden secrets, something dark and damaging, urging her to see the current mystery through, to rectify the mistakes of her past life.A dazzling debut from fresh new talent Steph Cha, featuring a strong, modern, sharply observant heroine with an unforgettable voice, Follow Her Home takes readers through dangerous twists and turns, beyond the glittering high-rises and freeways of L.A. on a case that will stay with them long after the final page.Praise for Follow Her Home “Stephanie Cha's brilliant debut is as Noir as Old Nick's sense of humour. Compelling from first to last page, she takes on contemporary L.A., sweeping the reader through Chandler's twilight, heartbroken city from mansions to faux K-town hostess bars.  L.A. Noir at its finest.” -- Denise Mina, author of The Dead Hour "Follow Her Home takes a fresh trip down the sunny, dark streets of Los Angeles, and Juniper Song is a great guide - young, sharp, and worldly-wise. Keenly observed and deeply felt, the story slowly got under my skin. I couldn't put it down." - Meg Gardiner, Edgar Award-winng author of Ransom River “In a glittery L.A. of pretty, privileged twentysomethings, Stephanie Cha's Follow Her Home opens like a playful homage to Raymond Chandler but deepens into something darker:  an utterly 21st-century  ode to sisterhood in the face of crime.  A fast-paced thriller told in smart, sparkling prose, Follow Her Home is a moving exploration of mothers and daughters, men and women, immigrant history, loss, and hope.” –Joy Castro, author of Hell or High Water

    As a child, Bailey Browne dreamed of a knight in shining armor swooping in to rescue her and her mother. As she grew older, those dreams transformed, becoming ones of a mysterious stranger who swept her off her feet and whisked her away from her ordinary existence; then, suddenly, there he was. Despite the ten-year difference in their ages and her working class upbringing and his of privilege, Logan Abbott and Bailey fall deeply in love. Marriage quickly follows.But when Logan brings her home to his horse farm in Louisiana, a magnificent estate on ninety wooded acres, her dreams of happily-ever-after begin to unravel. A tragic family history Bailey knew nothing about surfaces, along with whisperings about the disappearance of his first wife and rumors about women from the area who have gone missing, and when another woman disappears, all signs point to her husband's involvement.

    A nationally renowned investigative reporter with her own TV show and a tough-as-nails reputation, Max tackles cold cases from across the country and every walk of life. But the one unsolved murder that still haunts her is a case from her own past.When Max was a high school senior, one of her best friends was strangled and another, Kevin O'Neal, accused of the crime. To the disgrace of her wealthy family, Max stood by her friend, until she found out he lied about his alibi. Though his guilt was never proven, their relationship crumbled from the strain of too many secrets.Now Max is home for Kevin's funeral―after years of drug abuse, he committed suicide. She's finally prepared to come to terms with the loss of his friendship, but she's not prepared for Kevin's sister to stubbornly insist that he didn't kill himself. Or for an elderly couple to accost her at the airport, begging her to look into another murder at Max's old high school. Max is more interested in the cold case at her alma mater than in digging around Kevin's troubled life, but she agrees to do both. As Max uncovers dark secrets, she finds herself caught in a complicated web of lies that hit far too close to home. And it's becoming increasingly clear that someone will do whatever it takes to make sure the truth stays buried.

    Her live-in boyfriend has left her for his personal trainer, chronic insomnia has caused her to max out her credit cards with late-night home shopping purchases, and a frightening killer who calls himself 'The Gingerbread Man' is dumping mutilated bodies in her district. Between avoiding the FBI and its moronic profiling computer, joining a dating service, mixing it up with street thugs, and parrying the advances of an uncouth PI, Jack and her binge-eating partner, Herb, must catch the maniac before he kills again...and Jack is next on his murder list. Whiskey Sour is full of laugh-out-loud humor and edge-of-your-seat suspense, and it introduces a fun, fully drawn heroine in the grand tradition of Kinsey Millhone, Stephanie Plum, and Kay Scarpetta.

    You are about to meet Lucas Davenport, the police detective in Minneapolis, Minnesota, who does it his way. The "maddog" murderer who is terrorizing the Twin Cities is two things: insane and extremely intelligent. He kills for the pleasure of it and thoroughly enjoys placing elaborate obstacles to keep the police befuddled. Each clever move he makes is another point of pride. But when the brilliant Lieutenant Davenport--a dedicated cop and a serial killer's worst nightmare--is brought in to take up the investigation, maddog suddenly has an adversary worthy of his genius.Librarian's note: the first five books in the Lucas Davenport series are #1, Rules of Prey, 1989; #2, Shadow Prey, 1990; #3, Eyes of Prey, 1991; #4, Silent Prey, 1992; and #5, Winter Prey, 1993.

    Philip Taiwo is called on by a powerful Nigerian politician to investigate the public torture and murder of three university students in remote Port Harcourt, he has no idea that he’s about to be enveloped by a perilous case that is far from cold. Philip is not a detective. He’s an investigative psychologist, an academic more interested in figuring out the why of a crime than actually solving it. But when he steps off the plane and into the dizzying frenzy of the provincial airport, he soon realizes that the murder of the Okriki Three isn’t as straightforward as he thought. With the help of his loyal and streetwise personal driver, Chika, Philip must work against those actively conspiring against him to parse together the truth of what happened to these students. A thrilling and atmospheric mystery, and an unforgettable portrait of the contemporary Nigerian sociopolitical landscape, Lightseekers is a wrenching novel tackling the porousness between the first and third worlds, the enduring strength of tribalism and homeland identity, and the human need for connection in the face of isolation.

    Mothers with strollers still make her flinch; her love of writing has turned into a half-hearted teaching career; and she and her husband, Art, have slipped into the kind of rut that seems inescapable.But then a stranger shows up on their doorstep, telling Gen the very thing she’s always wanted to hear: that her daughter Beth was not stillborn, but was taken away as a healthy infant and is still out there, somewhere, waiting to be found. It’s insane, unbelievable. But why would anyone make that up? A fissure suddenly opens up in Gen’s carefully reconstructed life, letting in a flood of unanswerable questions. Where is Beth now? Why is Art so reluctant to get involved? To save his wife from further hurt? Or is it something more sinister? And who can she trust to help her?Ignoring the warnings of her husband and friends, Gen begins to delve into the dark corners of her past, hopeful she’ll find a clue to her daughter’s whereabouts. But hope quickly turns into fear and paranoia, as she realizes that finding the answers might open the door to something even worse than not knowing. A truth that could steal everything she holds close – even her own life.

    . .When financier Gerald Cartwright disappeared from his home six years ago, it was assumed he'd gone on the run from his creditors. But then a skeleton is found bricked up in the cellar of Cartwright's burned-out mansion, and it becomes clear Gerald never left alive.As the sole representative of South Yorkshire's Cold Case Review Unit, Detective Sergeant Adam Tyler is not expected to get results, but he knows this is the case that might finally kick start his floundering career. Luckily, he already has a suspect. Unluckily, that suspect is Cartwright's son, the man Tyler slept with the night before.Keeping his possible conflict-of-interest under wraps, Tyler digs into the case alongside Amina Rabbani, an ambitious young Muslim constable and a fellow outsider seeking to prove herself on the force. Soon their investigation will come up against close-lipped townsfolk, an elderly woman with dementia who's receiving mysterious threats referencing a past she can't remember, and an escalating series of conflagrations set by a troubled soul intent on watching the world burn . . .

    I was riveted. Painstakingly researched and pulsing with adrenaline, Carrasco’s debut will leave you thirsty for more.” —Lyndsay Faye, author of The Gods of GothamA vivid, sexy barn burner of a historical crime novel, The Best Bad Things introduces readers to the fiery Alma Rosales—detective, smuggler, spyIt is 1887, and Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton Detective Agency—but dismissed for bad behavior and a penchant for going undercover as a man—Alma now works for Delphine Beaumond, the seductive mastermind of a West Coast smuggling ring.When product goes missing at their Washington Territory outpost, Alma is tasked with tracking the thief and recovering the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy—once she muscles her way into the local organization, wins the trust of the magnetic local boss and his boys, discovers the turncoat, and keeps them all from uncovering her secrets. All this, while sending coded dispatches to the circling Pinkerton agents to keep them from closing in.Alma’s enjoying her dangerous game of shifting identities and double crosses as she fights for a promotion and an invitation back into Delphine’s bed. But it’s getting harder and harder to keep her cover stories straight and to know whom to trust. One wrong move and she could be unmasked: as a woman, as a traitor, or as a spy.A propulsive, sensual tour de force, The Best Bad Things introduces Katrina Carrasco, a bold new voice in crime fiction.