But she grinds her teeth at night and dreads dinnertime, now that her troublemaker brother has been expelled from boarding school and is now home. Matters are complicated by Rachel's crush on his tutor, her older sister's acne problem, and her friendships with Stephanie and Alison.

    Her feelings don't make it any easier for her to cope with Molly's strange illness and eventual death.

    She feels as if she's being taken out of the country against her will. Certainly no one asked her opinion. Dinnie is used to change-with her family constantly moving from state to state while her father searches for one new "opportunity" after another. But when her aunt and uncle whisk her away to an international school in Lugano, Switzerland, Dinnie feels that this might be one "opportunity"that isn't right for her.Suddenly Dinnie's surrounded by kids from many different cultures, backgrounds, and beliefs. Home, and her first life, seem so far away. Can she adapt to a new country, a new home, and new friends? Or will it just be easier to close herself off-just survive-and never realize all the "bloomabilities" that are possible?

    Geniuses. Revolutionaries.The members of the legendary band Lemonade Mouth have been called all of these things. But until now, nobody's known the inside story of how this powerhouse band came to be. How five outcasts in Opoquonsett High School's freshman class found each other, found the music, and went on to change both rock and roll and high school as we know it. Wen, Stella, Charlie, Olivia, and Mo take us back to that fateful detention where a dentist's jingle, a teacher's coughing fit, and a beat-up ukelele gave birth to Rhode Island's most influential band. Told in each of their five voices and compiled by Opoquonsett's "scene queen," freshman Naomi Fishmeier, this anthology is their definitive history.

     That's Margaret Rose Kane's response to every activity she's asked to participate in at the summer camp to which she's been exiled while her parents are in Peru. So Margaret Rose is delighted when her beloved uncles rescue her from Camp Talequa, with its uptight camp director and cruel cabinmates, and bring her to stay with them at their wonderful house at 19 Schuyler Place. But Margaret Rose soon discovers that something is terribly wrong at 19 Schuyler Place. People in their newly gentrified neighborhood want to get rid of the three magnificent towers the uncles have spent forty-five years lovingly constructing of scrap metal and shards of glass and porcelain. Margaret Rose is outraged, and determined to strike a blow for art, for history, and for individuality...and no one is more surprised than Margaret Rose at the allies she finds for her mission.

    When Naomi's absent mother resurfaces to claim her, Naomi runs away to Oaxaca, Mexico with her great-grandmother and younger brother in search of her father.

    When she is eventually spotted on an unpopulated island off Cuba, she is an adolescent and seems hardly human to her rescuers. Mila is taken to a child study center in Boston. Eager to please, she makes rapid progress in language and social skills. With her recorder, Mila finds she can even make music like the dolphin songs she yearningly remembers. But the more Mila discovers about what it means to be human--the locked doors, the rules, the betrayals--the more she longs for her watery home and gentle dolphin family. In an emotionally wracking conclusion, she returns to the world where her ears never want for song. Where, although she cannot stand on her tail or jump the waves, she is part of the music of dolphins.

    Here she is, about to be a teenager and she doesn't know how. It's worse for her than for anyone else, she believes, because she has no role model. Her mother has been dead for years. Help and advice can only come from her father, manager of a music store, and her nineteen-year-old brother, who is a slob. What do they know about being a teen age girl? What she needs, Alice decides, is a gorgeous woman who does everything right, as a roadmap, so to speak. If only she finds herself, when school begins, in the classroom of the beautiful sixth-grade teacher, Miss Cole, her troubles will be over. Unfortunately, she draws the homely, pear-shaped Mrs. Plotkin. One of Mrs. Plotkin's first assignments is for each member of the class to keep a journal of their thoughts and feelings. Alice calls hers "The Agony of Alice," and in it she records all the embarrassing things that happen to her. Through the school year, Alice has lots to record. She also comes to know the lovely Miss Cole, as well as Mrs. Plotkin. And she meets an aunt and a female cousin whom she has not really known before. Out of all this, to her amazement, comes a role model—one that she would never have accepted before she made a few very important discoveries on her own, things no roadmap could have shown her. Alice moves on, ready to be a wise teenager.

    But after their father unwittingly sends them to stay with an aunt who’s away on holiday, the Hardscrabble children take off on an adventure that begins in the seedy streets of London and ends in a peculiar sea village where legend has it a monstrous creature lives who is half boy and half animal. . . . In this wickedly dark, unusual, and compelling novel, Ellen Potter masterfully tells the tale of one deliciously strange family and a secret that changes everything.

    From now on it would just be me and Sammy–the two of us, and no one else."A tragic accident has turned eleven-year-old Aubrey’s world upside down. Starting a new life all alone, Aubrey has everything she thinks she needs: SpaghettiOs and Sammy, her new pet fish. She cannot talk about what happened to her. Writing letters is the only thing that feels right to Aubrey, even if no one ever reads them.With the aid of her loving grandmother and new friends, Aubrey learns that she is not alone, and gradually, she finds the words to express feelings that once seemed impossible to describe. The healing powers of friendship, love, and memory help Aubrey take her first steps toward the future.Readers will care for Aubrey from page one and will watch her grow until the very end, when she has to make one of the biggest decisions of her life.Love, Aubrey is devastating, brave, honest, funny, and hopeful, and it introduces a remarkable new writer, Suzanne LaFleur. No matter how old you are, this book is not to be missed.

    Britt and Bran have moved to Florida so their mother can finish college, and the house-sitting income will allow their mom to quit her job and take classes full-time. Having never lived in a real house before, Britt is thrilled. There's only one problem: Britt starts to suspect her family isn't supposed to be there.She's been noticing that Bran is acting weird and defensive - he hides the Marquises' mail, won't let anyone touch the thermostat, and discourages Britt from meeting any of the neighbors. Determined to get to the bottom of things, Britt starts investigating and makes a startling discovery - the Marquises aren't who Bran has led her and their mom to believe. So whose house are they staying in, and why has Bran brought them there?

    But from the start, everything goes wrong. The worst part of it all is that she and her best friend, Leo, with whom she's shared every birthday, are on the outs and this will be the first birthday they haven't shared together. When Amanda turns in for the night, glad to have her birthday behind her, she wakes up happy for a new day. Or is it? Her birthday seems to be repeating iself. What is going on?! And how can she fix it? Only time, friendship, and a little luck will tell. . .

    They say a lot of things about the Schwa, but one thing’s for sure: no one ever noticed him. Except me. My name is Antsy Bonano—and I can tell you what’s true and what’s not, ’cause I was there. I was the one who realized the Schwa was “functionally invisible” and used him to make some big bucks. But I was also the one who caused him more grief than a friend should. So if you all just shut up and listen, I’ll spill everything. Unless, of course, "the Schwa Effect" wipes him out of my brain before I'm done....

    And she's about to become your new best friend. Annemarie Wilcox, or Shug as her family calls her, is beginning to think there's nothing worse than being twelve. She's too tall, too freckled, and way too flat-chested. Shug is sure that there's not one good or amazing thing about her. And now she has to start junior high, where the friends she counts most dear aren't acting so dear anymore -- especially Mark, the boy she's known her whole life through. Life is growing up all around her, and all Shug wants is for things to be like they used to be. How is a person supposed to prepare for what happens tomorrow when there's just no figuring out today?

    And after he handed in a scorching book report of the classic novel, Old Shep, My Pal, detention is just what he’s been handed. He is sure he’s done nothing wrong: he hated every minute of that book, especially when the dog dies in the end! Why do dogs always die at the end? Wallace refuses to do a rewrite of his report, so his English teacher, who happens to be directing the school play of Old Shep, My Pal, forces him go to the rehearsals to teach him a lesson on why the story is the way it is. Surrounded by theater kids who are apprehensive of him, Wallace sets out to prove himself. But not by changing his mind. Instead, he changes the play into a rock-and-roll rendition, complete with Rollerblades and a moped!