I was too short.Would my feet even touch the ground if I sat on the throne?These are the words of lady Jane Grey, as imagined by celebrated author Ann Rinaldi. Jane would become Queen of England for only nine days before being beheaded at the age of sixteen. Here is a breathtaking story of English royalty with its pageantry, privilege, and surprising cruelty. As she did in her previous novel Mutiny's Daughter, Ms. Rinaldi uses powerful, evocative writing to bring to life a teenage girl caught in the grip of stirring times.

    When his little sister buys his bear, Arthur misses him terribly. But Arthur realizes that even though he's growing up, he can still have a special relationship with an old friend. Young children will delight in the adventures of Arthur and Violet and this very special story about friendship.

    Renamed True Son, he came to think of himself as fully Indian. But eleven years later his tribe, the Lenni Lenape, has signed a treaty with the white men and agreed to return their captives, including fifteen-year-old True Son. Now he must go back to the family he has forgotten, whose language is no longer his, and whose ways of dress and behavior are as strange to him as the ways of the forest are to them. A beautifully written, sensitively told story of a white boy brought up by Indians, The Light in the Forest is a beloved American classic.

    But if you think you know where you are, guess again. For nothing is ever as it seems in Istvan Banyai's sleek, mysterious landscapes of pictures within pictures, which will tease and delight readers of all ages. "This book has the fascinating appeal of such works of visual trickery as the Waldo and Magic Eye books." —Kirkus Reviews "Ingenious." —The Horn Book

    Natalie is astonished to discover that she belongs to this world -- and that now she has to save it. The sinister Lord Hawk, exiled to the human world, is planning his revenge against the Spell Lords. Only Natalie suspects he's developed a poison to kill the soul trees -- and only Natalie can stop him.With the help of a loyal magehound, a herd of unicorns, and the spirit of her dead mother, Natalie must do battle with an evil force determined to spread its power across both worlds.

    You'll find 101 more stories to help you deal with a world that seems more and more difficult every day.Jack, Mark and Kimberly's latest batch focuses on love, friendship and tough stuff, along with some great teen-told tales of learning lessons, making a difference and growing up. Like in the first volume of Chicken Soup for the Teenage Soul, you'll find no adults preaching to you about what you should or shouldn't do. Instead, this book if full of teens who share their experiences on learning to accept life, becoming the best person you can be, being happy with who you are, and loving yourself--no matter what. These stories will show you that no matter how difficult your situation may seem, you can make it through the tough times; and that no matter how lonely you may feel, you are never alone.Cover artwork by Robbin O'NeillCover redesign by Andrea Perrine Brower

    Sylvia sits in front of him at school, and he's so in love with her, she's all he can see. But sadly, Sylvia doesn't see him. In fact, it seems the only thing Sylvia has eyes for is birds. “There are birds on her pants and dresses. She wears bird barrettes in her hair. She draws birds on her notebooks and folders. And when she speaks, her voice sounds like birdsong.” So in a bold attempt to get Sylvia's attention, the boy decides to go to school dressed up as a bird. He endures the stares and giggles of his classmates, and a great deal of discomfort, but the boy doesn't care. Because when it comes to love, sometimes you have no choice but to follow your heart and spread your wings.In this sweetly funny picture book, Ingrid Chabbert perfectly captures the emotional essence of a child's first love. The boy's voice as narrator is realistic and endearing as he engagingly and honestly shares the wonder of his experience. With imagination and gentle humor, Guridi uses spare lines in mostly black and white drawings to tenderly express the poignant heart of the story. This book offers a terrific exploration of young children's self-discovery and self-expression, as well as the early development of social skills. It makes a wonderful read-aloud to launch a classroom discussion about relationships and feelings.

    Modelled on those catalogues that spill unwanted from your weekend newspapers, this is a celebration of triumphantly useless and inappropriate consumer choices. Illustrated throughout in the shape and style of catalogues that offer you the chance to buy machines that stamp your initials onto golf balls or allow you to warm you slippers electronically before putting them on. An array of toys, gadgets, and handy-helps, it's a modern vision of a consumer paradise gone very weird indeed.

    The author won the 1986 Reuben Award as Outstanding Cartoonist of the Year and has also illustrated Something Under the Bed is Drooling, Calvin and Hobbes' Yukon Ho! and Weirdos From Another Planet.

    Their mother died several years earlier, so their grandmother and ladies-in-waiting raise the girls. Eleanor is extremely intelligent and literate, having been carefully educated by royal tutors. Spinning bores her, as does weaving, sewing, and other housewifery skills expected of her. She would rather be a knight and ride off to war. In fact, in 1136, when her father is invited to help invade Normandy,

    It's perfect for Disney Princess fans ages 2-5.

    His work has been seen by millions—no, hundreds of millions—in the pages of Playboy, The New Yorker, Punch, The National Lampoon, and many other magazines; there is no telling, really, how many readers he has corrupted or comforted. He is revered for his playfully sinister take on childhood, adulthood, men, women, and monsters. His brand of humor makes you laugh until you cry. And it’s about time that a collection of his cartoons was published that did justice to his vast body of work.When Gahan Wilson walked into Hugh Hefner’s office in 1957, he sat down as Hefner was on the phone, gently rejecting a submission to his new gentlemen’s magazine: “I think it’s very well-written and I liked it very much,” Hefner reportedly said, “but it’s anti-sin. And I’m afraid we’re pro-sin.” Wilson knew, at that moment, that he had found a kindred spirit and a potential home for his cartoons. And indeed he had; Wilson appeared in every issue of Playboy from the December 1957 issue to today. It has been one of the most fruitful, successful, and long-lived relationships between a contributor and a magazine, ever.Gahan Wilson: 50 Years of Playboy Cartoons features not only every cartoon Wilson drew for Playboy, but all his prose fiction that has appeared in that magazine as well, from his first story in the June 1962 issue, “Horror Trio,” to such classics as “Dracula Country” (September 1978). It also includes the text-and-art features he drew for Playboy, such as his look at Madame Tussaud’s Wax Museum, his take on our country’s “pathology of violence,” and his appreciation of “transplant surgery.”Wilson’s notoriously black sense of comedy is on display throughout the book, leaving no sacred cow unturned (an image curiously absent in the book), ridiculing everything from state sponsored executions to the sober precincts of the nouveau rich, from teenage dating to police line-ups, with scalding and hilarious satirical jabs. Although Wilson is known as an artist who relishes the creepy side of modern life, this three-volume set truly demonstrates the depth and breadth of his range—from illustrating private angst we never knew we had (when you eat a steak, just whom are you eating?) to the ironic and deadpan take on horrifying public issues (ecological disaster, nuclear destruction anyone?).Gahan Wilson has been peeling back the troubling layers of modern life with his incongruously playful and unnerving cartoons, assailing our deepest fears and our most inane follies. This three-volume set is a testament to one of the funniest—and wickedly disturbing—cartoonists alive.Nominated for two 2010 Will Eisner Comic Industry Awards (Best Archival Collection/Project: Strips; Best Publication Design).

    352-560 pages each.

    The text is faithful to Lewis Carroll's original story, and special effects like a Victorian peep show, multifaceted foil, and tactile elements make this a pop-up to read and admire again and again.

    Fortunately, Judy has the good sense to learn something from each experience.