I. C. Miller is a gifted high school athlete with a basketball scholarship from Georgia State University. He leaves behind an up and coming hood-rat named Tamara Jenkins who claims to be pregnant with I. C.'s child. Things take a downward spike when I. C. is charged with rape and murder. He is sentenced to death by lethal injection. After years of tricking for money, Tamara lands a job as a prison guard with the Federal Penitentiary in Atlanta. Soon after, Tamara realizes that her baby daddy is on death row at the prison that she works and will soon be executed for a hideous crime. It is only when she discovers that he may be innocent of his crime that she has a choice of either helping her baby daddy, or doing nothing and letting him die, Innocent.

    Illuminated by a resonant storytelling voice and dialogue that rings loud and true, Right as Rain provides indelible portraits of indomitable characters and an almost tangible sense of place, while revealing a deep understanding of race in mid-century America’s south.

    Andi makes a last-minute decision to buy a lottery ticket for a drawing worth $212 million and learns that she is the sole winner. After she quits her job but before she cashes the ticket, she loses the ticket itself. For the next 182 days, Andi tries to find a way to support herself and her daughter, Rue, while searching for the lost ticket. These six months become a trial in self-discovery for Andi. There are clashes with her nymphomaniac mother, who is on her sixth divorce and the reason Andi has sworn off dating. There is peer pressure to start dating and to get her job back, from her best friend of ten years, who may have had a hand in losing the ticket. On this life-changing journey, Andi gets life lessons from her ten-year-old daughter, picks up odd jobs, dabbles in awkward dating attempts, money-making schemes, and a new friendship with an eighty-seven-year-old pot-smoking crackerjack of a woman, Poppi. By the time the 182 days are up, will Andi have found the ticket? More importantly, what else may she have managed to find?

    Witness a father who takes his two boys out to sea, in flight from some menace at home, thus launching their adventures in a strange and dangerous territory. Artist Matthew Ritchie's striking images blend scientific diagramming with vivid, colorful renderings of the apocalypse, while writer Ben Marcus's cold prose plumbs the inner workings of two boys caught out at sea with a father whose costumes grow increasingly menacing. In this collaborative work, Ritchie's and Marcus's shared obsessions of mythology, physics and ancient texts have produced a conjunction of text and image in which people themselves are merely costumes for the darker needs that drive them.

    She has successfully navigated the shoals of a long marriage, infertility, challenging children, and a career. Now it’s her turn to realize her dream: producing hard apple cider along the northern shores of Lake Michigan that she loves. She manages to resist new versions of the old pull of family dynamics that threaten to derail her plan―but nothing can protect her from the shock a lovely young stranger delivers when she exposes a long-held secret. In the wake of this revelation, Abbie must overcome circumstances that severely test her self-determination, her loyalties, and her understanding of what constitutes true family.