Delany has written a book for creative writers to place alongside E. M. Forster's Aspects of the Novel and Lajos Egri's Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere.

    The good news is that almost every nonfiction book published is sold by a proposal. In this comprehensive yet accessible guide, you will learn exactly what a proposal is, what it must contain, and how to pull yours together into an informative, persuasive selling package. Already a favorite for thousands of aspiring writers, this book has been revised and updated by Elizabeth Lyon to feature nearly two dozen actual proposals, plus:- Choosing a topic based on current trends and competing titles- Drafting the perfect concept statement--daring agents and editors to reject you- Defining and targeting your readership--then connecting with them- Preparing a table of contents and chapter summaries- Submitting exciting and well-written sample chapters- Writing query letters- Devising a marketing plan that will excite agents and publishers

    Most writers (and most screenwriting books) rush too quickly through choosing a story idea, to get to the process of outlining and writing it. And it's the biggest reason most projects don't move forward in the marketplace: producers and editors are underwhelmed by the central concept. Multiple Emmy- and Golden Globe-winning screenwriter and producer Erik Bork (HBO's Band of Brothers) explains the seven key ingredients in stories that have a chance of selling and reaching a wide audience - in any genre or medium.

     When you are planning to write a new story, all you need to focus on are the characters, and how they are going to change during the course of the romance as a result of the relationship. That is what will make your story both unique and compelling. Advanced story craft techniques are very handy at the editing and revision stage when you shape your story for the reader – but not here! Instead, we use the power of character arc and emotional conflict to create a simple but effective emotional story map for your romance novel. As you write your romance, your characters will come to life on the page, and reveal their true personalities through what they say and do. But first you have to get those characters onto the page and interacting with one another – fast! This is the six-step writing process professional romance authors use to develop their novels – and stay motivated and excited by their story. Now you can do the same. And keep your pants on! Find out how to outline your romance novel when you don’t know a thing about story structure and the whole ideas of pre-planning your story freezes you. And enjoy doing it!

    It wastes no words, and it has a rhythm that only confident stylists achieve." Just as stent and laparoscopy are surgery terms of art, show and tell are writing terms of art. They refer to a technique that novelist Robert Sawyer says is “among the hardest for beginners to master.” Showing rather than telling is the single most important skill for powerful sentence-by-sentence writing. This lesson sets out what showing and telling mean, and illustrates how to consistently show rather than tell, and will result in your writing becoming more compelling and engaging for the reader. "Thayer writes a vivid tale," the Cleveland Plain Dealer said. This lesson will help you write your own vivid tale.

    It gives the background, insights, and specific procedures needed by all beginning writers. Here one can learn how to group words into copy that moves, movement into scenes, and scenes into stories; how to develop characters, how to revise and polish, and finally, how to sell the product.No one can teach talent, but the practical skills of the professional writer's craft can certainly be taught. The correct and imaginative use of these kills can shorten any beginner's apprenticeship by years.This is the book for writers who want to turn rejection slips into cashable checks.

    Thompson, and Gay Talese launched the New Journalism movement, Robert S. Boynton sits down with nineteen practitioners of what he calls the New New Journalism to discuss their methods, writings and careers.The New New Journalists are first and foremost brilliant reporters who immerse themselves completely in their subjects. Jon Krakauer accompanies a mountaineering expedition to Everest. Ted Conover works for nearly a year as a prison guard. Susan Orlean follows orchid fanciers to reveal an obsessive subculture few knew existed. Adrian Nicole LeBlanc spends nearly a decade reporting on a family in the South Bronx. And like their muckraking early twentieth-century precursors, they are drawn to the most pressing issues of the day: Alex Kotlowitz, Leon Dash, and William Finnegan to race and class; Ron Rosenbaum to the problem of evil; Michael Lewis to boom-and-bust economies; Richard Ben Cramer to the nitty gritty of politics. How do they do it? In these interviews, they reveal the techniques and inspirations behind their acclaimed works, from their felt-tip pens, tape recorders, long car rides, and assumed identities; to their intimate understanding of the way a truly great story unfolds. Interviews with: Gay TaleseJane Kramer*Calvin TrillinRichard Ben Cramer*Ted Conover*Alex Kotlowitz*Richard Preston*William Langewiesche*Eric SchlosserLeon DashWilliam FinneganJonathan Harr*Jon Krakauer*Adrian Nicole LeBlancMichael Lewis*Susan OrleanRon RosenbaumLawrence Weschler*Lawrence Wright** Search our online catalog to find other titles by these Vintage and Anchor Books authors.

    Heroic characters can be broken down into sixteen archetypes. By following the guidelines of the archetypes presented in this comprehensive reference work, writers can create extraordinarily memorable characters and elevate their writing to a higher level. Throughout the book, the authors give examples of well-known heroes and heroines from television and film so the reader can picture the archetype in his or her mind.At the very core of a character, every hero can be traced back to one of the eight major archetypes, as can every heroine. The core archetype tells the writer the most basic instincts of heroes or heroines - how they think and feel, what drives them and how they reach their goals. Whether you are a seasoned professional or a novice, The Complete Writer's Guide to Heroes & Heroines will help you improve your own writing and help you create truly memorable characters.

    Emma Duncan, a hypochondriac with memory problems, and her orphaned fianc

    The last, informal section of Due Considerations assembles more or less autobiographical pieces—reminiscences, friendly forewords, comments on the author’s own recent works, responses to probing questions.In between, many books are considered, some in introductions—to such classics as Walden, The Portrait of a Lady, and The Mabinogion—and many more in reviews, usually for The New Yorker. Ralph Waldo Emerson and the five Biblical books of Moses come in for appraisal, along with Uncle Tom’s Cabin and The Wizard of Oz. Contemporary American and English writers—Colson Whitehead, E. L. Doctorow, Don DeLillo, Norman Rush, William Trevor, A. S. Byatt, Muriel Spark, Ian McEwan—receive attentive and appreciative reviews, as do Rohinton Mistry, Salman Rushdie, Peter Carey, Margaret Atwood, Gabriel García Márquez, Haruki Murakami, Günter Grass, and Orhan Pamuk. In factual waters, Mr. Updike ponders the sinking of the Lusitania and the “unsinkable career” of Coco Chanel, the adventures of Lord Byron and Iris Murdoch, the sexual revolution and the advent of female Biblical scholars, and biographies of Robert Frost, Sinclair Lewis, Marcel Proust, and Søren Kierkegaard.Reading Due Considerations is like taking a cruise that calls at many ports with a witty, sensitive, and articulate guide aboard—a voyage not to be missed.

    This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through.  Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget.  Also included is the appendix, 'The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting.