Marco Polo shook Europe with descriptions of the world he'd seen on his epic journey to the court of Kublai Khan. But was Marco Polo the world's most accomplished explorer? Had he really seen the Roof of the World in Central Asia, and the City of Heaven in far-off China? Or was he a charlatan who saw nothing more than the conjurings of his inventive mind? Join Russell Freedman as he tackles a centuries-old mystery.

    The hall was large and low, the roof arched, and supported on thick short columns, almost like the crypt of a Cathedral; the walls were thick, and the windows, which had no glass, were very small, set in such a depth of wall that there was a wide deep window seat, upon which the rain might beat, without reaching the interior of the room. And even if it had come in, there was nothing for it to hurt, for the walls were of rough stone, and the floor of tiles. There was a fire at each end of this great dark apartment, but there were no chimneys over the ample hearths, and the smoke curled about in thick white folds in the vaulted roof, adding to the wreaths of soot, which made the hall look still darker.

    It's also a book full of entertainment and wonders. In The Song of the Dodo, we follow Quammen's keen intellect through the ideas, theories, and experiments of prominent naturalists of the last two centuries. We trail after him as he travels the world, tracking the subject of island biogeography, which encompasses nothing less than the study of the origin and extinction of all species. Why is this island idea so important? Because islands are where species most commonly go extinct -- and because, as Quammen points out, we live in an age when all of Earth's landscapes are being chopped into island-like fragments by human activity. Through his eyes, we glimpse the nature of evolution and extinction, and in so doing come to understand the monumental diversity of our planet, and the importance of preserving its wild landscapes, animals, and plants. We also meet some fascinating human characters. By the book's end we are wiser, and more deeply concerned, but Quammen leaves us with a message of excitement and hope.

    His grandparents were among the first settlers of Corenwald’s Eastern Frontier. His father had been one of the kingdom’s greatest warriors. Aidan, on the other hand, lives the quiet, comfortable life of a nobleman’s son. He never has any real adventures, and that, he believes, is the one great injustice of his otherwise happy life. All that will change the day he first hears the bark of the bog owl and meets Dobro Turtlebane. Dobro is one of the feechiefolk—a tribe of half-civilized swamp dwellers who fight too much, laugh too loud, cry too easily, and smell just terrible. But another meeting on that remarkable day may change Aidan’s life even more profoundly. Bayard the Truthspeaker arrives with a startling pronouncement: Aidan Errolson will grow to be the Wilderking—the long-prophesied wild man who will come out of Corenwald’s forests and swamps to lead the kingdom back to its former glory. There’s just one question: Is Bayard the Truthspeaker a prophet or a madman? This initial installment in The Wilderking Trilogy is sure to capture the hearts of young and old, boys and girls alike. Written in the same fashion as The Lord of the Rings or The Lion, the Witch and the Wardrobe, The Bark of the Bog Owl, as the author says, will help “direct a God-fearing boy’s sense of adventure and warrior spirit – his God-given wildness.”

    Set in the 15th century, it is a juvenile "coming of age" work in which a young squire, Myles Falworth, seeks not only to become a knight but to eventually redeem his father's honor. In Chapter 24 the knighthood ceremony is presented and described as it would be in a non-fiction work concerning knighthood and chivalry. Descriptions of training equipment are also given throughout.In 1954 it was made into a movie called The Black Shield of Falworth.

    A whole family sat for hours around the fire in the middle of the room. That fire gave the only light. Shadows flitted in the dark corners. Smoke curled along the high beams of the ceiling. The children sat on the dirt floor close by the fire. The grown people were on a long narrow bench that they had pulled up to the light and warmth. Everybody's hands were busy with wool. As the family worked in the red fire-light, the father told of the kings of Norway, of long voyages to strange lands, of good fights. And in farmhouses all through Iceland these old tales were told over and over until everybody knew them and loved them. Men who could sing and play the harp were called "skalds," and they called their songs "sagas." Eventually these stories were written down on sheepskin or vellum so that we can enjoy them today. We follow the fortunes of Harald from the time he is acknowledged by his father as a baby and given his own thrall at the cutting of his first tooth, through his exploits as a viking adventurer, to his crowning as King of Norway. It is when Harald is King of Norway that population pressures at home and eagerness for adventure and booty from other lands combine to drive some of the bolder Vikings to set forth from their native land. Sailing ever westward across the Atlantic, they hop along the chain of islands that loosely connects Norway with America-Orkneys and Shetlands, Faeroes, Iceland, and Greenland. It is from link to link of this chain that the characters in our story sail in search of home and adventure. Discoveries are made by accident. Ships are driven by the wind into unknown ports, resulting in landings and settlements in Iceland, Greenland, and America. The crude courage of these men and strangeness of their adventures appeal strongly to children, while their love of truth, hardy endurance, and faithfulness to the promised word make them characters to emulate. Suitable for children ages 9 and up to read to themselves and for children as young as 6 as a read-aloud.

    Detailed accounts of the hardships experienced while traveling across mountains and prairies; vibrant portraits of emigrants and Western wildlife; and vivid descriptions of Indian life and culture. A classic of American frontier literature.

    When I was a child we didn't really go anywhere, except a week in the Isle of Man when I was about ten years old, and I never left Britain until I was twenty. Even now, years later, the best bit of any travelling is coming home. Bringing us into the world of shepherd's baking competitions, sheep shows and moments out on the fell watching the sheep run away home, James Rebanks interweaves thoughts and reflections on the art of shepherding with his photographs of the valley, people and animals that make up the daily life of the fells. A life lived by the three hundred surviving fell farming families, this is a book of photos and words filled with reverence and love.

    A biography of the famous frontiersman and Congressman, focusing on his childhood.

    Yet this is the first book to tell the story of rain. Cynthia Barnett's  Rain begins four billion years ago with the torrents that filled the oceans, and builds to the storms of climate change. It weaves together science—the true shape of a raindrop, the mysteries of frog and fish rains—with the human story of our ambition to control rain, from ancient rain dances to the 2,203 miles of levees that attempt to straitjacket the Mississippi River. It offers a glimpse of our "founding forecaster," Thomas Jefferson, who measured every drizzle long before modern meteorology. Two centuries later, rainy skies would help inspire Morrissey’s mopes and Kurt Cobain’s grunge. Rain is also a travelogue, taking readers to Scotland to tell the surprising story of the mackintosh raincoat, and to India, where villagers extract the scent of rain from the monsoon-drenched earth and turn it into perfume. Now, after thousands of years spent praying for rain or worshiping it; burning witches at the stake to stop rain or sacrificing small children to bring it; mocking rain with irrigated agriculture and cities built in floodplains; even trying to blast rain out of the sky with mortars meant for war, humanity has finally managed to change the rain. Only not in ways we intended. As climate change upends rainfall patterns and unleashes increasingly severe storms and drought, Barnett shows rain to be a unifying force in a fractured world. Too much and not nearly enough, rain is a conversation we share, and this is a book for everyone who has ever experienced it.

    It is set in the time of the English Civil War and the Commonwealth. The story follows the fortunes of the four Beverley children who are orphaned during the war, and hide from their Roundhead oppressors in the shelter of the New Forest where they learn to live off the land.

    Dull as dishwater. Without rhyme or reason. Leapfrog. Excellent. Gloomy. These words and phrases, so much a part of our daily language, were coined by William Shakespeare more than four hundred years ago. In what other ways has Shakespeare shaped and influenced our words and culture? Find out with Michael Rosen’s fascinating exploration of the enduring genius of the greatest playwright in the English language, SHAKESPEARE: HIS WORK AND HIS WORLD. Learn what theatre was like when Shakespeare created and acted in his plays. With dramatic illustrations by Robert Ingpen, the fluid text is sprinkled with Shakespearean quotations to re-create the Bard’s world of kings and queens, fairies and potions, and bloody beheadings. This sweeping account is a biography, a history, and a retelling of some of Shakespeare’s most famous plays—all in one approachable volume.

    From the thawing tundra linking a Yup'ik village in Alaska to its hunter-gatherer past to the shifting sand dunes revealing the impressively preserved homes of neolithic farmers in Scotland, Jamie explores how the changing natural world can alter our sense of time. Most movingly, she considers, as her father dies and her children leave home, the surfacing of an older, less tethered sense of herself. In precise, luminous prose, Surfacing offers a profound sense of time passing and an antidote to all that is instant, ephemeral, unrooted.

    The Rudomin family has been arrested by the Russians. They are "capitalists' enemies of the people." Forced from their home and friends in Vilna, Poland, they are herded into crowded cattle cars. Their destination: the endless steppe of Siberia.For five years, Esther and her family live in exile, weeding potato fields and working in the mines, struggling for enough food and clothing to stay alive. Only the strength of family sustains them and gives them hope for the future.

    Homer's epic poem, The Iliad is brought to life by Rosemary Sutcliff with the skill of a good storyteller, and with the dramatic and haunting illustrations of Alan Lee (Art Direction, The Lord of the Rings).The book was the winner of the Kate Greenaway Medal in 1993.