As well as recording public and historical events, Pepys paints a vivid picture of his personal life, from his socializing and amorous entanglements, to his theatre-going and his work at the Navy Board. Unequaled for its frankness, high spirits and sharp observations, the diary is both a literary masterpiece and a marvelous portrait of seventeenth-century life.Previously published as The Shorter Pepys, this edition is edited and abridged by Robert Latham, Fellow and Pepys Librarian at Magdalene College, Cambridge.

    Writers Tony Scherman and David Dalton disentangle the myths of the great pop artist from the man he truly was, and offer a vivid, entertaining, and provocative look at Warhol’s personal and artistic evolution. Drawing on brand new sources—including extensive new interviews and insight from those who knew him best—Pop offers the most dynamic, comprehensive portrait ever written of the man who changed the way we see the world.

    Yet while the French Revolution and the American War of Independence shook and changed the world, this kindly country priest fills the pages of his diary with the ordinariness of his life, firstly in a Somerset parish and then in rural Norfolk. He accords no more importance to the Fall of the Bastille than to the extra large crab he buys from a local fisherman or the cost of ribbons for his niece's hats. Particularly vivid are the descriptions of the gargantuan meals he enjoys with friends and neighbours, his remedies for ailments, his descriptions of East Anglian winters, his modest but unfailing generosity to the poor and his enthusiasm for local gossip. Parson Woodforde's diary provides an extraordinary portrait of life in Georgian England, but it is the diarist's humour and unpretentiousness which ensure its place among the classics of English literature."

    From July 1941 to July 1946 she kept a diary for the Mass-Observation project, recording the thoughts and concerns of the people who used the shop. What makes Kathleen's account such a vivid and compelling read is the immediacy of her writing. People were pulling together on the surface ('Bert has painted the V-sign on the shop door…', she writes) but there are plenty of tensions underneath. The shortage of food and the extreme difficulty of obtaining it is a constant thread, which dominates conversation in the town, more so even than the danger of bombardment and the war itself. Sometimes events take a comic turn. A lack of onions provokes outrage among her customers, and Kathleen writes, 'I believe they think we have secret onion orgies at night and use them all up.' The Brooke Bond tea rep complains that tea need not be rationed at all if supply ships were not filled with 'useless goods' such as Corn Flakes, and there is a long-running saga about the non-arrival of Smedley's peas. Among the chorus of voices she brings us, Kathleen herself shines through as a strong and engaging woman who refuses to give in to doubts or misery and who maintains her keen sense of humour even under the most trying conditions.A vibrant addition to our records of the Second World War, the power of her diary lies in its juxtaposition of the everyday and the extraordinary, the homely and the universal, small town life and the wartime upheavals of a nation.

    He knows he's an insider when Carrie Fisher reminds him, "You're no longer a tourist, you’re one of the attractions." This heady mixture of eating spaghetti with the Coppolas, window-shopping with Sharon Stone, and working with and learning from the best actors and directors in Tinseltown will be irresistible to anyone who loves movies or aspires to be a Hollywood player.

    Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own.The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.

    For this new edition Pam has written a general introduction, as well as individual introductions to the poems, many of which are now illustrated with specially commissioned line drawings by Susan Hellard. This is the first time The Works has been available in hardback and is certain to delight Pam's fans of all ages. Pam is one of Britain's best-loved personalities and has been a regular on television and radio for more than 30 years—most recently on Just a Minute, The Comedy Quiz, Countdown, and her own series, Ayres on the Air.

    From his eccentric South London working class childhood to running one of the biggest cities in the world, Ken Livingstone delivers the turbulent true story of his life as one of Britain's foremost politicians.

    The story of Sackville-West's marriage to Harold Nicolson is one of intrigue and bewilderment. In Portrait of a Marriage, their son Nigel combines his mother's memoir with his own explanations and what he learned from their many letters. Even during her various love affairs with women, Vita maintained a loving marriage with Harold. Portrait of a Marriage presents an often misunderstood but always fascinating couple.

    V. Morton turns his traveler's intuition and his reporter's eye for detail to the city that has fascinated him since childhood—London past, present, and timeless. He explores the City and the Temple, Covent Garden, SoHo, and all the "submerged villages beneath the flood of bricks and mortar," uncovering layer upon layer of London's history. Morton follows the thread of imagination back and forth across the city, tracing unforgettable scenes: the Emperor Claudius leading his war elephants across the Thames. . .the grisly executions at the Tower. . .the world of Shakespeare, Dickens, and Queen Victoria. . .and the shattered yet defiant city of the Blitz as well as the postwar London of "ruins and hatless crowds." Morton's quest for London's heart reveals how its daily life is rooted in a past that is closer and more familiar than we might think, making the book as informative, entertaining, and rich in human color today as when it was written fifty years ago.

    They had no idea that a deeply confused fourteen-year-old boy was watching. Their dyed hair, fishnets, and eyeliner were his first evidence of another world—a place he desperately wanted to go. He just had no idea how to get there.Somehow David Crabb had convinced himself that every guy preferred French-braiding his girlfriend’s hair to making out, and that the funny feelings he got watching Silver Spoons and Growing Pains had nothing to do with Ricky Schroeder or Kirk Cameron. But discovering George Michael’s Faith confirmed for David what every bully already knew: he was gay. Surviving high school, with its gym classes, locker rooms, and naked, glistening senior guys, would require impossible feats of denial. What saved him was finding a group of outlandish friends who reveled in being outsiders. David found himself enmeshed with misfits: wearing black, cutting class, staying out all night, drinking, tripping, chain-smoking, idolizing The Smiths, Pet Shop Boys, and Joy Division—and learning lessons about life and love along the way.Richly detailed with 80s pop-culture, and including black and white photos throughout, Bad Kid is as laugh-out-loud funny as it is poignant. Crabb’s journey through adolescence captures the essence of every person’s struggle to understand his or her true self.

    For four years I lived for them. It's not a pretty story.'Bye, Bye Baby is the true tale of a passionate obsession with possibly the most untalented bunch of musicians in the history of rock and roll. Even in their heyday, Leslie, Eric, Woody, Alan, and Derek of the Bay City Rollers were hideously uncool among everyone but fourteen-year-old girls. Their tartan knickerbockers and striped socks were sneered at, while their feeble teenybopper music was ridiculed.And yet for Caroline Sullivan, a teenager in suburban New Jersey, these pasty-faced Scottish youths ruled her heart. Over four hot summers from 1975 to 1979, Sullivan and her band of lust-crazed friends, the Tacky Tartan Tarts, crisscrossed the United States in the Rollers' wake, staking out airports and hotels, tricking airline clerks and wheedling information out of bodyguards and PR companies-all in pursuit of that one big night.Bye Bye Baby is a confessional memoir that invites the reader into some of Sullivan's most excruciatingly embarrassing moments. More than just an uproarious tale of teenage passion and teen-adulation, it is also an inspired exploration of the intimate bonds that tie teenage girls.

    When war broke out, Nella's younger son joined the army while the rest of the family tried to adapt to civilian life. Writing each day for the "Mass Observation" project, Nella, a middle-aged housewife from the bombed town of Barrow, shows what people really felt during this time. This was the period in which she turned 50, saw her children leave home, and reviewed her life and her marriage - which she eventually compares to slavery. Her growing confidence as a result of her war work makes this a moving (though often comic) testimony, which, covering sex, death and fear of invasion, provides a new, unglamorised, female perspective on the war years. (For example, Nella writes :'Next to being a mother, I'd have loved to write books.' Oct 8, 1939.)

    Patricia Morrisroe, drawing on the numerous interviews she conducted with him and those who know him, has written a remarkable biography that reveals a life even more daring than his art.

    James Kildare, Richard Chamberlain took on the role of Hamlet on the English stage. The play contained a lesson the actor has remembered throughout his life: "To thine own self be true." But for Chamberlain these were not always easy words to live by. Even as he won the adoration of millions of fans, this handsome, charming, debonair leading man seriously questioned his own self–worth, living a life haunted by personal insecurity despite decades of immense popular success in memorable roles in Dr. Kildare, The Thorn Birds, Shogun, and other television dramas. Finally, with the help of friends and guidance from spiritual teachers, including Krishnamurti, Chamberlain began the sometimes painful but deeply rewarding process of reconciling his deepest self with his public persona. Now, in Shattered Love, he poignantly recounts his lifelong struggle to find happiness. Tracing a fascinating path through his meteoric rise to success, he chronicles his struggle to come to terms with his own imperfections, his growing desire to be honest about his sexual orientation, and his yearning to live with an open heart. And along the way he imparts the lessons he has learned about overcoming our own self–imposed obstacles to happiness: the importance of listening to our own instincts instead of listening only to others, not demanding the impossible of ourselves, and allowing ourselves to explore negative feelings in order to move forward.